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"Everything you've ever believed about yourself...about the description of reality you've clung to so stubbornly all your life...all of it...every bit of it...is an illusion." In the rubble-strewn wasteland of Alphabet City, a squalid tenement conceals a treasure "beyond all imagining"-- an immaculately preserved, fifth century codex. The sole repository of ancient Hermetic lore, it contains the alchemical rituals for transforming thought into substance, transmuting matter at will...and attaining eternal life. When Rose, a sex and pain addicted East Village tattoo artist has a torrid encounter with Martin, a battle-hardened loner, they discover they are unwitting pawns on opposing sides of a battle that has shaped the course of human history. At the center of the conflict is Paul, the villainous overlord of an underground feudal society, who guards the book's occult secrets in preparation for the fulfillment of an apocalyptic prophecy. The action is relentless as Rose and Martin fight to escape Paul's clutches and Martin's destiny as the chosen recipient of Paul's sinister legacy. Science and magic, mythology and technology converge in a monumental battle where the stakes couldn't be higher: control of the ultimate power in the universe--the Maelstrom. The Book of Paul is the first of seven volumes in a sweeping mythological narrative tracing the mystical connections between Hermes Trismegistus in ancient Egypt, Sophia, the female counterpart of Christ, and the Celtic druids of Clan Kelly.
This book by and about the sculptor and pioneer land artist Richard Long explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty in both outdoor and indoor spaces is unrivaled, and the journey covered here takes the reader around the world: to the Sahara Desert and down the Rio Grande, from coast to coast in Ireland and Spain, to Tierra del Fuego and Mongolia, and to the forests of Honshu in Japan. Some of the artist's sculptures were made during his walks through the world's landscapes, while others bring the materials of naturestones, boulders, driftwood, clay, and mudinto museums, galleries, houses, and gardens. These works feed the senses, whereas the texts and photographs recording the artist's walks feed the imagination. Majestic museum pieces made from tons of rock are juxtaposed with dramatic mud works and photographs recording ephemeral sculptures often made in the remote wilderness. Most of the photographs were taken by the artist himself, and the book also includes his notes and writings. If walking has become Long's trademark, the path is perhaps the central image or archetype in his work. The idea of the path or way has meaning in all culturesfrom the most material to the most spiritual. It is both real and symbolic, whether it is a life, a road, or the Taoist "Great Way." With his walks, Richard Long weaves a line through many traditions, creating an art that is both timeless and universal. 248 illustrations in color and duotone.
An illustrated study of a work that marks the transition from minimalism to a new mode of practice encompassing conceptual art, land art, and performance art.
A volume featuring the first major collection of Long's work since the publication of 'Walking in Circles'. This British sculptor and land artist incorporates the space he walks through from the Sahara to Peru in his art.
This exhibition presents a selection of the artist's works spanning four decades.
Artwork by Richard Long.
Features art out of an eleven-day walk of the author across England. This book concentrates on the landscape we think of as quintessentially English - summer cornfields, country pubs and churches, lanes running between hedgerows and little villages.