Download Free Revolution In Poetic Consciousness Poetry Self And Culture Book in PDF and EPUB Free Download. You can read online Revolution In Poetic Consciousness Poetry Self And Culture and write the review.

"The creator of the new composition in the arts is an outlaw until he is a classic", Gertrude Stein wrote in 1926. Unlike male modernists such as T. S. Eliot or Ezra Pound, the modernist women poets Edith Sitwell, Amy Lowell, Stein and H. D. never became "high" modernist models but remained "artistic outlaws". The present study shows how these women were present on the modernist scene but followed their own concepts and struggled to establish their position as modernist women poets. Defying definition, the four poets not only richly contributed to modernism, but were indeed its developers.
At the beginning of the 21st century, there is still no generally accepted comprehensive definition of the lyric or differentiated modern toolkit for its analysis. The reception of poetry is largely characterised either by an empathetic identification of critics with the lyric persona or by exclusive interest in formal patterning. The present volume seeks to remedy this deficit. All the contributors ‘theorise’ the lyric to overcome the impasse of an impressionistic and narrowly formalistic critical debate on the genre. Their papers focus on a variety of different questions: the problem of establishing a framework for definition and classification; the search for dynamic and potent critical approaches; investigations of poetry's cultural performance and its fundamental relevance for the construction of group cohesion. The essays collected in this volume offer a consciously polyphonic range of theories and interpretations, suggesting to the reader a variety of theoretical frameworks and practical illustrations of how a discussion of poetry may be firmly grounded in modern literary theory.
REVOLUTIONARY POETS BRIGADE ANTHOLOGY. Volume I. Editor Mark Lipman, Selections by Jack Hirschman. This anthology brings together 76 poets from 25 countries speaking truth to power. Poetry is the chisel with which the walls of hatred, fear and intolerance are broken and taken down. The poems project the social passions and engagements that expose issues or figures in struggle for a more equitable world. This collection includes selected works by Lawrence Ferlinghetti, Jack Hirschman, Agneta Falk, Luis J. Rodriguez, Majid Naficy, Mark Lipman, Antonieta Villamil, to name a few.
Offers a profound vision of the Christian epic as the site of the modern apocalyptic reenactment of the original apocalypse. In this series of essays, Thomas J. J. Altizer explores the Christian epic as the site of modern revolutionary apocalyptic reenactments and renewals of the original apocalypse enacted by Jesus Christ and primitive Christianity. Beginning with the pivotal seventeenth-century figures Milton and Spinoza, Altizer analyzes the apocalyptic visions of key figures of modernity, including Blake, Hegel, Kierkegaard, Nietzsche, and Joyce, often juxtaposing them to surprising and illuminating effect. These revolutionary moments stand in opposition to what Altizer calls the pathological modern counterrevolution that dominates the world today, which is an effect of a new postmodernity and of a progressive dissolution of historical consciousness. Through his analysis of modern apocalyptic moments and thinkers, this book becomes an elegant and accessible guide to Altizer’s own apocalyptic vision and his ultimate project of the total and comprehensive reconstruction of theology. “This is an indispensable work of closure coming from one of contemporary theology’s most lucid, original, rebellious, provocative, and passionate voices. Altizer’s most central and tenaciously held convictions are distilled into this essential testament.” — William Franke, author of Secular Scriptures: Modern Theological Poetics in the Wake of Dante “This book is vintage Altizer: a vast and profound vision of the transformations of interiority, conceptions of the world, and the idea/image of God throughout the time of Western culture. Altizer is an incredible and amazing writer and thinker. I found myself stopped dead in my tracks, left to ponder anew everything that I thought I knew. His intuitions and insights are so penetrating and enlightening that they evoke sheer wonder at the marvel of his accomplishment.” — David E. Klemm, coauthor of Religion and the Human Future: An Essay on Theological Humanism
Ranging from the extraordinary burst of English literary writing under the reign of Richard II to the literature of the Reformation, this title challenges traditional assumptions and argues that the stylistic diversity enjoyed by late medieval writers was curtailed by the authoritarian practice of the 16th-century cultural revolution.
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.
Elizabeth Jennings was one of the most popular, prolific, and widely anthologized lyric poets in the second half of the twentieth century. This first biography, based on extensive archival research and interviews with Jennings's contemporaries, integrates her life and work and explores the 'inward war' the poet experienced as a result of her gender, religion, and mental fragility. Originally associated with the Movement, Jennings was sui generis, believing poetry was 'communication' and 'communion.' She wrote of nature, friendship, childhood, religion, love, and art, endearing her to a wide audience. Yet lifelong depression, unbearable loneliness, unrelenting fears, poverty, and physical illness plagued her. These were exacerbated by her gender in a male-dominated literary world and an inherited Catholic worldview which initially inculcated guilt and shame. However, a tenacious drive to be a poet made her, 'the most unconditionally loved writer of her generation.' Although her claim was that the poem is not the poet, her life is tracked in her voluminous published and unpublished poetry and prose. The themes of mental illness, the importance of place, the problems associated with being an unmarried woman artist, her relationship with literary mentors and younger poets, her non-feminist feminism, and her marginality and sympathy for the outcast are all explored. It was poetry which saved her; it helped her push back darkness and discover order in the midst of chaos. Poetry was her raison d'etre. It was her life.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.