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Detective Inspector Stanley Low - belligerent, bi-polar and brilliant. A Chinese-Singaporean, educated in London with a foot in both cities, his mission to eradicate violent crime wherever he finds it. When a foreign worker is found dead in a Singapore back street, few people care. Even the police dismiss the killing as another underclass slaying. Then more victims turn up, all killed with the same weapon and Singapore must come to grips with its first serial killer in decades. The murderer must be stopped.In desperation, the authorities turn to the one man they loathe almost as much as the killer himself – Detective Inspector Stanley Low. Angry, bipolar and unrepentant, his career is in tatters, but he is also the only man capable of understanding what drives the serial killer.Low must solve the case quickly, stop a serial killer, and save his sanity. The second in the popular Inspector Low series, Rich Kill Poor Kill is a dark, disturbing examination of the income divide that exists even in death.
When they rich kill, they really do it different from those who aren't wealthy. HOW THE RICH KILL features some of the ways, reflected in the cases of wealthy killers who were charged with a crime and sometimes convicted. Among other things: - It is rarer for them to kill - When someone wealthy gets arrested and convicted for murder, they get a lot of media attention. - They are better able to delay an investigation. - They are more likely to get away with murder because of their money. - They kill for many of the same basic reasons as other killers -- jealousy, revenge, power, and money, though much more money is involved. The book begins with a discussion about the differences between rich and poor killers and a historical overview of murder by the wealthy. Then, the book features a series of cases illustrating the different ways the rich kill, including chapters on the already famous and rich kids who kill their parents.
When the rich kill, they really do it differently from those who aren't wealthy. Among other things, it is rarer for them to kill, but when someone wealthy gets arrested and convicted for murder, there is a great deal of media attention. They are better able to delay any investigation or get away with murder because of their money, though they often kill for many of the same basic reasons as others - jealousy, revenge, power, and for money. But usually much more money is involved, often due to a divorce or when kids kill their parents. The book begins with a discussion about the differences between rich and poor killers and a historical overview of murder by the wealthy. Then, the book features a series of cases illustrating the different ways the rich kill, including chapters on the already famous and rich kids who kill their parents.
“Sandman Slim is my kind of hero.” —Kim Harrison “Richard Kadrey is a genius.” —Holly Black Sandman Slim is back from Hell. After wreaking unholy havoc in author Richard Kadrey’s resoundingly acclaimed Sandman Slim, the demon-slaying anti-hero and half-angel fugitive from the underworld returns in a brutally funny, eye-poppingly inventive, and totally addicting follow-up, Kill the Dead. If you’re a fan of Buffy and Jim Butcher, Christopher Moore, Neil Gaiman, and Warren Ellis, or you dig the dark urban fantasy vibe of Charlaine Harris, Kim Harrison, and Simon Green, you’ll cheer Lucifer’s onetime personal assassin as he signs on as his ex-boss’ Hollywood bodyguard…and takes on the zombie apocalypse almost single-handedly.
An international bestseller published in over thirty countries, this riveting sci-fi dystopic thriller is “a bona fide page-turner.” --MTV.com Callie lost her parents when the Spore Wars wiped out everyone between the ages of twenty and sixty. She and her little brother, Tyler, go on the run, living as squatters with their friend Michael and fighting off renegades who would kill them for a cookie. Callie’s only hope is Prime Destinations, a disturbing place in Beverly Hills run by a mysterious figure known as the Old Man. He hires teens to rent their bodies to Enders—seniors who want to be young again. Callie, desperate for the money that will keep her, Tyler, and Michael alive, agrees to be a donor. But the neurochip they place in Callie’s head malfunctions and she wakes up in the life of her renter. Callie soon discovers that her renter intends to do more than party—and that Prime Destinations’ plans are more evil than she could ever have imagined. . . . Includes Portrait of a Spore, a never-before-published short story that takes place in the world of STARTERS. Praise for STARTERS: “A smart, swift, inventive, altogether gripping story.” —#1 New York Times bestselling author DEAN KOONTZ “Compelling, pulse-pounding, exciting . . . Don’t miss it!” —New York Times bestselling author Melissa Marr “Readers who have been waiting for a worthy successor to Suzanne Collins’s The Hunger Games will find it here. Dystopian sci-fi at its best.” —Los Angeles Times “Intriguing, thought-provoking and addictive.” —BookReporter.com “Readers will stay hooked. . . . Constantly rising stakes keep this debut intense.” —Kirkus Reviews “Fast-paced dystopian fiction. . . . The inevitable sequel can’t appear soon enough.” —Booklist "Intriguing, fast-paced . . . Fans of dystopian novels will be completely engaged and clamoring for the sequel." —School Library Journal “Addictive and alluring.” —Examiner.com “Chilling and riveting.” —Shelf-Awareness.com “A must-read for fans of The Hunger Games and Legend. Fast-paced, romantic, and thought-provoking.” —Justine
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.
Many people express shock and horror when they hear of a wealthy or famous person killing another person. As a society, we seem to expect the rich and famous to behave better, to commit fewer crimes, to be immune to the passions that inspire other, less prominent people to kill. After all, the rich and famous have everything—why would they need to murder? But the rich and famous kill for the very same reasons others do: love, power, money, jealousy, greed, revenge, and rage. Here, Scott takes us on a tour of murders committed by the rich and famous during the last century, looking at the motives, the responses of the community and local law enforcement, the media, and the outcomes. She argues that the rich and famous may kill for the same reasons as others, but they receive vastly different treatment and are often able to get away with murder. Homicide by the rich and famous is not new in this country, nor is fascination with the crimes committed by our most revered citizens. But being among the upper echelon of society does afford such suspects with a greater ability to escape punishment. They have greater access to better respresentation, they have the means to flee the country, they have influential friends in high places willing to put themselves on the line, and they are generally treated better by law enforcement and the criminal justice system. This book profiles the many ways in which homicides committed by the rich and famous are similar to other murders in their motives, but differ from those committed by everyday citizens in their outcomes. Scott provides readers with a showcase of crimes that will infuriate and fascinate readers.
The bestselling author of The Hot House once again combines the facts, the real people, and the location itself into this true story, a wide-ranging portrait of the interplay of race, sex, and justice in the American South, made all the more real because it takes place in the same small Alabama town that was the fictional "Maycomb" in Harper Lee's To Kill a Mockingbird. Optioned for film by MGM. Photos.