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A significant contribution on the development and aftermath of post–World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country’s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
A edição 17 reflete sobre livro e leitura no século XXI, levando em conta novos aspectos e dimensões que vão além das publicações em papel, das bibliotecas e livrarias físicas. A Revista contempla abordagens históricas, discussões contemporâneas, contribuições de pesquisadores acadêmicos e de profissionais do mercado.
A union list of serials commencing publication after Dec. 31, 1949.
Catalogo della mostra di Città del Messico (Museo Carrillo Gil, 21 gennaio / 25 febbraio 1998). Nel 1997 la Triennale di Milano presentò il lavoro di questa donna straordinaria, un architetto italiano (Roma 1914 / San Paolo del Brasile 1992) che, trasferitasi in Brasile, ha realizzato per la collettività progetti di straordinaria forza e bellezza. Il volume propone un viaggio affascinante da Roma, città natale di Lina, al Brasile, attraverso architettura, scenografia, design e arte popolare. Annotation Supplied by Informazioni Editoriali
Encompassing numerous territories across four different continents, Portugal's early modern empire depended upon a vast and complex bureaucracy, yet colonial power did not reside solely in the centralized state. In a masterful reconceptualization of the functioning of empire, Erik Lars Myrup's Power and Corruption in the Early Modern Portuguese World argues that beneath the surface of formal government, an intricate web of interpersonal relationships played a key role in binding together the Portuguese empire. Myrup draws on archival research in Portugal, Spain, Brazil, and China to demonstrate how informal networks of power and patronage offered a crucial means of navigating-or circumventing-the serpentine paths of the governmental hierarchy. The decisions of the Overseas Council, which governed Portugal's imperial holdings, reflected not only the merits of the petitions that came before it, but also the personal and institutional affiliations of the petitioner. In far-flung areas such as São Paulo and Macau, where the formal bureaucracy was weak, local cultural and economic factors held as much sway over the agents of the colonial state as did the dictates of the imperial court at Lisbon. Populated by a host of colorful characters, from backland explorers to colonial magistrates, Power and Corruption in the Early Modern Portuguese World demonstrates how informal social connections both magnified and diminished the power of the colonial state. If such systems contributed to corruption and fraud, they also facilitated effective cross-cultural exchange and ensured the survival of empire in times of crisis and decline. Myrup has produced a truly global study that sheds new light on the influence of interpersonal networks on the administration of a vast overseas empire.
div The first major retrospective of the Brazilian modernist architect's life and work/DIV