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The Department of English at the University of Southern California, located in Los Angeles, California, features a book review written by Marcy L. Tanter of the book authored by Kenneth Johnston entitled "The Hidden Wordsworth: Poet, Lover, Rebel, Spy," (ISBN 0-393-04623-0) published by Norton in 1998. Tanter comments on Johnston's book, which is a biography on the early years in the life of the English poet William Wordsworth (1770-1850).
Michael Eberle-Sinatra offers the full text of the book review written by Bruce E. Graver of Kenneth R. Johnston's book entitled "The Hidden Wordsworth: Poet, Lover, Rebel, Spy," (ISBN: 0-393-04623-0) published by Norton and Co. in 1998. The book review was originally published in the February 1999 issue of "Romanticism on the Net." The biography about the English poet William Wordsworth (1770-1850) covers a broad scope on Wordsworth's finances, sexuality, and political involvements.
A surprise-filled biography of a radical young poet whose fiery intellect revolutionized English poetry. Based on new research in government archives in England and France, school and university records, and intimate letters, THE HIDDEN WORDSWORTH is a warts-and-all account of the renowned poet as a youth, who lived a life even Byron would have envied. Photos.
Popular anthologies hold that the Romantic Era in Great Britain ended promptly in 1832 and that the early Twentieth Century was the time of Modernism and the rejection of the Romantic in British letters. However, in Wales, just the opposite was true. This study traces the work of poets and novelists in Wales in the early- to mid-Twentieth Century who all found their poetic master to be William Wordsworth. In the early part of the century, W. H. Davies, John Cowper Powys and Huw Menai – a tramp, a mystic novelist and a coal miner – produce novels and poetry with Wordsworth as their acknowledged master. By mid-century, Idris Davies, a coal miner turned teacher, R. S. Thomas, an Anglican priest, and Leslie Norris, another teacher, are writing in the “mountainous shadow of William Wordsworth.” While the literary lights of London are leading the Modernist revolution, in Wales, the inspiration is still the English poet, Wordsworth. This study will illuminate this flare up of Romanticism, and show the way in which Romanticism re-emerges from unexpected quarters.
William Wordsworth, Second-Generation Romantic provides a truly comprehensive reading of 'late' Wordsworth and the full arc of his career from (1814–1840) revealing that his major poems after Waterloo contest poetic and political issues with his younger contemporaries: Keats, Shelley and Byron. Refuting conventional models of influence, where Wordsworth 'fathers' the younger poets, Cox demonstrates how Wordsworth's later writing evolved in response to 'second generation' romanticism. After exploring the ways in which his younger contemporaries rewrote his 'Excursion', this volume examines how Wordsworth's 'Thanksgiving Ode' enters into a complex conversation with Leigh Hunt and Byron; how the delayed publication of 'Peter Bell' could be read as a reaction to the Byronic hero; how the older poet's River Duddon sonnets respond to Shelley's 'Mont Blanc'; and how his later volumes, particularly 'Memorials of a Tour in Italy, 1837', engage in a complicated erasure of poets who both followed and predeceased him.
"Water, water is everywhere in Romantic literature, but most treatments of the poetry of the period have not adequately registered this fact. By situating Romanticism within the historical context of an emergent British maritime empire, Baker provides a new way of thinking about literature. Written on the Water is a wonderful book, as expansive in its attempt to reinterpret Romantic poetry as the nautical horizons it examines."---Alan Bewell, University of Toronto, author of Romanticism and Colonial Disease --
Wordsworth has traditionally been understood as the 'poet of memory'. This book argues that 'unremembered pleasure', an idea Wordsworth formulates in 'Tintern Abbey' but is often overlooked by modern readers, is central to understanding his writing. Wordsworth's poems discover and articulate a broad range of previously unfelt, unnoticed, and unconscious satisfactions. As well as providing new interpretations of major and under-studied writing by Wordsworth, this volume challenges a long tradition of psychoanalytic reading of romanticism, which uses trauma to explain the limits of literary memory. The book contests key psychoanalytic concepts in literary criticism including repression, sublimation, mourning, and pleasure. It asks what it would mean for us to be 'surprised by joy'.
Romantic biography lives. Despite the so-called 'death of the author', popular interest in the lives of the major Romantic writers has reached a new peak. Romantic Biography brings together Romantic biographers and critics to consider some of the key questions surrounding this publishing phenomenon. What precisely is Romantic biography? What is the relationship between it and Romantic writings more generally? And to what extent is Romantic biography itself the product of Romantic ideas about the self, time and creativity? Romantic Biography examines a range of canonical and non-canonical biographical subjects from a variety of practical and theoretical standpoints. Michael O'Neill opens the collection with an analysis of the relationship between Romantic biography and Romantic poetry. Jonathan Bate, Mark Storey and Kenneth R. Johnston reassess Clare, Southey and Wordsworth from their position as authors of recent/forthcoming biographies of the poets. Joe Bray and Alan Rawes explore the Romantic assumptions at work within contemporary biographies of Austen and Byron. Gerard Carruthers, Julian North, Jennifer Wallace and Arthur Bradley put biographies of Burns, Scott, Coleridge, Byron, Keats and Shelley into the context of contemporary historicist and theoretical ideas about national and gender identity, the body and difference. Ralph Pite brings the collection to a close with a further examination of the vexed question of Romantic biography's relation to Romanticism itself. Romantic Biography is a major new survey of Romantic life-writing and an important contribution to biographical studies more generally.
Romanticism on the Road challenges critical orthodoxy by arguing that Wordsworth rejected the political dogmas of his age. Refusing to ally with either radicals or conservatives after the French Revolution, the poet seizes on vagrants to attack the binary thinking dominating public affairs and to question the value of the Georgian domestic ideal. Drawing on current and historical discussions of homelessness, the study offers a cultural history of vagrancy and explains why Wordsworth chose the homeless to bear his message.
Gothic Romanticism: Wordsworth, Architecture, Politics, Form offers a revisionist account of both Wordsworth and the politics of antiquarianism in the late eighteenth and early nineteenth centuries. As a historically-driven study that develops a significant critique and revision of genre- and theory-based approaches to the Gothic, it covers many key works by Wordsworth and his fellow “Lake Poets” Samuel Taylor Coleridge and Robert Southey. The second edition incorporates new materials that develop the argument in new directions opened up by changes in the field over the last decade. The book also provides a sustained reflection upon Romantic conservatism, including the political thought and lasting influence of Edmund Burke. New material places the book in wider and longer context of the political and historical forms seen developing in Wordsworth, and proposes Gothic Romanticism as the alternative line of cultural development to Victorian Medievalism.