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The English Civil War and its aftermath was a time of human devastation, political uncertainty and religious instability. Amid the turmoil of those times, however, the Church of England also saw intense liturgical inventiveness. The Directory for Public Worship, Jeremy Taylor's Communion Office, and Richard Baxter's Reformed Liturgy, are all examples of resourceful liturgies born out of the ashes of the English Civil War. The Church of England had not witnessed such liturgical innovation since Thomas Cranmer, and would not see such creativity again until the end of the twentieth century - at least in terms of liturgical texts. In Richard Baxter's Reformation of the Liturgy, Glen J. Segger examines the theology and ecclesiology of Baxter’s liturgical opus. While never approved for public use, the Reformed Liturgy remains an important and creative liturgy representative of those who fought for their Puritan convictions, but lost.
Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing--yet important--in accessible formats for the current literature.
Every Sunday around the world, Christians offer money and in-kind gifts to the church, traditionally known as alms. This act produces questions about what it means to offer God a gift when God has offered humanity the greatest gift in Jesus Christ, or the balance of favour or gratitude in the giving of these gifts. These very questions, and more, have had a significant influence on the liturgical theology, particularly in the offertory, within Anglicanism. In Of Thine Own Have We Given, Shawn O. Strout provides a comprehensive analysis of the offertory rites, including in his analysis other churches within the Anglican Communion, beyond the Church of England. Ordered historically, the book encompasses the sixteenth century through to current times, scrutinising the offertory and oblationary changes throughout their religious and historical contexts. Strout argues that the development of oblation in the offertory was neither arbitrary nor episodic, but rather the result of sustained theological tension. Using liturgical theology's tools of historical, textual, and contextual analyses, the book examines why these developments occurred and their importance for the church today.
While worship is one of the central functions of the church (along with mission, service, education, justice, and compassion) and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically-grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.
Richard Baxter (1615–1691) was arguably the greatest English Puritan of the seventeenth century. He is well known for his ministerial manual "The Reformed Pastor", in which he expressed the unusual conviction that parish ministers were better off unmarried. And yet, Baxter seemed to contradict himself by marrying one of his parishioners, Margaret Charlton. Though Baxter claimed to be happily married, he continued to champion celibacy for the rest of his life. This book explores Baxter's argument for clerical celibacy by placing it in the context of his life and the turbulent events of seventeenth-century England. His viewpoint was shaped by several factors, including the Puritan literature he read, the context of his parish ministry, his burdensome model of soul care, and the formative life experiences shaping his theology and perspective. These factors not only explain why Baxter became the only Puritan to champion clerical celibacy but also why he continued to do so even after marrying.
Richard Baxter wrote "The Saints' Everlasting Rest" to help prepare him for death during a life-threatening illness. It has inspired Christians for centuries to lift their eyes above this world to the place where they will spend eternity. Born in 1615, Richard Baxter lived and ministered throughout most of the seventeenth century. After being forced from his pulpit with some two thousand other Puritan ministers in the Great Ejection of 1660, he continued his writing ministry, authoring more than 140 books. Originally published in 1649, this work was forty-six chapters long, covering 844 pages. It was abridged in 1758, condensing it to sixteen chapters. Reading Baxter's book will challenge you to rediscover the wonders of the Lord through reflection and meditation. Taking captive our thoughts and making them obedient to Christ will make us strong in the faith and bring victory to our spiritual walks.--
How the English Reformation was Named analyses the shifting semantics of 'reformation' in England between the fifteenth and seventeenth centuries. Originally denoting the intended aim of church councils, 'reformation' was subsequently redefined to denote violent revolt, and ultimately a series of past episodes in religious history. But despite referring to sixteenth-century religious change, the proper noun 'English Reformation' entered the historical lexicon only during the British civil wars of the 1640s. Anglican apologists coined this term to defend the Church of England against proponents of the Scottish Reformation, an event that contemporaries singled out for its violence and illegality. Using their neologism to denote select events from the mid-Tudor era, Anglicans crafted a historical narrative that enabled them to present a pristine vision of the English past, one that endeavoured to preserve amidst civil war, regicide, and political oppression. With the restoration of the monarchy and the Church of England in 1660, apologetic narrative became historiographical habit and, eventually, historical certainty.