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Between the mouths of the Blackwater and the Colne, on the east coast of Essex, lies an extensive marshy tract veined and freckled in every part with water. It is a wide waste of debatable ground contested by sea and land, subject to incessant incursions from the former, but stubbornly maintained by the latter. At high tide the appearance is that of a vast surface of moss or Sargasso weed floating on the sea, with rents and patches of shining water traversing and dappling it in all directions. The creeks, some of considerable length and breadth, extend many miles inland, and are arteries whence branches out a fibrous tissue of smaller channels, flushed with water twice in the twenty-four hours. At noon-tides, and especially at the equinoxes, the sea asserts its royalty over this vast region, and overflows the whole, leaving standing out of the flood only the long island of Mersea, and the lesser islet, called the Ray. This latter is a hill of gravel rising from the heart of the Marshes, crowned with ancient thorntrees, and possessing, what is denied the mainland, an unfailing spring of purest water. At ebb, the Ray can only be reached from the old Roman causeway, called the Strood, over which runs the road from Colchester to Mersea Isle, connecting formerly the city of the Trinobantes with the station of the count of the Saxon shore. But even at ebb, the Ray is not approachable by land unless the sun or east wind has parched the ooze into brick; and then the way is long, tedious and tortuous, among bitter pools and over shining creeks. It was perhaps because this ridge of high ground was so inaccessible, so well protected by nature, that the ancient inhabitants had erected on it arath, or fortified camp of wooden logs, which left its name to the place long after the timber defences had rotted away.
Explains the basics of political science Political Science: An Introduction, 13/e, provides a comprehensive and jargon-free introduction to the field’s basic concepts and themes. It draws examples from the U.S. and other countries to introduce the entire field of political science to new readers. The authors stress how exciting politics can be, balancing practical and theoretical knowledge. MyPoliSciLab is an integral part of the Roskin/Cord/Medeiros/Jones program. Activities and videos help readers engage in the material and retain its main points. Readers can watch videos that explore the key topics of politics and participate in simulations that allow them to experience politics firsthand. Assessment in MyPoliSciLab helps gauge readers’ progress. Note: MyPoliSciLab does not come automatically packaged with this text. To purchase MyPoliSciLab, please visit: www.mypoliscilab.com or you can purchase a ValuePack of the text + MyPoliSciLab (at no additional cost): ValuePack ISBN-10: 0205979432/ ValuePack ISBN-13: 9780205979431 0205979432 / 9780205979431 Political Science: An Introduction Plus NEW MyPolisciLab with Pearson eText-- Access Card Package Package consists of: 0205949975 / 9780205949977 NEW MyPoliSciLab with Pearson eText -- Valuepack Access Card 0205978002 / 9780205978007 Political Science: An Introduction
Ask the Fellows Who Cut the Hay is a vivid portrait of the rural past of Blaxhall, a remote Suffolk village, in the time before mechanization changed the entire nature of farming, the landscape and rural life for good. In the 1950s, George Ewart Evans sought out those who could recall the nineteenth-century customs, crafts, dialects, tools, smugglers' tales and rural beliefs which had endured from the time of Chaucer, and created this fascinating picture of a now vanished world.
"More than one hundred color plates, accompanied by reactions and comments from critics and contemporaries, record the career of the French sculptor, cut-out artist, and painter of exotic, brightly colored nudes." -- Amazon
Erik Desmazieres is acknowledged as a contemporary master of the art of etching. With breathtaking virtuosity, he recreates interiors, cityscapes, landscapes and fantastical compositions from a Piranesian world. Any new work Desmazieres produces is a bibliophiles delight; and this book, the first in which he uses colour, reimagines the arcane world of the cabinet of curiosities: antiquarian collections of the recondite, rare and bizarre, which reminded the viewer of the vanity of earthly life. Patrick Mauriess text is in three parts. The first locates Desmazieres and his work in the long tradition of artist-printmakers; the second surveys the world of 17th-century antiquarianism and its intriguing cast of characters (John Evelyn, John Aubrey and, above all, Thomas Browne, plus many of their continental counterparts); and in the third Mauries examines today's reawakened interest in cabinets of rarities and curiosities, and considers how a phenomenon once considered the preserve of specialists has entered the cultural mainstream.
This is the first detailed survey of the past five centuries of book illustration in England. It is divided into two parts: Part One is a comprehensive analysis of specific artists, books and illustrations and covers the anonymous work in books by leading printers before 1600 and then the work of over 200 illustrators up to 1976; Part Two, a Catalogue of Illustrations and Books, lists 2,700 selected entries of English illustrations and includes 200 reproductions, chosen to illustrate the discussion.Edward Hodnett gives a general impression of each artist's work, describes the subject-matter of the designs, notes their relation to other illustrations, and attempts to reach an estimate of the artist's relative achievement as an interpretive illustrator. The book also features bibliographies and a comprehensive, alphabetical index of illustrators, printers, booksellers, presses, and engravers.