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NEW ENTRY IN THE BEST-SELLING LIADEN UNIVERSE® SERIES On a world where cake is a necessity, it takes the Grid to protect the civilized and the deaf from the dire influences of the ambient and to keep the chaotic Haosa at bay. Having arrived at recently Dust-bound Colemeno, Trader Padi yos’Galan is essential to Master Trader Shan yos’Galan’s plan to recoup Clan Korval’s fortunes by establishing new routes for the clan’s tradeship. Shan’s inner Healer insists Padi come to terms with her as-yet unplumbed psychic abilities, which might place her in the top tier of dramliz, if she can learn control. Padi yearns to concentrate on trade, but Colemeno’s fey ambient and deadly long-term politics combine to bring her face-to-face with the Haosa, and in particular with the mysterious and untouchable Tekelia, as Korval’s trade mission’s necessity of a port audit collide with a cruel history of murder, deception, and brutality. Amid the dangers, Padi unexpectedly finds herself eagerly exploring her dramliz side when faced with the unspoken powers of the ambient, the sky-filling energy of the ribbon dance, and Tekelia’s mutable eyes.
The girl in red, the girl in yellow, the girl in blue, and the boy in black and white are all set to stir up the rainbow. Watch them create a living kaleidoscope, step by step by step.
Amy Wu loves to move, so when she sees Chinese ribbon dancing for the first time, she has to try it out, but first she must find the perfect ribbon.
Hands-on activities, games, and crafts introduce children to the diversity of Asian American cultures and teach them about the people, experiences, and events that have shaped Asian American history. This book is broken down into sections covering American descendents from various Asian countries, including China, Japan, Korea, Philippines, India, Vietnam, Laos, and Cambodia. Topics include the history of immigration from Asian countries, important events in U.S. history, sidebars on famous Asian Americans, language lessons, and activities that highlight arts, games, food, clothing, unique celebrations, and folklore. Kids can paint a calligraphy banner, practice Tai Chi, fold an origami dog or cat, build a Japanese rock garden, construct a Korean kite, cook bibingka, and create a chalk rangoli. A time line, glossary, and recommendations for Web sites, books, movies, and museums round out this multicultural guide.
Countries included in this volume are : Israel, Germany, Ghana, China. Looks at country of origin, costume and history of the dance.
This book traces the history of morris dancing in England, from its introduction in the 15th century, through the contention of the Reformation and Civil War, when morris dancing and maypoles became potent symbols of the older ways of living, to its re-invention as an emblem of Victorian concepts of Merrie England in the 19th century.
As China becomes increasingly important in world relations, many components of the country's cultural arts remain unknown outside its borders. Shih-Ming Li Chang and Lynn E. Frederiksen's Chinese Dance: In the Vast Land and Beyond undertakes the challenge of discovering the relationship between Chinese dance in its many forms and the cultural contexts of dance within the region and abroad. As a comprehensive resource, Chinese Dance offers students and scholars an invaluable introduction to the subject. It serves as a foundation of common knowledge from which Chinese and English-language communities can begin a cross-cultural conversation about Chinese dance. The text, along with a comprehensive glossary of key terms, gives English-language readers a chance to understand the development of Chinese dance as it is officially articulated by historians and dance scholars in Asia. An online database of video clips, an extensive bibliography, and Web-based appendices provide a broad collection of primary source materials that invite interactive and flexible engagement by a range of users. The inclusion of interviews with Chinese dance practitioners in North America offers a view into the Asian diaspora experience.
A History of Ancient Chinese Music and Dance describes the history of music and dance in ancient China in the past five thousand years in the forms of poems, music and dance. It includes court music and dance, music and dance in drama and folk music and dance. It covers historical and professional knowledge such as music, dance, poetry and drama. The book consists of eleven chapters, from ancient times to the Ming Dynasty and the Qing Dynasty. In each chapter, there are historical background, music and dance works, people, events, and related poetry and images. The Yellow Emperor created tonality for wind instruments. Emperor Yao and Emperor Shun invented musical instruments qin and se. Duke of Zhou made system of rites and music. Apart from these, music, dance and acrobatics in the Qin Dynasty and the Han Dynasty, grand compositions in the Tang Dynasty and the Song Dynasty and music and dance in drama in the Ming Dynasty and the Qing Dynasty can all lead us to the long developing process of ancient music and dance. The book was the Project of 2003 National Tenth Five-Year Plan for Art Science in China. It was co-funded by the National Publishing Fund and “China Classics International” of the General Administration of Press and Publication.
With contributors from many fields and diverse cultural backgrounds, this book expands on the discourse and curriculum of dance in ways that connect it to the critical, political, moral and aesthetic dimensions of society, for example, examining choreography and issues of the self.
She was originally a lonely soul. After being reborn into the ancient era, she had become two thousand gold coins of the General's Estate. She had become the fiendish and blood-thirsty Prince Rui as her concubine. Inside the iron cage, her ragged clothes were thrown down by a ferocious Tibetan mastiff. He stood outside the iron cage and coldly and mockingly said, "This king owes you a wedding night, so let my beloved dog take over!"