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A working guide for students conducting theological writing and research on theology and biblical studies courses, this book integrates the disciplines of writing, rhetoric, and theology, to provide a standard text for the teaching and mentoring of writing across the theological curriculum.As a theological rhetoric, it also encourages excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts. This 2nd Edition includes new chapters on 'Writing Theology in a New Language', which explores the linguistic and cultural challenges of writing theology well in a non-native language, and 'Writing and Learning Theology in an Electronic Age', addressed to distance learning students learning to write theology well from online courses, and dealing with the technologies necessary to do so.
"But the point of Burke's work, and the significance of his achievement, is not that he points out that religion and language affect each other, for this has been said before, but that he proceeds to demonstrate how this is so by reference to a specific symbolic context. After a discussion 'On Words and The Word,' he analysess verbal action in St. Augustine's Confessions. He then discusses the first three chapters of Genesis, and ends with a brilliant and profound 'Prologue in Heaven,' an imaginary dialogue between the Lord and Satan in which he proposes that we begin our study of human motives with complex theories of transcendence,' rather than with terminologies developed in the use of simplified laboratory equipment. . . . Burke now feels, after some forty years of search, that he has created a model of the symbolic act which breaks through the rigidities of the 'sacred-secular' dichotomy, and at the same time shows us how we get from secular and sacred realms of action over the bridge of language. . . . Religious systems are systems of action based on communication in society. They are great social dramas which are played out on earth before an ultimate audience, God. But where theology confronts the developed cosmological drama in the 'grand style,' that is, as a fully developed cosmological drama for its religious content, the 'logologer' can be further studied not directly as knowledge but as anecdotes that help reveal for us the quandaries of human governance." --Hugh Dalziel Duncan from Critical Responses to Kenneth Burke, 1924 - 1966, edited by William H. Rueckert (Minneapolis: University of Minnesota Press, 1969).
It is perhaps a truism to note that ancient religion and rhetoric were closely intertwined in Greek and Roman antiquity. Religion is embedded in socio-political, legal and cultural institutions and structures, while also being influenced, or even determined, by them. Rhetoric is used to address the divine, to invoke the gods, to talk about the sacred, to express piety and to articulate, refer to, recite or explain the meaning of hymns, oaths, prayers, oracles and other religious matters and processes. The 13 contributions to this volume explore themes and topics that most succinctly describe the firm interrelation between religion and rhetoric mostly in, but not exclusively focused on, Greek and Roman antiquity, offering new, interdisciplinary insights into a great variety of aspects, from identity construction and performance to legal/political practices and a broad analytical approach to transcultural ritualistic customs. The volume also offers perceptive insights into oriental (i.e. Egyptian magic) texts and Christian literature.
Like medieval maps with their intricate illustrations, unusual proportions, and omission of seemingly crucial details, medieval works of theology were designed to provide not an objective lay of the land for disinterested study but an itinerary for individuals traveling a specific route. To read was to be taken by the hand and to join fellow travelers on a journey of participation -- and ultimately union -- with God.
What Is Rhetorical Theology? covers the tradition of classical rhetoric, especially as practiced by the Roman orators. It considers the appropriation of this heritage in Augustine's On Christian Doctrine and the influence that important work had on Christian theology in the West. After describing how modern scholarship has tended to view rhetoric with deep suspicion, the book summarizes the retrieval of persuasive discourse in many academic disciplines and the influence of this movement on contemporary theologians such as David Tracy, David Cunningham, and Rebecca Chopp. In addition, What Is Rhetorical Theology? offers it own constructive proposal, that is, it argues that the theological task today may be described as rhetorical hermeneutics. With the help of literary critics such as Steven Mailloux and Jane Tompkins, the author develops a practical and "interested" approach to the interpretation of classical Christian texts, thereby allowing them to speak to our contemporary concerns. The book also presents an epistemological defense of the rhetorical approach to reading as a middle way between objectivism and relativism, a section that serves as a helpful introduction to current debates about postmodern thought. Finally, the book illustrates the rhetorical method by applying it to a doctrine of sin in the form of a constructive dialogue between critical theory and the Christian theological past. Don H. Compier is Associate Professor of Theology at the Church Divinity School of the Pacific and a member of the core doctoral faculty of the Graduate Theological Union.
Christian Origins is an exploration of the historical course and nature of early Christian theology, which concentrates on setting it within particular traditions or sets of traditions. In the three sections of the volume, Reading Origen, Reading the Fourth Century and Christian Origins in the Western Traditions, the contributors reconsider classic themes and texts in the light of the existing traditions of interpretation. They offer critiques of early Christian ideas and texts and they consider the structure and origins of standard modern readings of these ideas and texts. The contributors employ a variety of methodological approaches to analyse the interplay between ancient philosophical traditions and the development of Christian thought and to redefine the parameters between the previously accepted divisions in the traditions of Christian theology and thought.
Numerous books are available on the meaning and methods of preaching, but nothing has been written that specifically addresses the character of those who would preach. Preacher and Cross helps fill this gap in homiletic studies by examining the relationship between the message of Christian proclamation and the preacher, with specific attention to ministerial character and the preacher's use of self in sermons. Andr? Resner discusses the two dominant approaches to homiletics-the rhetorical approach typified by Augustine and the theological approach typified by Barth-and then compares and contrasts these approaches to what the apostle Paul says on the issue. Essential reading for those involved in ministry, this work offers invaluable insights into the relationship between preachers and the message they proclaim.
V.2: Building upon their critically acclaimed first volume, Davis W. Houck and David E. Dixon's new Rhetoric, Religion, and the Civil Rights Movement, 1954-1965 is a recovery project of enormous proportions. Houck and Dixon have again combed church archives, government documents, university libraries, and private collections in pursuit of the civil rights movement's long-buried eloquence. Their new work presents fifty new speeches and sermons delivered by both famed leaders and little-known civil rights activists on national stages and in quiet shacks. The speeches carry novel insights into the ways in which individuals and communities utilized religious rhetoric to upset the racial status quo in divided America during the civil rights era. Houck and Dixon's work illustrates again how a movement so prominent in historical scholarship still has much to teach us. (Publisher).
Focusing on texts in the Hebrew Bible, and using feminist hermeneutics, Phyllis Trible brings out what she considers to be neglected themes and counter literature. After outlining her method in more detail, she begins by highlighting the feminist imagery used for God; then she moves on to traditions embodying male and female within the context of the goodness of creation. If Genesis 2-3 is a love story gone awry, the Song of Songs is about sexuality redeemed in joy. In between lies the book of Ruth, with its picture of the struggles of everyday life.
"In recent years the topic of beauty has come into increasing prominence in a number of fields, including theology. This book explores several aspects of the relation between theology and aesthetics in both the pastoral and academic realms. The underlying motif of the book is that beauty is a means of divine revelation and that art is the human mediation that both enables and limits its revelatory power. Using examples from music, pictorial art and rhetoric, the five chapters explore different aspects of the ways that art enters into theology and theology into art, both in pastoral practice (for example, liturgical music, sacred art and preaching) and in the realm of systematic reflection, where, the author contends, art must be recognized as a genuine theological text." "The central chapters are followed by a discography of illustrative musical works and lists of Internet sites of sacred art and art history resources that will complement the text."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved