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This clearly designed and illustrated book is dedicated to a complete overview of Richard Meier's Barcelona Museum of Contemporary Art, completed in 1995. Located in the area of the Casa de la Caritat, a former monastic enclave, this extraordinary building maintains a unique dialogue between the city's old urban fabric and the contemporary art housed within the museum. Barcelona's first institution devoted entirely to twentieth-century art, this museum synthesizes the striking contemporaneity of its bold architecture and the rich medieval history of its context. Meier's masterful use of materials -- pristine white aluminum panels, glass, stucco, and granite -- and characteristic modern style emphasize a play of solid and void, light and shadow, through the museum's fluid, geometric forms. An external ramp leads from the sweeping plaza to a triple-height atrium space. An internal, glass-enclosed ramp unfolds vertically along the front facade of the building, offering breathtaking vistas of a sixteenth-century church and the romantic city beyond and leading to three floors of open exhibition areas. This unique publication documents the dramatic design with preliminary sketches, models, drawings, and lavish color photographs.
Located in the rundown district of the Raval, the Museum of Contemporary Art of Barcelona creates a dialogue between the quarter's historic urban fabric and contemporary art. The labyrinthine nature of the pre-existing streets in the district is reflected in the building's organization, most notably in the main entrance. A pedestrian passageway runs parallel from the museum's back garden to a newly created square in front of the museum, known as the Plaça dels Ángels, and links to a pedestrian network running throughout the old city.The gentle curve of this thoroughfare underscores the centrifugal movement of the cylindrical lobby and describes a fifth facade, connecting the geometries of the museum to an urban context characterized by skewed intersections and the domes of ancient churches. As befits an institution devoted to modern and contemporary art, the striking contemporaneity of the museum's architecture fuses with the accumulated history of the surroundings.
This catalog, accompanying a major exhibition organized by The Museum of Contemporary Art, Los Angeles (and traveling throughout the world), beautifully documents Meier's career with exquisite duotone photographs and the architect's own drawings, most of which have never been published."--BOOK JACKET.
"A sequel and companion to Richard Meier, architect (Rizzoli, 1984), this substantial new volume resumes the documentation of the numerous and varied works created since 1984 by one of America's most important architects and a winner of the Pritzker Prize for Architecture. Meire's crisp, dynamic, and elegant designs stand forth in all their purity in this illustrated volume designed by Massimo Vegnelli. Included are his Museum for the Decorative Arts and the Museum of Ethnology, both in Frankfort: the Getty Center, Los Angeles; The Hauge City Hall and Central Library; the Canal+ Headquarters, Paris; and several private houses. Twenty-eight projects in all are presented, as well as a chapter devoted to Meier's object designs."--Back flap of cover.
Provides an history of the planning, design, and construction of the six-building Getty Center in Los Angeles, one of the great cultural complexes. This book takes us behind the scenes of the thirteen-year-long, one-billion-dollar project.
Beginning with his ascent in the late 1960s, the work of Richard Meier has been identified with a careful but decisive reflection on modernity, its origins, and its potential as a continuing source of innovation. Collected here for the first time in paperback are the large-scale projects Meier developed during the last decade–mature works that coincide with his celebration as one of the world’s foremost architects. His reflections on being heir to an abstract modernist ethic meld together with his concepts of the city and the contemporary landscape. Meier’s architecture privileges large public works above others, using their monumentality to imagine the possibilities of contemporary civic spaces. The recent Church for the Jubilee in Rome demonstrates the conjunction of modernity with simplicity and emotion of form, light, and material. But Meier also uses smaller-scale private commissions–such as the celebrated 173/176 Perry Street residential towers in New York–as an opportunity to explore the limits of his unique and immediately recognizable brand of modernism.
Richard Meier, one of America's most influential and widely emulated architects, began his career in the early 1960s designing private residential projects, whose elegant modernist style and white facades have become icons of modern architecture. Renowned as the designer of large-scale works around the world, including the Jubilee Church in Rome and the Getty Center in Los Angeles, Meier has set an international style all his own based on the purity and power of his unique vision. This beautifully photographed volume is the first to document Meier's complete catalogue of museum and gallery projects, including the seminal High Museum in Atlanta (recently featured on a U.S. postage stamp in a series that includes the Guggenheim Museum and the Chrysler Building), the Museum of Contemporary Art in Barcelona, the Gagosian Gallery in Beverly Hills, the Getty Center, and the Ara Pacis Museum in Rome. Richard Meier Museums presents these and other celebrated projects in stunning full-color interior and exterior photography and extensive drawings and plans to give the fullest understanding of this modernist master's remarkable contribution to the art of museum design.
Edited by John Elderfield. Introduction by Glenn D. Lowry.
This comprehensive monograph documents the long and distinguished career of American architect Richard Meier (b.1934), winner of the Pritzker Architecture Prize in 1984. Presenting 90 of his buildings from 1965-2002, the book spans Meier's early private homes to later major works such as the Getty Center in Los Angeles (1997), the Barcelona Museum of Contemporary Art (1995) and the Jubilee Church in Rome, Italy (2004). Includes an introductory essay by critic Kenneth Frampton and several texts by Richard Meier as well as a detailed chronology of his work.
The Grotta House was designed by star architect Richard Meier Excellent private collection of ceramics, jewelry, wood and fiber An ambitious project fusing art and architecture A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewelry and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.