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Though he works with an omnivorous 8x10 camera, Richard Renaldi has the roving eye of a street photographer, always searching for the brief encounter, the fleeting moment when a stranger will open his or her life to him, and, consequently, to the viewer. Richard Renaldi's "Figure and Ground," drawn from more than seven years of work, presents portraits, landscapes and, most importantly, the portraits in situ that meld those two classic photographic genres, in which he embraces not only individuals but the environment that encompasses them. These images were made across the United States, and take in not only those who might seem traditionally American-a blonde carrying a Louis Vuitton bag through a Greyhound terminal, or a rodeo cowboy, arms akimbo, standing determinedly against an all-dirt horizon-but also a woman in a burqa and Timberland boots on a faded Newark street and a transgender girl working a fast-food counter under the sad-glamorous glow of fluorescent lighting. If there is truly a center to the changing American social landscape, it can be found here, in these precisely rendered portraits.
"Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format eight-by-ten-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States. He pairs them up and invites them to pose together, intimately, in ways that people are usually taught to reserve for their close friends and loved ones. Renaldi creates spontaneous and fleeting relationships between strangers, for the camera, often pushing his subjects beyond their comfort levels. These relationships may only last for the moment the shutter is released, but the resulting photographs are moving and provocative, and raise profound questions about the possibilities for positive human connection in a diverse society. -- Provided by publisher."--Publisher's description.
Manhattan Sunday is part homage to a slice of New York nightlife, and part celebration of New York as palimpsest--an evolving form onto which millions of people have and continue to project their ideal selves and ideal lives. In the essay that accompanies his photographs, Richard Renaldi describes his experiences as a young man in the late 1980s who had recently embraced his gay identity, and of finding a home in the mystery and abandonment of the club, the nightscape, and then finally daybreak, each offering a transformation of Manhattan from the known world into a dreamscape of characters acting out their fantasies on a grand stage. Drawing heavily on his personal subcultural pathways, Renaldi captures that ethereal moment when Saturday night bleeds into Sunday morning across the borough of Manhattan. This collection of portraits, landscapes, and club interiors evokes the vibrant nighttime rhythms of a city that persists in both its decadence and its dreams, despite beliefs to the contrary. Manhattan Sunday is a personal memoir that also offers a reflection the city's evolving identity--one that still carries with it and cherishes the echoes of its past.
In the spring of 2000, Richard Renaldi began making frequent trips to the small New England city of Fall River, Massachusetts. Situated just a short distance from the Atlantic coast, Fall River was once at the very center of American textile manufacturing. Renaldi's aim was to photograph the young men of Fall River coming of age amidst an industrial landscape well past its boom years. This extraordinary body of images - both portraits and landscapes - is gathered here for the first time in Renaldi's second monograph, Fall River Boys.
The Jukebox Queen of Malta is an exquisite and enchanting novel of love and war set on an island perilously balanced between what is real and what is not. It's 1942 and Rocco Raven, an intrepid auto mechanic turned corporal from Brooklyn, has arrived in Malta, a Mediterranean island of Neolithic caves, Copper Age temples, and fortresses. The island is under siege, full of smoke and rubble, caught in the magnesium glare of German and Italian bombs. But nothing is as it seems on Malta. Rocco's living quarters are a brothel; his commanding officer has a genius for turning the war's misfortunes into personal profit; and the Maltese people, astonishingly, testify to the resiliency of the human spirit. When Rocco meets the beautiful and ethereal Melita, who delivers the jukeboxes her cousin builds out of shattered debris, they are drawn to each other by an immediate passion. And, it is their full-blown affair that at once liberates and imprisons Rocco on the island. In this mesmerizing novel, music and bombs, war and romance, the jukebox and the gun exist in arresting counterpoint in a story that is a profound and deeply moving exploration of the redemptive powers of love.
This textbook is aimed at newcomers to nonlinear dynamics and chaos, especially students taking a first course in the subject. The presentation stresses analytical methods, concrete examples, and geometric intuition. The theory is developed systematically, starting with first-order differential equations and their bifurcations, followed by phase plane analysis, limit cycles and their bifurcations, and culminating with the Lorenz equations, chaos, iterated maps, period doubling, renormalization, fractals, and strange attractors.
A very active field of research is emerging at the frontier of statistical physics, theoretical computer science/discrete mathematics, and coding/information theory. This book sets up a common language and pool of concepts, accessible to students and researchers from each of these fields.
Seven years have passed since the publication of the previous edition of this book. During that time, sensor technologies have made a remarkable leap forward. The sensitivity of the sensors became higher, the dimensions became smaller, the sel- tivity became better, and the prices became lower. What have not changed are the fundamental principles of the sensor design. They are still governed by the laws of Nature. Arguably one of the greatest geniuses who ever lived, Leonardo Da Vinci, had his own peculiar way of praying. He was saying, “Oh Lord, thanks for Thou do not violate your own laws. ” It is comforting indeed that the laws of Nature do not change as time goes by; it is just our appreciation of them that is being re?ned. Thus, this new edition examines the same good old laws of Nature that are employed in the designs of various sensors. This has not changed much since the previous edition. Yet, the sections that describe the practical designs are revised substantially. Recent ideas and developments have been added, and less important and nonessential designs were dropped. Probably the most dramatic recent progress in the sensor technologies relates to wide use of MEMS and MEOMS (micro-electro-mechanical systems and micro-electro-opto-mechanical systems). These are examined in this new edition with greater detail. This book is about devices commonly called sensors. The invention of a - croprocessor has brought highly sophisticated instruments into our everyday lives.
Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format 8-by-10-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States. He pairs them up and invites them to pose together, intimately, in ways that people are usually taught to reserve for their close friends and loved ones. Renaldi creates spontaneous and fleeting relationships between strangers for the camera, often pushing his subjects beyond their comfort levels. These relationships may only last for the moment the shutter is released, but the resulting photographs are moving and provocative, and raise profound questions about the possibilities for positive human connection in a diverse society.