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In this collection of nineteen temperance tales, Carol Mattingly has recovered and revalued previously unavailable writing by women. Mattingly's introduction provides a context for these stories, locating the pieces within the temperance movement as well as within larger issues in women's studies.
"Clarence King is a hero of nineteenth-century western history. Brilliant scientist and witty conversationalist, bestselling author and architect of the great surveys that mapped the West after the Civil War, King hid a secret from his Gilded Age cohorts and prominent Newport family: for thirteen years he lived a double life--as the celebrated white Clarence King and as a black Pullman porter and steelworker. Unable to marry the black woman he loved, the fair-haired, blue-eyed King passed as a Negro, revealing his secret to his wife Ada only on his deathbed. Historian Martha Sandweiss is the first writer to uncover the life that King tried so hard to conceal. She reveals the complexity of a man who, while publicly espousing a personal dream of a uniquely American amalgam of white and black, hid his love for his wife and their five biracial children"--Publisher description
Winner of the Pulitzer Prize Featuring a foreword by Battle Cry of Freedom author James McPherson A vibrant portrait of Civil War-era Washington, D.C. that is “packed and running over with the anecdotes, scandals, personalities, and tragi-comedies of the day”—from the first woman to win the Pulitzer Prize for History (The New Yorker) 1860: The American capital is sprawling, fractured, squalid, colored by patriotism and treason, and deeply divided along the political lines that will soon embroil the nation in bloody conflict. Chaotic and corrupt, the young city is populated by bellicose congressmen, Confederate conspirators, and enterprising prostitutes. Soldiers of a volunteer army swing from the dome of the Capitol, assassins stalk the avenues, and Abraham Lincoln struggles to justify his presidency as the Union heads to war. Reveille in Washington focuses on the everyday politics and preoccupations of Washington during the Civil War. From the stench of corpse-littered streets to the plunging lace on Mary Lincoln’s evening gowns, Margaret Leech illuminates the city and its familiar figures—among them Abraham Lincoln, Jefferson Davis, Robert E. Lee, William Seward, and Mary Surratt—in intimate and fascinating detail. Leech’s book remains widely recognized as both an impressive feat of scholarship and an uncommonly engrossing work of history. “The best single popular account of Washington during the great convulsion of the Civil War.” —The Washington Post
The inebriate asylum movement of the 19th and early 20th century was guided by a dystopian vision which sought to incarcerate all drinkers until they were cured, and to incarcerate incurable inebriates for life. This plan to create a nationwide chain of state-run inebriate asylums to rival the insane asylums of the era, which was promoted by the American Association for the Cure of Inebriates, ended in abject failure. Few inebriate asylums were ever established, and those that were established did not last long. Many were shot through with political corruption and graft. Moreover, no state government was willing to pass a law to incarcerate drinkers indefinitely, perhaps for life. Most states never built an inebriate asylum or passed a law to commit inebriates to specialized inebriate institutions, for the few states which did pass such laws, the typical commitment was six months or one year. A rival movement of the same era sought to establish inebriate homes rather than asylums. Inebriate homes were run on the honor system and sought to cure with kindness and a client-centered approach which foreshadows Rogerian Therapy. Inebriate homes had more success than inebriate asylums; the Boston Washingtonian Home was in existence for more than a century. This book tells the story of the government-run and the non-profit addiction treatment facilities which were founded prior to the Repeal of Prohibition in 1933: inebriate asylums, homes, and farms, as well as the municipal narcotic clinics which dispensed morphine to addicts, the Federal Narcotic Farms at Lexington and Fort Worth, and the alcoholic ward at Bellevue Hospital in New York City. This book also discusses the close ties between the temperance movement and addiction treatment in the 19th and early 20th centuries and the automaton theory of inebriety, which presages today's hijacked brain theory. This book also discusses the genesis of the 12-step Minnesota Model at the State Inebriate Farm at Willmar, the introduction and disastrous ending of Synanon-based therapeutic communities at the Lexington Narcotic Farm, and the introduction of methadone programs at Bellevue and at the Boston Washingtonian Hospital. Groundbreaking studies of opiates, marijuana, barbiturates, alcohol, naloxone, and LSD conducted at the Lexington Narcotic Farm are also covered, as is the research at Bellevue Hospital on Korsakoff's Syndrome and the protective effect of vitamin B1.
The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.