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This volume includes a translation of the major prose works, several of the ascribed lyrics and a selection of the commentaries written in English by this fourteenth-century (c. 1300-1349) English mystical writer and hermit.
This book explores the fifteenth-century translations of Richard Rolle's Latin and English writings into English and Latin, respectively, raising questions about the impact of translation on an author's legacy through the editorial activity of his translators. The volume also discusses Rolle's sensory mysticism--which was criticized by the ensuing generation of mystics--whilst looking into the ways in which translations of his work create a fifteenth-century version of Rolle. While the fifteenth-century translations did not represent the standard means of shaping Rolle's authority, this study illustrates individual encounters with Rolle's writings in which interpretation was much more overt than in the devotional reuse of untranslated Rollean material. The volume asks if alternative and perhaps controversial portraits of the same author arise from the translations. Richard Rolle has received many, often conflicting, labels in scholarship: the father of English prose, the first medieval English author, the first known mystic of English literature, the runaway Oxford man, the non-conformist hermit, and the misogynist. This book is located in the context of the late medieval censorship culture which inevitably impacted the translators' treatment of authority, revelatory writing, and theological speculations. The analysis of Rolle in translation highlights the various meanings, practices, and implications of translation in the fifteenth century.
First collection of late medieval English mystical writing, which has been newly edited with notes and glossary.
Originally published as an English translation in 1981, The Middle English Mystics is a crucial contribution to the study of the literature of English mysticism. This book surveys and analyses the language of metaphor in the writings of such mystics as Richard Rolle, Walter Hilton, Julian of Norwich, and in such anonymous works as The Cloud of Unknowing and the Ancrene Wisse. The main emphasis of this comparative and stylistic study is not theological but rather the means by which theological concepts are communicated through language. The book sets the English mystics in perspective by establishing their place in the European mystical movement of the Middle Ages. It shows how intricate the relationship between English, and continental mysticism really is. The book suggests that there is clear links between English and German female mysticism, yet the mysticism is in the main due not so much to specific influences as to the common background of Christian theology and mysticism.