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A fully illustrated account of Richard Dadd's life and career, this title presents a fascinating exploration of the relationship between art and madness.
A riveting story of talent and the price it exacts, set in a richly imagined Victorian England Called the most promising artist of his generation, handsome, modest, and affectionate, Richard Dadd rubbed shoulders with the great luminaries of the Victorian Age. He grew up along the Medway with Charles Dickens and studied at the Royal Academy Schools under the brilliant and eccentric J.M.W. Turner. Based on Dadd’s tragic true story, Mad Richard follows the young artist as he develops his craft, contemplates the nature of art and fame — as he watches Dickens navigate those tricky waters — and ultimately finds himself imprisoned in Bedlam for murder, committed as criminally insane. In 1853, Charlotte Brontë — about to publish her third novel, suffering from unrequited love, and herself wrestling with questions about art and artists, class, obsession and romance — visits Richard at Bedlam and finds an unexpected kinship in his feverish mind and his haunting work. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Masterfully slipping through time and memory, Mad Richard maps the artistic temperaments of Charlotte and Richard, weaving their divergent lives together with their shared fears and follies, dreams, and crushing illusions.
Includes a catalogue of his works.
After murdering his father, the painter Richard Dadd is confined to Bedlam. Dr Hood is determined to reform Bedlam and has enlightened views about mental illness. In 1857 Dr Hood gives Dadd a spacious room to work in. Dadd visits 21st century London where he glimpses the mysterious Nina and his own painting in Tate Britain.
Twenty years ago, in a series of mysterious, incandescent writings, David Seabrook told of the places he knew best: the declining resort towns of the Kent coast. The pieces were no advert for the local tourist board. Here, the ghosts of murderers and mad artists crawl the streets. Septuagenarian rent boys recall the good old days and Carry On stars go to seed. Clandestine fascist networks emerge. And all the time, there is Seabrook himself - desperate perhaps, and in danger. Dark, strange and immediate, this is a classic work of sui generis British literature. There are devils here, and the reader will remember them.
I did not write my life, and therefore cannot tell you in simple terms what happened to effect such change. I have left that task to the images that have fallen from my fingers since my youth. I have let them fall, so that one day they might be picked up. My pictures describe me correctly. Jennifer Higgie In 1842 an English artist accompanied a former mayor on a Grand Tour of Europe and the Middle East. Within a year he had become a devotee of the Egyptian god Osiris and murdered his beloved father, believing him to be an impostor. Bedlam is a novel inspired by a year in the life of Richard Dadd, a great Victorian painter and inmate of London's Bethlem Hospital - more commonly known as Bedlam. Higgie's prose is fragmentary yet lucid, and the novel evokes the inextricable beauty and terror of Dadd's sensory journey, while raising some of the philosophical questions it poses about art, language and other minds. Bedlam is a mystery story in which we search for clues as to how an individual might go from precocious talent to parricide. Oliver Harris, Times Literary Supplement Jennifer Higgie is co-Editor and staff writer of frieze magazine. She is the editor of Art and Humour published by the Whitechapel Gallery, London and MIT Press. She also wrote the screenplay for the feature film I Really Hate My Job, which will be on general release in 2007.
A revised edition of a very popular title, written by one of England's leading experts on Victorian art.
This book shows a selection of Richard Dadd's work, including works loaned from the Bethlem Royal Hospital. One of the things which makes his art interesting is his journey from sanity to insanity, and also that it is set against the backdrop of mid 19th-century society.