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The Alexander Lectures for 1949-50. In his Preface, Professor Brown says, "Isolating a single element or group of elements in the novel, and considering it in unreal separation from all the other elements which it actually fuses, is artificial, but so is all criticism. The artificiality is justified if when one turns back from the criticism to the novels these appear more intelligible and more delightful. That is the test." Applying the test to Dr. Brown's present work, the method is more than justified by the results. they are titled: "Phrase, Character, Incident," "Expanding Symbols," "Interweaving Themes," and "Rhythm in E.M. Forster's A Passage to India."
GMA BUZZ PICK • How do we find belonging when love is unrequited? A "gorgeously written debut" (Celeste Ng, best-selling author of Little Fires Everywhere) filled with jazz and soul, about the perennial temptations of dangerous love, told by the women who love Circus Palmer—trumpet player and old-school ladies’ man—as they ultimately discover the power of their own voices. “Elegant, unexpected and…unforgettable.” —New York Times Book Review “A modern masterpiece.” —Jason Reynolds, best-selling author of Look Both Ways It’s 2013, and Circus Palmer, a forty-year-old Boston-based trumpet player and old-school ladies’ man, lives for his music and refuses to be tied down. Before a gig in Miami, he learns that the woman who is secretly closest to his heart, the free-spirited drummer Maggie, is pregnant by him. Instead of facing the necessary conversation, Circus flees, setting off a chain of interlocking revelations from the various women in his life. Most notable among them is his teenage daughter, Koko, who idolizes him and is awakening to her own sexuality even as her mentally fragile mother struggles to overcome her long-failed marriage and rejection by Circus. Delivering a lush orchestration of diverse female voices, Warrell spins a provocative, soulful, and gripping story of passion and risk, fathers and daughters, wives and single women, and, finally, hope and reconciliation.
Yhandle] As if Joseph Campbell composed a "How To" book on writing, the exercises in "Writing Your Rhythm" are designed to free the imaginative writer in everyone. Divided into five main sections, the book relates the act of writing to our understanding of nature, the way culture shapes expression, form itself, and the enduring role myths play in creativity. Fun and useful to classrooms of all grade levels, and to the solitary writer engrossed in her heroic act. Diane Thiel's "Echolocations" won the 13th Nicholas Roerich Poetry Prize (2000). The author of two chapbooks from Aralia Press, she teaches at the University of Miami."
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Inspired by Jane Austen’s Persuasion, Where the Rhythm Takes You is a romantic, mesmerizing novel of first love and second chances. Seventeen-year-old Reyna has spent most of her life at the Plumeria, her family’s gorgeous seaside resort in Tobago. But what once seemed like paradise is starting to feel more like purgatory. It’s been two years since Reyna’s mother passed away, two years since Aiden—her childhood best friend, first kiss, first love, first everything—left the island to pursue his music dreams. Reyna’s friends are all planning their futures and heading abroad. Even Daddy seems to want to move on, leaving her to try to keep the Plumeria running. And that’s when Aiden comes roaring back into her life—as a VIP guest at the resort. Aiden is now one-third of DJ Bacchanal—the latest, hottest music group on the scene. While Reyna has stayed exactly where he left her, Aiden has returned to Tobago with his Grammy-nominated band and two gorgeous LA socialites. And he may (or may not be) dating one of them… “What a delightful debut! It’s like the perfect island vacation: breezy, warm, romantic, lots of soul searching, and full to the brim with love.” —Jasmine Guillory, New York Times bestselling author
No detailed description available for "D. H. Lawrence and the Psychology of Rhythm".
Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.