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Spanning 80 years of Indian servitude in South Africa, this novel ebbs and flows with four generations of characters who work as indentured laborers in the cane fields of Natal and Durban. Eventually, the families move to the Casbah district, home of the infamous "Grey Street system." With meticulous research and magnetic, taut storytelling, this work weaves a narrative that is rich in character, history, and place.
When screen star Nadia Wentworth decides to play the bewitching Kali-Ra, the Queen of Doom, the result is homicide in this deftly comic murder mystery that's chock full of eccentric characters and Hollywood hysteria.
Nadia Wentworth is a Hollywood star. A big star. And she's so dreadfully bored on location in the South Pacific, she begins reading the first thing her assistant can dig up: a piece of gloriously bad pulp fiction by 1920s author Valerian Ricardo. Nadia soon falls under the spell of the bewitching Kali-Ra, the Queen of Doom, and knows she must portray the infamous character on the big screen. Ecstatic, she hires a famous British screenwriter to pen the script, and as word leaks out, all sorts of pests start popping up, including: Ricardo's great grandnephew; his elderly "wife"; his biographer, who also happens to be an illegitimate granddaughter; and a gaggle of obsessed Ricardo fans. When someone is murdered, there are scads of suspects, a multitude of motives, and much mayhem in this delightful, laugh-out-loud farce from one of the most accomplished novelists in the genre.
From Daniel Freedman (Raiders) and Mondo and DICE artist Robert Sammelin comes an original graphic novel that’s a nonstop, high-octane existential action spectacle, perfect for Mad Max: Fury Road fans! Stabbed in the back, poisoned, and left for dead by her own biker gang, Kali sets off on a one-way road of vengeance across a war-torn desert battlefield. With impending death coursing through her veins and a fascist army hot on her tail, Kali will stop at nothing to get her revenge, even if it’s the last thing she ever does. A nonstop high-octane existential action spectacle from writer Daniel Freedman and artist Robert Sammelin!
Get swept up in this dramatic enemies-to-lovers romance novel. All he wants is revenge…until he wants her. Claiming Easton House will be billionaire Matteo Bainbridge’s revenge on the family that rejected him. Evicting the home’s sole occupant? A minor detail. Then he meets Louisa Cameron and realizes his hunger for her could be the chink in his ruthless plan for vengeance. Hidden away on the grand estate, innocent Louisa escapes her traumatic childhood by illustrating beautiful fairy-tale realms. Then the outside world intrudes in the form of tycoon Matteo and the astonishing passion he awakens in her. Will surrendering to him destroy her—or set this Cinderella free? From Harlequin Presents: Escape to exotic locations where passion knows no bounds.
For fans of Holly Black and Nova Ren Suma, a gripping, hauntingly atmospheric novel about murder, revenge, and a world where monsters—human and otherwise—lurk at the fringes. When seventeen-year-old Breezy Lin wakes up in a shallow grave one year after her death, she doesn’t remember who killed her or why. All she knows is that she’s somehow conscious—and not only that, she’s able to sense who around her is hiding a murderous past. In life, Breezy was always drawn to the elegance of the universe and the mystery of the stars. Now she must set out to find answers and discover what is to become of her in the gritty, dangerous world to which she now belongs—where killers hide in plain sight, and a sinister cult is hunting for strange creatures like her. What she finds is at once empowering, redemptive, and dangerous. Tense, complex, and wholly engaging, Shallow Graves is a stunning first novel from Kali Wallace.
“Much more than a brilliant debut thriller. Dolan’s mile-a-minute story also gets at one of our species’ most important issues―can we choose how to die?” (Dylan Schaffer, author of I Right the Wrongs) In this auspicious debut, Alex Dolan announces himself as a virtuoso of psychological suspense and a rightful heir to masters of the genre like Gillian Flynn and Megan Abbott. Kali helps to end the lives of people with terminal diseases, her reasons her own. But she just helped the wrong person. Leland Moon is an FBI agent who couldn’t stop the abduction of his own son. He ropes Kali into a plot to avenge his son and help other victims, putting into a motion a mesmerizing cat-and-mouse game with two ruthless predators. Their mission will make Kali question everything she ever thought she know about herself. And the last life she ends may be her own . . . “Grabbed me from the first page and showed no signs of letting go. Dark and sinewy, topical and timeless, laced with rich characterization and gallows humor, it showcases Dolan as a thriller writer to watch and follow.” —Louis Bayard, bestselling author of Courting Mr. Lincoln “Alex Dolan makes an engrossing debut with The Euthanist . . . Dolan hooks readers from the very start, ratcheting up the tension and suspense until the shocking ending. As a thriller writer, Alex Dolan is set to be one of the best.” —Fresh Fiction “[An] action-packed story . . . Arriving with eerily uncanny timing, Alex Dolan’s debut novel, The Euthanist, tackles the prickly topic of death with dignity.” —San Jose Mercury News
As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.
Payback is a bitch and her name is Kali Sweet... I’m Kali Sweet, the best damn vengeance demon on Earth. I work for the supernatural world’s Justice Department and protect innocent humans from otherworldly creatures like me. While I can’t take revenge for myself, I make sure justice is done for others. But when my latest run-in with Chicago’s vampire king backfires, the fallout leaves me with three big problems: a powerful Undead enemy who wants my head, my boss looking over my shoulder, and three personal blood slaves jeopardizing my reputation. One of those slaves happens to be sexy rock star Radison Beaumont – the half-human, half-chaos demon who left me at the altar three hundred years ago. Even if he does need my blood now to survive, Rad and I will always be enemies. = Especially since he’s joined an ancient society of demon killers—and I’m the number one demon on their most wanted list.
It is based on a true story of Bundelkhand. The story revolves around a young man, Kali whose father was thrashed, humiliated and made financially spineless by most influential, wealthy and powerful person of the village, known as ‘Master’ as a sign of hooliganism. His father died because of his lost honour and later his mother died too in worry of her son. By that time Kali was only 10 years old. Kali was made orphan but he was determined to avenge his parent’s death even though he was financially and physically very weak. After 10 years, he got the opportunity to avenge his parent’s death. He did not kill the Master but left him in a situation, where it was near impossible for Master to survive. Kali fled out of the village without knowing whether Master was killed or not. Kali returned to the village after 30 years in disguise. Was he able to kill the Master? Was he recognized by the villagers? The story is about the trauma suffered by Kali and the decisions he has taken on difficult situations.