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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,3, Ernst Moritz Arndt University of Greifswald, language: English, abstract: In the Middle Ages rhetoric played a much more important role than it does nowadays. Replaced by sciences like aesthetics, psychology or stylistics1 in our time rhetoric was of central interest in scholarly life back then. It was not simply reduced to the science of tropes and figures like it is often done nowadays but there was much more to it in the Middle Ages. Based on the rhetorical tradition of the antiquity rhetoric was the art of speech, which already shows that it was a broad subject. It will therefore be of importance to give a general overview of rhetoric in those days and to look at one author in particular to illustrate how rhetoric was used. One of the most important and best known authors of the Middle Ages is Geoffrey Chaucer. That is why he will be considered as a representative of the rhetoricians of his time in this term paper. The following chapters will deal with rhetoric in the Middle Ages in general and with Chaucer as a rhetorician of that time in particular. This term paper will not only summarise what rhetoric was like in those days but, moreover, it will examine the most important features of Chaucer’s poetical style. Finally a closer look at The Parliament of Fowls, one of Chaucer’s minor poems, will make clear how Chaucer used rhetorical devices and other language ornaments to make his works aesthetic and to get his message across. While reading Chaucer it has to be kept in mind that his poems were not published as books to be read but were presented to an audience. That is why it will be of interest to examine the way the oral character is created in Chaucer’s poems. Rhetorical devices were originally used to make a text or speech aesthetic and persuasive and nowadays they are often used as the starting point for interpretations of a text because it is assumed that there must be a connection between the style and the meaning of a poem. This term paper, however, is not supposed to contribute to the understanding of Chaucer’s The Parliament of Fowls in the first place or even to provide any interpretations of the poem as a whole but it shall give an insight into Chaucer’s rhetoric and focus on selected examples of this poem. It deals with Chaucer’s poetical style and not with the deeper meaning of his poem. Nevertheless some rhetorical features cannot be explained without looking at certain possible interpretations of them.
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,3, Ernst Moritz Arndt University of Greifswald, 20 entries in the bibliography, language: English, abstract: In the Middle Ages rhetoric played a much more important role than it does nowadays. Replaced by sciences like aesthetics, psychology or stylistics1 in our time rhetoric was of central interest in scholarly life back then. It was not simply reduced to the science of tropes and figures like it is often done nowadays but there was much more to it in the Middle Ages. Based on the rhetorical tradition of the antiquity rhetoric was the art of speech, which already shows that it was a broad subject. It will therefore be of importance to give a general overview of rhetoric in those days and to look at one author in particular to illustrate how rhetoric was used. One of the most important and best known authors of the Middle Ages is Geoffrey Chaucer. That is why he will be considered as a representative of the rhetoricians of his time in this term paper. The following chapters will deal with rhetoric in the Middle Ages in general and with Chaucer as a rhetorician of that time in particular. This term paper will not only summarise what rhetoric was like in those days but, moreover, it will examine the most important features of Chaucer's poetical style. Finally a closer look at The Parliament of Fowls, one of Chaucer's minor poems, will make clear how Chaucer used rhetorical devices and other language ornaments to make his works aesthetic and to get his message across. While reading Chaucer it has to be kept in mind that his poems were not published as books to be read but were presented to an audience. That is why it will be of interest to examine the way the oral character is created in Chaucer's poems. Rhetorical devices were originally used to make a text or speech aesthetic and persuasive and nowadays they are often used as the starting point for interpr
This volume brings together a wide range of original, scholarly essays on key figures and topics in medieval literature by leading academics. The volume examines the major authors such as Chaucer, Langland and the Gawain Poet, and covers key topics in medieval literature, including gender, class, courtly and popular culture, and religion. The volume seeks to provide a fresh and stimulating guide to medieval literature.
Methods of representing individual voices were a primary concern for Geoffrey Chaucer. While many studies have focused on how he expresses the voices of his characters, especially in The Canterbury Tales, a sustained analysis of how he represents his own voice is still wanting. This book explores how Chaucer's first-person narrators are devices of self-representation that serve to influence representations of the poet. Drawing from recent developments in narratology, the history of reading, and theories of orality, this book considers how Chaucer adapts various rhetorical strategies throughout his poetry and prose to define himself and his audience in relation to past literary traditions and contemporary culture. The result is an understanding of how Chaucer anticipates, addresses, and influences his audience's perceptions of himself that broadens our appreciation of Chaucer as a master rhetorician.
A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.
Logic originally meaning "e;the word"e; or "e;what is spoken"e; is generally held to consist of the systematic study of the form of arguments. A valid argument is one where there is a specific relation of logical support between the assumptions of the argument and its conclusion. There is no universal agreement as to the exact scope and subject matter of logic, but it has traditionally included the classification of arguments, the systematic exposition of the 'logical form' common to all valid arguments, the study of inference, including fallacies, and the study of semantics, including paradoxes. Historically, logic has been studied in philosophy and mathematics and recently logic has been studied in computer science, linguistics, psychology, and other fields. The book is about the logic and talks about various aspects of it such as general character of the enquiry, argument from analogy, mathematical reasoning, etc. This book will prove to be very useful for the people interested in logic as well as the students of logic.
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
A collection of essays on Chaucer's poetry, this guide provides up-to-date information on the history and textual contexts of Chaucer's work, on the ranges of critical interpretation, and on the poet's place in English and European literary history.
Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.