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In fact, her originality extends far beyond this scale. Charriere's novels not only work with literary conventions, they work on these conventions. For example, the figure of the heroine, plotted according to a standard plot line, serves at a more complex level to undermine the image of woman embedded in the heroine. Most telling are heroines plotted in the context of the French Revolution; they reflect the repressive image of woman that would emerge from the combination of republican ideology with the growing emphasis on maternalism. Surprisingly modern in this regard, these novels confirm recent interpretations of the gendering of the social sphere after the Revolution.
Arie is now the Queen of Hodafez. Alone. Gift-less. Unwanted. The pain from her Severance is suffocating. Struggling to find the will to go on, all that keeps Arie going is knowing her people need her protection. The Queen of Jinn is readying her attack. Rena gave away the one item that could’ve given them leverage. Her newfound selflessness is put to the test as the human kingdoms need the help of the Mere more than ever. Nesrin doesn’t know that anyone is looking for the prince of Jinn. She’s quickly learning how little she knows about him. Will she discover that she holds the answer everyone is looking for before it’s too late? The Enchanted Crown is a loose “Sleeping Beauty” retelling. Set in a world that humans share with mermaids, dragons, and the elusive Jinn, this is not the fairytale you remember… THE STOLEN KINGDOM SERIES READING ORDER: Book 1: The Stolen Kingdom: An Aladdin retelling Book 2: The Jinni Key: A Little Mermaid retelling Book 3: The Cursed Hunter: A Beauty and the Beast retelling Book 4: The Enchanted Crown: A Sleeping Beauty retelling THE QUEEN'S RISE SERIES (a connected trilogy in The Stolen Kingdom Universe) Book 1: The Secret Gift Book 2: The Secret Shadow Book 3: The Secret Curse
What is truly real? Rudolf Steiner sheds light on everyday reality through spiritual knowledge, repeatedly urging us to bring anthroposophy into daily human existence. We might consciously experience the difference between consuming a potato as compared to cereals such as rye, for example – or we could grasp ordinary phenomena, such as sleepwalking, through an understanding of the threefold human being. Likewise, we might strive to comprehend how our head is the transformed organism of our previous life. Throughout, Steiner emphasizes that we can achieve spirituality on earth if only we make anthroposophy real. The twelve lectures here were delivered during the portentous year of 1923, in the context of increasing attacks from Steiner’s opponents. His architectural masterpiece, the first Goetheanum, had already been destroyed by fire, but he was yet to refound the Anthroposophical Society at the Christmas Conference. In these uncertain times, Steiner speaks of the decline of European culture and the development of materialism as a philosophy, leaving anthroposophy with no exoteric foundation on which to build. But Rudolf Steiner strikes a positive note with an exciting and constructive way forward, providing us with the tools to see the world through three key perspectives of anthroposophy: the physical, the soul and the spiritual dimensions of reality. This previously-unpublished volume is translated by Elizabeth Marshall and includes an introduction, notes and index.
This book is concerned with the rationality and plausibility of the Muslim faith and the Qur'an, and in particular how they can be interrogated and understood through Western analytical philosophy. It also explores how Islam can successfully engage with the challenges posed by secular thinking. The Quran and the Secular Mind will be of interest to students and scholars of Islamic philosophy, philosophy of religion, Middle East studies, and political Islam.
The Cyborg Experiments analyzes the challenges posed to corporeality by techology. Taking as their starting point the work of the highly influential performance artists Orlan and Stelarc, the essays in this timely and important collection raise a number of questions in relation to new conceptions of embodiment, identity and otherness in the age of new technologies: Has the body become obsolete? Does transgender challenge traditional ideas of agency? Have we always been cyborgs?In addition to highlighting the playful character of digital aesthetics, the contributors investigate ethical issues concerning the ownership of our bodies and the experiments we perform on them. In this way the book explores how humanism, and ideas of "the human", have been placed under increasing scrutiny as a result of new developments in science, media and communications.Contributors:John Appleby, Rachel Armstrong, Fred Botting, Julie Clarke, Gary Hall, Chris Hables Gray, Meredith Jones, Orlan, Mark Poster, Jay Prosser, E. A. Scheer, Zod Sofia, Stelarc, Scott Wilson, Joanna Zylinska>
Iconography: Yves Christe and Pascale Fesquet. Codicology: Paul Edward Dutton, Lesley Smith, Mark Zier, Rosamond McKitterick, and Michael Lapidge. Philosophy—Antiquity: Jean Pépin, John M. Rist, Henri Dominique Saffrey, OP. Philosophy—The Carolingian Age: John J. O'Meara, Guy-H. Allard, Gangolf Schrimpf. Philosophy—The Eleventh and Twelfth Centuries: Gilbert Dahan, Jean Jolivet, Charles Burnett, Robert D. Crouse, Wanda Cizewski, John Marenbon, Giles Constable, Willemien Otten, P.L. Reynolds, Peter Dronke, Paolo Lucentini, Tanja Kupke. Philosophy—The Later Middle Ages: Zenon Kaluza. Conceived as an hommage for Edouard Jeauneau —maître par excellence— the volume is introduced by a reconstruction of the Creation on the North portal of Chartres Cathedral, followed by a section on the transmission of significant texts, such as Plato's Timaeus, through the manuscript tradition. The chapter on later Greek philosophy contains studies on Plotinus and Augustine, Proclus, and Pseudo-Dionysius. A separate section interprets the thought of Johannes Scottus Eriugena, whose connections with earlier authors and influence on medieval neoplatonists constitutes a leitmotiv throughout the volume. The twelfth century is represented by articles on Gilbert of Poitiers on matter, Adelard of Bath, Honorius of Autun, Abelard's ethics and theology, monastic asceticism, Hildegard of Bingen's allegories, allegorical zoology, Alan of Lille's anthropology, the role of the Muses, and the Hermetic Asclepius. The particular usefulness of this study is its presentation of neoplatonic thought in its historical unfolding from Antiquity to the Later Middle Ages through a wide range of disciplines, focused on specific ideas and metaphors.
