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No English king has so divided opinion, both during his reign and in the centuries since, more than Richard III. He was loathed in his own time for the never-confirmed murder of his young nephews, the Princes in the Tower, and died fighting his own subjects on the battlefield. This is the vision of Richard we have inherited from Shakespeare. Equally, he inspired great loyalty in his followers. In this enlightening, even-handed study, Rosemary Horrox builds a complex picture of a king who by any standard failed as a monarch. He was killed after only two years on the throne, without an heir, and brought such a decisive end to the House of York that Henry Tudor was able to seize the throne, despite his extremely tenuous claim. Whether Richard was undone by his own fierce ambitions, or by the legacy of a Yorkist dynasty which was already profoundly dysfunctional, the end result was the same: Richard III destroyed the very dynasty that he had spent his life so passionately defending.
No English king has so divided opinion, both during his reign and in the centuries since, more than Richard III. He was loathed in his own time for the never-confirmed murder of his young nephews, the Princes in the Tower, and died fighting his own subjects on the battlefield. This is the vision of Richard we have inherited from Shakespeare. Equally, he inspired great loyalty in his followers. In this enlightening, even-handed study, Rosemary Horrox builds a complex picture of a king who by any standard failed as a monarch. He was killed after only two years on the throne, without an heir, and brought such a decisive end to the House of York that Henry Tudor was able to seize the throne, despite his extremely tenuous claim. Whether Richard was undone by his own fierce ambitions, or by the legacy of a Yorkist dynasty which was already profoundly dysfunctional, the end result was the same: Richard III destroyed the very dynasty that he had spent his life so passionately defending.
'After my death,' George V said of his eldest son and heir, 'the boy will ruin himself within twelve months.' The forecast proved uncannily accurate. Edward VIII came to the throne in January 1936, provoked a constitutional crisis by his determination to marry the American divorcée Wallis Simpson, and abdicated in December. He was never crowned king. In choosing the woman he loved over his royal birthright, Edward shook the monarchy to its foundations. Given the new title 'Duke of Windsor' and essentially sent into exile, he remained a visible skeleton in the royal cupboard until his death in 1972 and he haunts the house of Windsor to this day. Drawing on unpublished material, notably correspondence with his most loyal (though much tried) supporter Winston Churchill, Piers Brendon's superb biography traces Edward's tumultuous public and private life from bright young prince to troubled sovereign, from wartime colonial governor to sad but glittering expatriate. With pace and panache, it cuts through the myths that still surround this most controversial of modern British monarchs.
A major new title in the Penguin Monarchs series In his fascinating new book in the Penguin Monarchs series, Richard Abels examines the long and troubled reign of Aethelred II the 'Unraed', the 'Ill-Advised'. It is characteristic of Aethelred's reign that its greatest surviving work of literature, the poem The Battle of Maldon, should be a record of heroic defeat. Perhaps no ruler could have stemmed the encroachment of wave upon wave of Viking raiders, but Aethelred will always be associated with that failure. Richard Abels is Professor Emeritus at the United States Naval Academy. He is the author of Alfred the Great: War, Kingship and Culture in Anglo-Saxon England and Lordship and Military Obligation in Anglo-Saxon England. He is a Fellow of the Royal Historical Society.
King of Britain for sixty years and the last king of what would become the United States, George III inspired both hatred and loyalty and is now best known for two reasons: as a villainous tyrant for America's Founding Fathers, and for his madness, both of which have been portrayed on stage and screen. In this concise and penetrating biography, Jeremy Black turns away from the image-making and back to the archives, and instead locates George's life within his age: as a king who faced the loss of key colonies, rebellion in Ireland, insurrection in London, constitutional crisis in Britain and an existential threat from Revolutionary France as part of modern Britain's longest period of war. Black shows how George III rose to these challenges with fortitude and helped settle parliamentary monarchy as an effective governmental system, eventually becoming the most popular monarch for well over a century. He also shows us a talented and curious individual, committed to music, art, architecture and science, who took the duties of monarchy seriously, from reviewing death penalties to trying to control his often wayward children even as his own mental health failed, and became Britain's longest reigning king.
King John ruled England for seventeen and a half years, yet his entire reign is usually reduced to one image: of the villainous monarch outmanoeuvred by rebellious barons into agreeing to Magna Carta at Runnymede in 1215. Ever since, John has come to be seen as an archetypal tyrant. But how evil was he? In this perceptive short account, Nicholas Vincent unpicks John's life through his deeds and his personality. The youngest of four brothers, overlooked and given a distinctly unroyal name, John seemed doomed to failure. As king, he was reputedly cruel and treacherous, pursuing his own interests at the expense of his country, losing the continental empire bequeathed to him by his father Henry and his brother Richard and eventually plunging England into civil war. Only his lordship of Ireland showed some success. Yet, as this fascinating biography asks, were his crimes necessarily greater than those of his ancestors - or was he judged more harshly because, ultimately, he failed as a warlord?
'The experience of insecurity, it turned out, would shape one of the most remarkable monarchs in England's history' In the popular imagination, as in her portraits, Elizabeth I is the image of monarchical power. But this image is as much armour as a reflection of the truth. In this illuminating account of England's iconic queen, Helen Castor reveals her reign as shaped by a profound and enduring insecurity that was a matter of both practical politics and personal psychology.
Vicious battles, powerful monarchs, and royal intrigue abound in this “gripping, complex, and sensational” (Hilary Mantel) true story of the War of the Roses—a struggle among three brothers, two of whom became kings, and the inspiration for Shakespeare’s renowned play, Richard III. In 15th-century England, two royal families, the House of York and the House of Lancaster, fought a bitter, decades-long civil war for the English throne. As their symbols were a red rose for Lancaster and a white rose for York, the conflict became known as the Wars of the Roses. During this time, the house of York came to dominate England. At its heart were three charismatic brothers—King Edward IV, and his two younger siblings George and Richard—who became the figureheads of a spectacular ruling dynasty. Together, they looked invincible. But with Edward’s ascendancy the brothers began to turn on one another, unleashing a catastrophic chain of rebellion, vendetta, fratricide, usurpation, and regicide. The brutal end came at Bosworth Field in 1485, with the death of the youngest, then Richard III, at the hands of a new usurper, Henry Tudor, later Henry VII, progenitor of the Tudor line of monarchs. Fascinating, dramatic, and filled with vivid historical detail, The Brothers York is a brilliant account of a conflict that fractured England for a generation. Riven by internal rivalries, jealousy, and infighting, the three York brothers failed to sustain their power and instead self-destructed. It is a rich and bloody tale as gripping as any historical fiction.
Despite the recent renaissance in studies of the reign of Richard III, most historians have remained focussed on conventional themes.
For a man with such conventional tastes and views, George V had a revolutionary impact. Almost despite himself he marked a decisive break with his flamboyant predecessor Edward VII, inventing the modern monarchy, with its emphasis on frequent public appearances, family values and duty. George V was an effective war-leader and inventor of 'the House of Windsor'. In an era of ever greater media coverage--frequently filmed and initiating the British Empire Christmas broadcast--George became for 25 years a universally recognised figure. He was also the only British monarch to take his role as Emperor of India seriously. While his great rivals (Tsar Nicolas and Kaiser Wilhelm) ended their reigns in catastrophe, he plodded on. David Cannadine's sparkling account of his reign could not be more enjoyable, a masterclass in how to write about Monarchy, that central--if peculiar--pillar of British life.