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Eskimo Recollections of Their Life Experiences - Collected by A. H. and D. C. Leighton Gambell, St. Lawrence Island, 1940
No other silent film director has been so extensively studied as D. W. Griffith. However, only a small group of his more than 500 films has been the subject of a systematic analysis and the vast majority of his other works stills await proper examination. For the first time in film studies, the complete creative output of Griffith - from Professional Jealousy (1907) to The Struggle (1931) - will be explored in this multi-volume collection of contributions from an international team of leading scholars in the field. Created as a companion to the on-going retrospective held by the Pordenone Silent Film Festival, The Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century. With contributions from Eileen Bowser, Tom Gunning, Kristin Thompson, Ben Brewster, Steven Higgins, Richard Koszarski, Scott Simmon, J.B. Kaufman, Russell Merritt, Patrick Loughney, Cooper Graham, Andre Gaudreault, Yuri Tsivian, Richard Allen.
I prepared this book to improve my own English. Then, When I started to work on the book - I will explain the way I work below - I found it very useful. Therefore, I published the book. if you want to improve your English. There's no harm in trying. You can work on 1, 2 or 3 stories per day. Depending on your free time. I worked on two stories per day. And of course the basic level of your English will lead to faster results. Operation: I. Write your chosen story on a piece of paper after the beginning. II. Underline the words you do not know, search for the meaning and write under it. III. Read the story aloud once. IV. Translate the story yourself without help. V. Check the translation of the story you are translating. with the help of a teacher or someone who knows. It may be difficult at first, but after working for at least a month, you will see the difference from your initial situation. ------- Bu kitabı kendi İngilizcemi geliştirmek için hazırladım. Sonra, kitap üzerinde çalışmaya başladığımda - aşağıdaki çalışma şeklimi açıklayacağım - çok faydalı buldum. Bu yüzden kitabı yayımladım. İngilizcenizi geliştirmek istiyorsanız. Denemenin zararı yok. Günde 1, 2 veya 3 hikaye üzerinde çalışabilirsiniz. Boş zamanlarına bağlı olarak. Ben günde iki hikaye üzerinde çalıştım. Ve elbette İngilizceniz temel seviyede olursa daha hızlı öğrenirsiniz. Çalışma Şeklim: I. Seçtiğiniz hikayeyi baştan sonra bir kağıda yazın. II. Bilmediğiniz kelimelerin altını çizin, anlamı arayın ve altına yazın. III. Hikayeyi bir kez sesli okuyun. IV. Hikayeyi yardımsız kendin tercüme edin. V. Tercüme ettiğiniz hikayenin çevirisini kontrol edin. Bir öğretmenin veya bilen birinin yardımıyla. İlk başta zor olabilir, ancak en az bir ay çalıştıktan sonra, ilk durumunuzdan farkı göreceksiniz.
Tolkin has garnered acclaim for his classic dark comedies "The Player" and "Among the Dead." His most ambitious novel yet, "Under Radar" is a tale of guilt and redemption that is "provocative. . . so unexpected, so full of startling insights, that it seems to be blazing a fresh trail" ("The Oregonian").
A young man's journey to find a new home for his family after they lose their farm. Set in the eary 1900's, this book contains very controversial opinions about health, animal rights, human rights, government and injustice. Many of these discussions are with a toad. While eloquent and cute, this book is a serious picaresque novel filled with Socratic dialogue. Get a better quality eBook version with flowing text at HoboJack.com
This book brings together for the first time the works of Jewish authors writing in Swedish, who describe the special circumstances confronting Jews in the twentieth century in Sweden and Scandinavia. During the Second World War, Sweden?s small, long-established, and well-assimilated Jewish community was never subject to the open and ultimately fatal ethnic identification that most European Jews suffered. Older and middle-aged Swedish-born Jewish authors tend to think of themselves only as Swedes. Within the last few decades, however, Sweden has become an immigrant country, and a younger generation writes from a different perspective. Twenty of the twenty-two authors represented in this anthology are still very active, and many of the pieces were written in the last fifteen years. Each work chosen illustrates some aspect of Jewish identity in Sweden, either today or in the course of a century in which Sweden played a crucial, controversially neutral role in a war that had a catastrophic impact on Europe and led to the near-annihilation of the European Jews. This volume provides the complex historical framework in which these events occurred and elucidates the role played by the largest Scandinavian country within it. Contemporary Jewish Writing in Sweden brings together superb work by major writers in one of Europe's foremost national literatures and includes the first English translation of an excerpt from Peter Weiss's recently discovered 1957 Swedish novel.
The Devil might dress himself up as a business man, but he can't disguise his hooves. What do you do when a bear knocks on your door and demands your youngest daughter? St. Peter sleeps in a bread oven and a monk sets to sea on a millstone. Teaching geese to speak Latin and a boy so big that he sleeps on the roof and still his feet touch the ground. Then there's the hound that's stuck to the fox that's stuck to the goose that's stuck to the girl who's stuck to the boy who's stuck to his mistress who's stuck to the monk who's being thrashed unmercifully by a magic stick - you'll find them all in Three Pieces of good Advice.
This volume contains Crimean Tatar folklore texts that had been collected by the noted Hungarian Turkologist Ignác Kúnos during World War I, specifically from Russian Muslim prisoners of war in Hungarian camps. The collection consists of 38 fairy tales and a partial version of the Chora-batir epic. The tales featuring padishahs, their sons, and naive boys, exhibit the enchanting diversity of Crimean Tatar folk imagination. The introductory study delves into linguistic aspects, then the next chapter explicates the transcription system’s phonetic nuances. It is followed by an English translation, which reflects Kúnos’ Hungarian translation in a much ameliorated and revised form. A sizable trilingual (Crimean Tatar–English–Russian) glossary follows covering the entire Crimean Tatar material collected by Kúnos. It becomes evident that dialectal features cannot be sharply separated across the tales since the Crimean dialects are highly mixed in character, distinguished only by the different proportions of northern (Kipchak) and southern (Oghuz) elements. The present volume, while preserving valuable pieces of Crimean Tatar folklore and offering linguistic insights, also opens a unique window into a distant time and culture.
Stories from cultures including ancient Babylonia, China, India, Eastern Europe, Morocco.
When the Duchess Was Dead No one, probably, ever felt himself to be more alone in the world than our old friend, the Duke of Omnium, when the Duchess died. When this sad event happened he had ceased to be Prime Minister. During the first nine months after he had left office he and the Duchess remained in England. Then they had gone abroad, taking with them their three children. The eldest, Lord Silverbridge, had been at Oxford, but had had his career there cut short by some more than ordinary youthful folly, which had induced his father to agree with the college authorities that his name had better be taken off the college books,—all which had been cause of very great sorrow to the Duke. The other boy was to go to Cambridge; but his father had thought it well to give him a twelvemonth's run on the Continent, under his own inspection. Lady Mary, the only daughter, was the youngest of the family, and she also had been with them on the Continent. They remained the full year abroad, travelling with a large accompaniment of tutors, lady's-maids, couriers, and sometimes friends. I do not know that the Duchess or the Duke had enjoyed it much; but the young people had seen something of foreign courts and much of foreign scenery, and had perhaps perfected their French. The Duke had gone to work at his travels with a full determination to create for himself occupation out of a new kind of life. He had studied Dante, and had striven to arouse himself to ecstatic joy amidst the loveliness of the Italian lakes. But through it all he had been aware that he had failed. The Duchess had made no such resolution,—had hardly, perhaps, made any attempt; but, in truth, they had both sighed to be back among the war-trumpets. They had both suffered much among the trumpets, and yet they longed to return. He told himself from day to day, that though he had been banished from the House of Commons, still, as a peer, he had a seat in Parliament, and that, though he was no longer a minister, still he might be useful as a legislator. She, in her career as a leader of fashion, had no doubt met with some trouble,—with some trouble but with no disgrace; and as she had been carried about among the lakes and mountains, among the pictures and statues, among the counts and countesses, she had often felt that there was no happiness except in that dominion which circumstances had enabled her to achieve once, and might enable her to achieve again—in the realms of London society.