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In my fictional memoir, entitled "Revelation Road," my existence could end with two possible scenarios: a hopeful reality defined by romantic love or a hopeless reality characterized by poverty and unregulated mental illness. Poverty acts as an escape mechanism or a coping mechanism, depending on person, environment, and social conditioning; in my case it was a coping mechanism to confront reality. During the formative years of my childhood development in the suburbs, dysfunction, pain, and trauma molded me into an unhealthy adult with a manipulative personality who lacked self-sufficiency and functionalism-two components of a rational man existing in any environment. My destructive personality was composed of two dysfunctional attributes: a lack of trust and a defensive personality. Writing became a form of therapy which helped me confront reality. In Florida, I embraced a rural reality at a family sanctuary which had healed me before.
Reproduction of the original: The Making of the New Testament by Benjamin W. Bacon
A startling exploration of the history of the most controversial book of the Bible, by the bestselling author of Beyond Belief. Through the bestselling books of Elaine Pagels, thousands of readers have come to know and treasure the suppressed biblical texts known as the Gnostic Gospels. As one of the world's foremost religion scholars, she has been a pioneer in interpreting these books and illuminating their place in the early history of Christianity. Her new book, however, tackles a text that is firmly, dramatically within the New Testament canon: The Book of Revelation, the surreal apocalyptic vision of the end of the world . . . or is it? In this startling and timely book, Pagels returns The Book of Revelation to its historical origin, written as its author John of Patmos took aim at the Roman Empire after what is now known as "the Jewish War," in 66 CE. Militant Jews in Jerusalem, fired with religious fervor, waged an all-out war against Rome's occupation of Judea and their defeat resulted in the desecration of Jerusalem and its Great Temple. Pagels persuasively interprets Revelation as a scathing attack on the decadence of Rome. Soon after, however, a new sect known as "Christians" seized on John's text as a weapon against heresy and infidels of all kinds-Jews, even Christians who dissented from their increasingly rigid doctrines and hierarchies. In a time when global religious violence surges, Revelations explores how often those in power throughout history have sought to force "God's enemies" to submit or be killed. It is sure to appeal to Pagels's committed readers and bring her a whole new audience who want to understand the roots of dissent, violence, and division in the world's religions, and to appreciate the lasting appeal of this extraordinary text.
Rock Bannon has a heart as big as the Rocky Mountains that surround his quiet home, but he's always known that romance wasn't in the cards for him. Instead, the big man does his best to see that others around him are happy and safe. A man riding for the brand doesn't have time for silly things like love. Mary Ellen Bigsby is off on an adventure to the home of her favorite writer. She knows it is a frivolous journey, but she wants this one trip before she's too old to travel. Having given her youth to the classroom, she's ready for a change but unprepared for what she finds at the end of the trail. Francis has been accepted by the people of Biders Clump, but the father of the girl he loves is set against him. The young Indian brave will do anything to win the hand of Matrice and start a happy home of their own but can't seem to overcome her father's resistance. When Matrice suggests running away together, Francis has to make the hardest decision of his life. Will true love win the day or will two young people be pulled apart by one man's stubbornness? What revelations await the quiet cowboy when a tiny teacher arrives in Biders Clump?
The life and times of the New Testament’s most mystifying and incendiary book Few biblical books have been as revered and reviled as Revelation. Many hail it as the pinnacle of prophetic vision, the cornerstone of the biblical canon, and, for those with eyes to see, the key to understanding the past, present, and future. Others denounce it as the work of a disturbed individual whose horrific dreams of inhumane violence should never have been allowed into the Bible. Timothy Beal provides a concise cultural history of Revelation and the apocalyptic imaginations it has fueled. Taking readers from the book’s composition amid the Christian persecutions of first-century Rome to its enduring influence today in popular culture, media, and visual art, Beal explores the often wildly contradictory lives of this sometimes horrifying, sometimes inspiring biblical vision. He shows how such figures as Augustine and Hildegard of Bingen made Revelation central to their own mystical worldviews, and how, thanks to the vivid works of art it inspired, the book remained popular even as it was denounced by later church leaders such as Martin Luther. Attributed to a mysterious prophet identified only as John, Revelation speaks with a voice unlike any other in the Bible. Beal demonstrates how the book is a multimedia constellation of stories and images that mutate and evolve as they take hold in new contexts, and how Revelation is reinvented in the hearts and minds of each new generation. This succinct book traces how Revelation continues to inspire new diagrams of history, new fantasies of rapture, and new nightmares of being left behind.
This is the sequel to the author's iconoclastic Toward a Grammar of Biblical Poetics (Oxford, 1992), in which Brichto argues for the aesthetic wholeness of the Hebrew Bible, and the consistency of Scripture's preachment on God, nature, and the human condition--in direct opposition to current source criticism, which maintains that inconsistencies within the text support an atomistic reading of multiple authors. In The Names of God, Brichto brings us his "poetic" reading of Scripture to the Book of Genesis. Using contemporary methods and insights of literary criticism, he examines one of the great inconsistencies within Genesis that have led to the supposition of multiple authors--the assortment of terms or names for the Deity, among them Yahweh and Elohim--and attempts to show the appropriateness of certain of these names to the stories in which they appear. He also looks at a variety of other data within Genesis such as genealogies, eponyms, and chronologies, and shows that their poetical function--their variety, ingenuity, and imaginative whimsy--is vital to the structure of the text as a whole. In finding a unity in this diversity of materials, Brichto makes a strong case for the text as the artistic achievement of a single author.
Opposites attract when a rancher is stranded in the mountains with a handsome stranger on holiday in this sexy gay romance. Welcome to Clean Slate Ranch: Home of tight jeans, cowboy boots, and rough trails. For some men, it’s a fantasy come true. Mack Garrett loves the rolling hills surrounding his Northern California dude ranch. Leading vacationers on horse trails with his two best friends is enough—romance is definitely not in the cards. When a sexy tourist shows up at Clean Slate, he’s as far from Mack’s type as can be. So why is the handsome city slicker so far under his skin in less than a day? Roughing it in the middle of nowhere isn’t anywhere near Wes Bentley’s idea of fun. Then he lays eyes on the gruffest, hottest papa bear he’s ever seen. But Mack is as hard to pin down as he looks—distant, sharp-tongued, and in desperate need of a shave. Until a campout gone wrong strands both men in the mountains with nothing to do but get to know each other. Mack intends to keep his closely guarded heart out of Wes’s very talented hands. But for a seven-day cowboy, Wes is packing some long-term possibility. The cold country air can do wonders for bringing bodies together—but it will take more than that to bridge the distance between two men whose lives are worlds apart. “[A] passionate, trope-heavy romance . . . scintillating romantic tension and steamy sex scenes.” —Publishers Weekly on Hard Ride