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An unflinching, breathtaking retelling of the story of Rhea Silvia, fated by the gods to play a spectacular part in the mythos of Rome—the mother of Romulus, Rome’s legendary founder. It is 772 BCE, nearly two decades before the birth of Rome. The city of Alba Longa and its king, Numitor, reign supreme. But Numitor’s children, Princess Rhea Silvia and Prince Egestus, fear for the city’s future. With Rhea set to marry an unpredictable enemy, they can see the end of their family’s dynasty as surely as their ancestor Aeneas saw the fall of Troy. In a bid to maintain power, Rhea is set on a harrowing course that will push her to the limits of human endurance, forcing her to turn to the gods and rise with the ferocity imbued in her Trojan blood, sacrificing everything for the new Troy—Rome. RHEA SILVIA is the first novel in The First Vestals of Rome, an epic trilogy about the founding Vestal Virgins of ancient Rome. About The First Vestals of Rome Trilogy Set in the 8th century BCE, The First Vestals of Rome is an action-packed trilogy that dramatizes the sensational, often perilous lives of three legendary women who gave rise to Rome’s powerful order of Vestal Virgins. All of them central to the life of Romulus, Rome’s founder, these tectonic women were fated to shape the history of the Eternal City as much as any Caesar who came after them. Editorial Reviews for RHEA SILVIA "This novel turns the myth of Romulus and Remus into a plausible and energetic history but has many graphic scenes of the torture, assassination and aberrant behavior that would come to mark the Roman Empire...[A] vibrant, enthralling tale." - The Historical Novel Society "The dramatization of the scenes is superb, it keeps the reader captivated and intrigued...[the novel] brings you from "old" to "new" with brilliant clarity. If you love history, the Roman empire and the sex, fights and deception that allowed these privileged people to create one of the greatest cultures in the world, you will love this book." - Book Junkie Reviews
Since antiquity, the she-wolf has served as the potent symbol of Rome. For more than two thousand years, the legendary animal that rescued Romulus and Remus has been the subject of historical and political accounts, literary treatments in poetry and prose, and visual representations in every medium. In She-Wolf: The Story of a Roman Icon, Cristina Mazzoni examines the evolution of the she-wolf as a symbol in western history, art, and literature, from antiquity to contemporary times. Used, for example, as an icon of Roman imperial power, papal authority, and the distance between the present and the past, the she-wolf has also served as an allegory for greed, good politics, excessive female sexuality, and, most recently, modern, multi-cultural Rome. Mazzoni engagingly analyzes the various role guises of the she-wolf over time in the first comprehensive study in any language on this subject.
Matthes (U. of Maryland) stages a conversation between feminism and republicanism to analyze the linkage between "founding stories" of republics, sexual violence, and gender hierarchy. While pointing out the differences in the retellings of Lucretia's rape by Livy, Machiavelli, and Rousseau, she argues that their commonality is in appropriating the classical tale to support the view that the alternative to violence is citizenship and politics infused with common good notions of agency, action, and community. Annotation copyrighted by Book News Inc., Portland, OR
Some critics of the Roman historian Livy (59 B.C.-A.D. 17) have dismissed his work as a compendium of stale narratives and conventional attitudes. Gary B. Miles reveals in Livy's history a creative interplay between traditional stories, contemporary ideological assumptions, and the historian's own perspective at the margins of Roman aristocracy. Drawing on a range of critical approaches, Miles considers Livy's stance as a historian, the ways in which he reworked his sources, and his interpretation of such historical phenomena as recurrence, continuity, and change. Miles focuses on the foundation stories with which Livy begins his account, detecting in Livy's rendition certain original conceptions of historical time including the suggestion that Roman identity and greatness might be preserved indefinitely through successive reenactments of a historical cycle. Miles pays particular attention to two stories—those of the abduction of the Sabine women and of Romulus and Remus, showing how Livy's versions of these traditional narratives—far from leading to a simplistic moral—address unresolved political issues of his day. According to Miles, Livy shows an unusually tenacious willingness to confront dilemmas in historiography and Roman ideology which were commonly ignored or suppressed by both his predecessors and his contemporaries.
"May Steven Saylor's Roman empire never fall. A modern master of historical fiction, Saylor convincingly transports us into the ancient world...enthralling!" —USA Today on Roma Continuing the saga begun in his New York Times bestselling novel Roma, Steven Saylor charts the destinies of the aristocratic Pinarius family, from the reign of Augustus to height of Rome's empire. The Pinarii, generation after generation, are witness to greatest empire in the ancient world and of the emperors that ruled it—from the machinations of Tiberius and the madness of Caligula, to the decadence of Nero and the golden age of Trajan and Hadrian and more. Empire is filled with the dramatic, defining moments of the age, including the Great Fire, the persecution of the Christians, and the astounding opening games of the Colosseum. But at the novel's heart are the choices and temptations faced by each generation of the Pinarii. Steven Saylor once again brings the ancient world to vivid life in a novel that tells the story of a city and a people that has endured in the world's imagination like no other.
Sex, violence, power, and redemption. In recent decades, scholars of New Testament and early Christian traditions have given new attention to the relationships between gender and imperial power in the Roman world. In this surprising work, Celene Lillie examines core passages from three Gnostic texts from Nag Hammadi, On the Origin of the World, The Reality of the Rulers, and the Secret Revelation of John, in which Eve is portrayed as having been humiliated by the cosmic powers, yet experiencing restoration. Lillie compares that pattern with Gnostic savior motifs concerning Jesus and Seth, then sets it in the broader context of Roman cosmogonic myths at play in imperial ideology. The Nag Hammadi texts, she argues, offer us a window into symbolic forms of Christian resistance to imperial ideology. This groundbreaking study highlights the importance of the Nag Hammadi writings for our fuller appreciation of the currents of Christian response to the Roman Empire and the culture of rape pervasive within it.
The elegists, ancient Rome's most introspective poets, filled their works with vivid, first-person accounts of dreams. Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming.