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John Richard Jefferies (6 November 1848 - 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies was often compared with the great English nature writer, Gilbert White.To some people he is more familiar as the author of the children's classic Bevis or the strange futuristic fantasy (and now a cult book) After London while he also has some reputation as a mystic worthy of serious study. Since his death his books have enjoyed intermittent spells of popularity, but he is still largely unknown. Jefferies, however, has been an inspiration to a number of more prominent writers and W.H. Hudson, Edward Thomas, Henry Williamson and John Fowles are among those who have acknowledged their debt to him. Interestingly, when Robert Macfarlane asked Guardian readers in 2005 whom they would nominate to form a 'library of British nature writers', Jefferies was by far the most nominated.A collection of his writing to introduce him to the wider public is well overdue, and the editor of this Miscellany, Andrew Rossabi, is by far the best placed to undertake this work. Although the most famous biography of Jefferies is that written by Edward Thomas and published in 1909, Rossabi has recently (2017) published the first volume (of 3) of what will surely be the definitive biography of Jefferies: A Peculiarly English Genius: A biography of Richard Jefferies. The selection of Jefferies' work that he has collected in this volume will surely help re-establish Jefferies as one of the greatest writers in this genre.
This book, a critical study of the essays and novels of Richard Jefferies, an English writer of the latter part of the nineteenth century, is an attempt to define the nature of Jefferies' contribution to English literature, and to isolate the more important and effective qualities of his work. Although he was not a major figure in English letteres, Jefferies was highly regarded for his essays on nature and the English countryside, studies of rural conditions, and regional novels; his work mirrors the rapid change taking place in agriculture at the time, and is of interest today to social historians and economists. This study begins with a brief biological account, and then proceeds to a discussion of individual works. An important feature is a comprehensive bibliography of Jefferies' books and pamphlets, arranged in order of publication to assist the readers in checking chronology. (Department of English Studies and Texts, No. 13)
Edward Thomas: The Origins of his Poetry builds a new theoretical framework for critical work on imaginative composition through an investigation of Edward Thomas’s composing processes, on material from his letters, his poems and his prose books. It looks at his relation to the land and landscape and includes detailed and illuminating new readings of his poems. It traces connections between Thomas’s approach to composition and the writing and thought of Freud, Woolf and William James, and the influence of Japanese aesthetics, and draws surprising and far-reaching conclusions for the study of poetic composition.
'She's a genius, I believe, because she lights up every subject she touches.' Hilary Mantel A Spectator Book of the Year Goethe claimed to know what light was. Galileo and Einstein both confessed they didn't. On the essential nature of light, and how it operates, the scientific jury is still out. There is still time, therefore, to listen to painters and poets on the subject. They, after all, spend their lives pursuing light and trying to tie it down. Six Facets of Light is a series of meditations on this most elusive and alluring feature of human life. Set mostly on the Downs and coastline of East Sussex, the most luminous part of England, it interweaves a walker's experiences of light in Nature with the observations, jottings and thoughts of a dozen writers and painters - and some scientists - who have wrestled to define and understand light. From Hopkins to Turner, Coleridge to Whitman, Fra Angelico to Newton, Ravilious to Dante, the mystery of light is teased out and pondered on. Some of the results are surprising. By using mostly notebooks and sketchbooks, this book becomes a portrait of the transitoriness, randomness, swiftness, frustrations and quicksilver beauty that are the essence of light. It is a work to be enjoyed, pondered over, engaged with, provoked by; to be packed in the rucksack of every walker heading for the sea or the hills, or to be opened to bring that outside radiance within four dark town walls. Lifescapes by Ann Wroe is coming in August 2023.
Thomas Hardy notes the thrush's 'full-hearted evensong of joy illimited', Gilbert White observes how swallows sweep through the air but swifts 'dash round in circles' and Rachel Carson watches sanderlings at the ocean's edge, scurrying 'across the beach like little ghosts'. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats - in woodland and pasture, on river, shoreline and at sea - and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds - the building of a long-tailed tit's nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.