As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.
This collection offers the first comprehensive and definitive account of Martin Heidegger’s philosophy of technology. It does so through a detailed analysis of canonical texts and recently published primary sources on two crucial concepts in Heidegger’s later thought: Gelassenheit and Gestell. Gelassenheit, translated as ‘releasement’, and Gestell, often translated as ‘enframing’, stand as opposing ideas in Heidegger’s work whereby the meditative thinking of Gelassenheit counters the dangers of our technological framing of the world in Gestell. After opening with a scholarly overview of Heidegger’s philosophy of technology as a whole, this volume focuses on important Heideggerian critiques of science, technology, and modern industrialized society as well as Heidegger’s belief that transformations in our thought processes enable us to resist the restrictive domain of modern techno-scientific practice. Key themes discussed in this collection include: the history, development, and defining features of modern technology; the relationship between scientific theories and their technological instantiations; the nature of human agency and the essence of education in the age of technology; and the ethical, political, and environmental impact of our current techno-scientific customs. This volume also addresses the connection between Heidegger’s critique of technology and his involvement with the Nazis. Finally, and with contributions from a number of renowned Heidegger scholars, the original essays in this collection will be of great interest to students of Philosophy, Technology Studies, the History of Science, Critical Theory, Environmental Studies, Education, Sociology, and Political Theory.
The lines have been drawn. On one side are young earth creationists, who assert that God created the universe in six days and—based on calculations derived from the Bible—that the earth is six thousand years old. On the other side are secular scientists, who claim the universe has existed for over thirteen billion years, the earth for 4.5 billion. Scientists claim that no miracles were necessary to form the universe, and that everything is explained by natural causes. However, young earth creationists point to verses at the beginning of the Bible and the beginning of the book of John that clearly claim that God created the universe. In the beginning God created the heavens and the earth. The earth was formless and void, and darkness was over the surface of the deep, and the Spirit of God was moving over the surface of the waters. Genesis 1:1–2 In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things were made by him; and without him was not anything made that was made. John 1:1–3 But what if there is no contradiction between scientific data and the Bible? Arnold Guyot was a nineteenth-century geologist and geographer at Princeton University. In addition to his numerous scientific accomplishments, he developed the day-age interpretation of Genesis 1, in which the "days" of creation represent geologic ages. When we view the Bible through this lens, we find that modern science has not only failed to refute the miracles of Genesis, but has in fact provided abundant evidence for their veracity. Genesis Revealed: A Scientific Examination of the Creation Story takes readers down the twin paths of science and theology to show that they lead us to the same destination. Citing a multitude of discoveries in astronomy and geology, Dr. Peter Waller makes a compelling case for Guyot’s interpretation—and for the miracles described in Genesis 1:1–25.
In Presidential Government in Gaullist France, William G. Andrews describes and explains the basic character of executive-legislative relations in Gaullist France from 1958 to 1974. He demonstrates that the Fifth Republic became presidential despite its parliamentary constitution because of changes made by DeGaulle that were compatible with the emergent character of French society. The information is provided in a conceptual framework that gives it greater coherence, explanatory value, and significance. Andrews relates differences in the nature of institutions, of societies, and of political problems to types of power relationships that exist between the legislative and executive branches of government. In order to achieve an objective appraisal of the controversial leader, Andrews fits DeGaulle's constitutional efforts into a broader understanding of the relationships among great leaders, texts, societies, and institutions. The book enhances our understanding of the operation of the Fifth Republic and of French government in general.