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Andrew Staniland's "Rhapsodies (2014)" takes its title from the verse form of the two long poems at its centre, "Rhapsody" and "Corona Lumina", written in long rhyming couplets. The same verse form is used for a poem about the Ukrainian musicians Dakh Daughters and Valentin Silvestrov. There are translations from Russian and Ukrainian, a tribute to Seamus Heaney and a sequence of short poems about an album by the French singer-songwriter Amélie-les-crayons. Revised edition.
A young music prodigy goes missing from a hotel room that was the site of an infamous murder-suicide fifteen years earlier, renewing trauma for a bridesmaid who witnessed the first crime and rallying an eccentric cast of characters during a snowstorm that traps everyone on the grounds.
The majority of these essays were previously published, in slightly different form, in The New Yorker.
"Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group's songs and illuminates the varied the stylistic and historical contexts in which Queen's music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen's idiolect, the book further explores the nature of specific musical characteristic and uses them to respond to a range of wider analytical and discursive issues as pertaining to style, genre, form, time, voice, and historiography. Rock and Rhapsodies comprises twelve chapters. The introduction documents Queen's place in scholarly literature and unfolds the principal analytical methodology. The following three chapters address the structural details of Queen's idiolect and songs, before analyzing the voices of Queen's singers. The vocal techniques are related to discourses of authenticity and, in the case of Freddie Mercury, the queer voice. The five subsequent chapters identify the changing and myriad stylistic influences on Queen, as well as relate the band to the major rock movements of the 1970s: hard, glam, and progressive. The final chapter explores the replacement singers, Queen in wider popular media, and the influence of the band, since Mercury's death in 1991"--
Andrew Staniland's "A Georgian Anthology" is a sequence of poems inspired by the classical myths about Prometheus and Colchis, by Georgia's own mythology and history, by its poetry, especially Shota Rustaveli's "The Knight In The Panther Skin", and by the beauty of the Georgian landscape, with its castles, towers, monasteries and the mountains of the Caucasus.
This is a collection of poems by Andrew Staniland from 1982 to 2004. Some are written in free verse, some in metric verse. They are in the romantic tradition of English poetry and explore contemporary spiritual and psychotherapeutic experience. Revised edition.
Andrew Staniland's "Letters Of Introduction" includes a series of odes, four "Sonnets On Public Life" and a series of "Three-Line Variations" that are an English lyrical equivalent of haiku. There are poems about post-truth politics and #MeToo, as well as poems about Armenia, written before the April 2018 revolution, including a sequence, "Thirty-Nine Letters", that has a poem for each letter of the Armenian alphabet.
Andrew Staniland's prose-poem novel "The Weight Of Light (2004)" is a lyrical description of the inner life and spiritual practice of Delphine, a Frenchwoman living in London. It is set entirely in her apartment, like a camera recording the poetry of her daily life, her meditations and spiritual experiences. It is a "new spirituality" novel that is both literary and an honest description of a contemporary spiritual life. Revised edition.
The poems in Andrew Staniland's "New Poems (2006)" are poems about contemporary spiritual experience, written in classical metre, in the romantic tradition of English poetry. They include a series of odes and a sequence of short poems which give the collection its title. Revised edition.
This volume is a full-scale commentary on the extant fragments of Acusilaus of Argos, commonly regarded as one of the earliest Greek mythographers (VI-V cent. BCE). To encapsulate his contribution to archaic literature, his book on Genealogies is described as a "Rhapsody in Prose", that foregrounds especially the exegetical nature of his book, which rewrote the most ancient past on the basis of the most authoritative epic poems.