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Winner of the 2002 San Diego Book Awards. Before Melville even thinks about writing Moby Dick, an American slave is living a daring and dangerous life on the open seas. Forget what you know about ´Pip´ or any other limited African-American stereotypes in classic novels: Black Jack White, a real man born during the War of 1812, escapes brutal slavery in Mississippi. In Rich Man´s Coffin, he decides to change his fate at an early age; and at a time when the Underground Railroad is in its infancy, this courageous young black man overcomes the odds to reach New Zealand. Black Jack, like an African-American Robinson Crusoe figure, finds himself in a distant and foreign land. His simple plan to become a wealthy whaler takes a strange and violent twist; and he finds himself thrust into the vicious yet noble life of the local cannibals. Love and war intertwine, and Black Jack is challenged to survive many turbulent events. (Cover design by Chris Garcia) Read a review of this intriguing book at Blether.com
A SOUL! How wonderful the soul is! There is something in the soul which strikes fear and dread into the beasts of the earth and the fowls of the air; Gen. ix. 2. The soul is the very image and likeness of God himself. The soul is a spirit like God. The soul, like God, is one; yet there are three great powers in the soul—will, memory, and understanding—as there are three persons in God—Father, Son, and Holy Ghost. Your soul does not wear away like the rocks, which are the foundations of the earth. Your soul does not fade away like a flower, or as the leaves drop off the trees in the autumn, or as the colors of the rainbow melt away from our sight. Your soul will not be nailed down in a coffin, or buried in the grave; when the body dies, the soul will not die, but it will go out of this world to the God who gave it; Ecc. xiii. Aeterna Press
Fred Saberhagen is known for his series of ten Dracula novels. Less well known are his three short stories featuring vampires and Dracula. The stories have appeared in various anthologies and collections. Here they are gathered in one place for your enjoyment. “A Drop Of Something Special In The Blood” tells the possible story of how Bram Stoker came to write his classic tale of Dracula. Of course there are vampires. “Box Number Fifty” refers to one of the boxes owned by a mysterious immigrant arriving in Victorian England from Transylvania. “From The Tree Of Time” pairs Dracula with the world’s greatest detective Sherlock Holmes in an effort to save a Victorian woman’s honor.
Saberhagen The Later Tales contains fifteen short stories none of which is set in Saberhagen’s berserker world. There are three vampire stories, From the Tree of Time, Box Number Fifty, and A Drop of Something Special in the Blood, and one story, Blind Man’s Blade from the world of swords. The White Bull, belongs with Saberhagen’s five book series based on world myths. The remaining stories are not connected to any of the Saberhagen series. The stories in this collection were original published between 1977 and 2003. For Saberhagen stories published from 1960 to 1976 see the collection SABERHAGEN THE EARLY TALES. All of Saberhagen’s short stories are collected in four volumes: Berserkers The Early Tales, Berserkers The Later Tales, Saberhagen The Early Tales and now Saberhagen The Later Tales.
In the first book in an exciting new coming-of-age fantasy series from the author of the Age of Fire series, an impoverished girl enters into a military order of dragonriders, but her path won't be as easy or as straightforward as she expected. Fourteen-year-old Ileth grew up in an orphanage, and thanks to her stutter was never thought to be destined for much beyond kitchen work and cleaning. But she's dreamed of serving with the dragons ever since a childhood meeting with a glittering silver dragon and its female dragoneer. For years she waits, and as soon as she is old enough to join, Ileth runs away to become a novice dragoneer at the ancient human-dragon fortress of the Serpentine. While most of her fellow apprentices are from rich and influential families, Ileth must fight for her place in the world, even if it includes a duel with her boss at the fish-gutting table. She's then sent off to the dragon-dancers after a foolish kiss with a famously named boy and given charge of a sickly old dragon with a mysterious past. But she finds those trials were nothing when she has to take the place of a dead dragoneer and care for his imprisoned dragon in enemy lands. . . .
The history of whaling as an industry on this continent has been well-told in books, including some that have been bestsellers, but what hasn’t been told is the story of whaling’s leaders of color in an era when the only other option was slavery. Whaling was one of the first American industries to exhibit diversity. A man became a captain not because he was white or well connected, but because he knew how to kill a whale. Along the way, he could learn navigation and reading and writing. Whaling presented a tantalizing alternative to mainland life. Working with archival records at whaling museums, in libraries, from private archives and interviews with people whose ancestors were whaling masters, Finley culls stories from the lives of over 50 black whaling captains to create a portrait of what life was like for these leaders of color on the high seas. Each time a ship spotted a whale, a group often including the captain would jump into a small boat, row to the whale, and attack it, at times with the captain delivering the killing blow. The first, second, or third mate and boat steerer could eventually have opportunities to move into increasingly responsible roles. Finley explains how this skills-based system propelled captains of color to the helm. The book concludes as facts and factions conspire to kill the industry, including wars, weather, bad management, poor judgment, disease, obsolescence, and a non-renewable natural resource. Ironically, the end of the Civil War allowed the African Americans who were captains to exit the difficult and dangerous occupation—and make room for the Cape Verdean who picked up the mantle, literally to the end of the industry.