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Secular Musicals - Classroom
There are rhythms of action and response to all human-computer interactions. As we click, swipe, tap and sway to their beats, these rhythms intersect with the rhythms of our everyday lives. Perhaps they synchronize, perhaps they disrupt each other or maybe they dance together. Whatever their impact our experience of these rhythms will colour our experience of an interaction design. In playful interactive applications, rhythm is especially crucial because of the role it performs in building and maintaining the precarious spirit of play. Play involves movement and this movement has a rhythm that drives the experience. But what is the character of these rhythms of play and how can they be used in the design of interactive applications? These questions are the focus of this book. Drawing on traditions of rhythmic design practice in dance, performance, music and architecture, this book reveals key insights into practical strategies for designing playful rhythmic experience. With playful experiences now being incorporated into almost every type of computer application, interaction design practitioners and researchers need to develop a deeper understanding of the specific character of rhythms within play. Written from a designer's perspective, with interviews from leading creative artists and interaction design practitioners, Rhythm, Play and Interaction Design will help practitioners, researchers and students understand, evaluate and create rhythmic experiences.
Are you ready to master the Soul rhythm guitar skills that defined three generations? Discover where Gospel meets R&B Soul is one of the most important skills any guitarist can master. It's an essential genre that combines the best elements of Gospel, R&B and Jazz into the dance music that fuelled Motown, Atlantic and Stax records. In fact, Soul is still one of the most influential styles inspiring today's cutting-edge guitarists like Mark Lettieri and Cory Wong. The pioneers of Soul guitar carved out a unique style that combined well-crafted guitar parts with immense rhythm and groove. Learning these Soul guitar parts will not only make you an excellent rhythm player, it'll show you how the guitar should function in any tight band. The Soul Rhythm Guitar Book Playing like an authentic Soul guitarist means reaching for new voicings and learning how to sit perfectly in your band. Fortunately, Soul guitar maestro Stuart Ryan is here to show you how. Soul Guitar Skills You'll Master - Effective three-note chord shapes that will cut through a band mix - Essential "Drop 2" chords up and down the neck - The essential chord progressions of Soul, Pop, Funk and Motown - How to use richer 9th, 11th and 13 chords appropriately The Art of Soul Guitar Groove No guitarist gets hired just for their chord knowledge - you've got develop great feel and groove too. The Soul Rhythm Guitar Book teaches you the art of great chord phrasing and how to lock-in seamlessly with the band... In fact, you'll become the complete in the pocket guitarist player using space and syncopation to build the groove. Hooks and Fills Session guitar pro Stuart Ryan also gives you a wealth of chord embellishment tricks and techniques to spice up your rhythm parts. You'll master the iconic techniques of Soul guitar pioneers such as Steve Cropper, Cornell Dupree, Wah Wah Watson and Jimmy Nolan (James Brown) who have played on thousands of hits and billions of streams. Bring it on Home Along with over 120 musical examples, all your new skills are brought together in four original Soul tracks you can learn, along with complete backing tracks. In these pages you'll discover everything you need to become the complete Soul musician - from the essential chord voicings and groove of Soul, the 3rds and 6ths melodies of Steve Cropper, right through to the Funking rhythmic stylings of Jimmy Nolan. It's time to Get Ready, Move on Up, and become the ultimate Soul Man (or Woman!) with The Soul Rhythm Guitar Book. Buy It Now
Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.
(Book). This how-to guide offers lessons, licks, and tips drawn from the groove gurus in a wide range of classic and modern styles. Players will learn how to create their own memorable rhythm parts and emulate the styles of groove masters such as Keith Richards, Bob Marley, and Malcolm Young. Drawn from the pages of Guitar Player with many of the lessons presented in the players' own words the book presents must-have information on gear and recording, and covers hot topics such as effects and special tunings.
Music is Everywhere! Edward's Rhythm Sticks is a story that shows how much music is a part of our lives. This story illustrates just how fun music can be and how even the simplest things can be made into instruments. This story is a great way for parents and teachers alike to teach rhythm, pattern and sequence. Most of all, parents and teachers can use this engaging interactive eBook to bridge learning, music, literacy and having fun together.
(Educational Piano Solo). 24 songs in the Chinese tradition: Crescent Moon * Darkening Sky * Girl's Lament * Hand Drum Song * Jasmine Flower Song * Mountaintop View * Sad, Rainy Day * The Sun Came up Happy * Wedding Veil * and more. Features notes on each piece, exquisite illustrations, and a map of China.
English / Spanish. The bible of Latin patterns and sounds. This compendium of native instruments shows how each instrument plays its part of the beat. There is also a special section of supplementary timbale exercises and correctly notated Latin-rhythm instrument scores.
For beginner rhythm guitarists. Takes the student from beginner to professional level in a variety of styles as well as teaching music theory and improvisation in an interesting and practical way. This excellent method represents an essential guide for any rhythm guitarists at any level.
Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what we hear against the grain of background regularity); and its special embodiment in percussion parts. Unique among studies of musical rhythm, the collection directs close attention to ways performers and listeners conceptualize aspects of rhythm and questions many received categories for describing rhythm. By drawing the ear and the mind to tensions, distinctions, and aesthetic principles that might otherwise be overlooked, this focus on local concepts enables the listener to dispel assumptions about how music works "in general." Readers may walk away with a few surprises, become more aware of their assumptions, and/or think of new ways to shock their students out of complacency.