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A Globe and Mail, Hill Times and CBC Best Book of the Year Have you ever wondered what it would be like to return to your roots? Drawing on astute political analysis and extensive reporting from around the world, Return: Why We Go Back to Where We Come From illuminates a personal quest. Kamal Al-Solaylee, author of the bestselling and award-winning Intolerable: A Memoir of Extremes and Brown: What Being Brown in the World Today Means (to Everyone), yearns to return to his homeland of Yemen, now wracked by war, starvation and daily violence, to reconnect with his family. Yemen, as well as Egypt, another childhood home, call to him, even though he ran away from them in his youth and found peace and prosperity in Canada. In Return, Al-Solaylee interviews dozens of people who have chosen to or long to return to their homelands, from Basques to Irish to Taiwanese. He does make a return of sorts himself, to the Middle East, visiting Israel and the West Bank, as well as Egypt. A chronicle of love and loss, of global reach and personal desires, Return is a book for anyone who has ever wondered what it would be like to return to their roots.
A moving and revealing exploration of ultra-Orthodox Judaism and one man's loss of faith Shulem Deen was raised to believe that questions are dangerous. As a member of the Skverers, one of the most insular Hasidic sects in the US, he knows little about the outside world—only that it is to be shunned. His marriage at eighteen is arranged and several children soon follow. Deen's first transgression—turning on the radio—is small, but his curiosity leads him to the library, and later the Internet. Soon he begins a feverish inquiry into the tenets of his religious beliefs, until, several years later, his faith unravels entirely. Now a heretic, he fears being discovered and ostracized from the only world he knows. His relationship with his family at stake, he is forced into a life of deception, and begins a long struggle to hold on to those he loves most: his five children. In All Who Go Do Not Return, Deen bravely traces his harrowing loss of faith, while offering an illuminating look at a highly secretive world.
Join the conversation about America's RETURN TO ORDERAmerica is at a crossroads. Historically, we are a nation of fair, hard working achievers. But since the mid 1960's our country has experienced a gradual demise. Economically, we're bogged down in multi-trillion dollar deficits, economic crises and financial crashes. Politically, we're stuck in polarization and social strife that makes it hard to get anything done. Morally, we've hit rock bottom with the breakdown of our moral codes. Fueled by distrust and egoism we are at a point in our history where we lack faith in government, leaders, institutions, corporations, even fellow citizens.There's a growing sense of alarm, confusion and frustration at seeing our beloved nation, the greatest temporal power ever, spin out of control. That's why we have started a serious conversation about a RETURN TO ORDER. We need to study and discuss the deepest root causes of our crisis. We need to make changes that will improve our lives and save our nation. Please join the conversation.
A defining fixture of our contemporary world, video games offer a rich spectrum of engagements with the past. Beyond a source of entertainment, video games are cultural expressions that support and influence social interactions. Games educate, bring enjoyment, and encourage reflection. They are intricate achievements of coding and creative works of art. Histories, ranging from the personal to the global, are reinterpreted and retold for broad audiences in playful, digital experiences. The medium also magnifies our already complicated and confrontational relation with the past, for instance through its overreliance on violent and discriminatory game mechanics. This book continues an interdisciplinary conversation on game development and play, working towards a better understanding of how we represent and experience the past in the present. Return to the Interactive Past offers a new collection of engaging writings by game creators, historians, computer scientists, archaeologists, and others. It shows us the thoughtful processes developers go through when they design games, as well as the complex ways in which players interact with games. Building on the themes explored in the book The Interactive Past (2017), the authors go back to the past to raise new issues. How can you sensitively and evocatively use veterans' voices to make a video game that is not about combat? How can the development of an old video game be reconstructed on the basis of its code and historic hardware limitations? Could hacking be a way to decolonize games and counter harmful stereotypes? When archaeologists study games, what kinds of maps do they draw for their digital fieldwork? And in which ways could we teach history through playing games and game-making?
This book, that has been 22 years in the making, is the first printing of the R.A. Miles Collection of the Southwest History from 1831 to 1889. It’s in chronological order by events and dates, and is a true and revealing account of the American history of the Southwest. It is an impartial, sometimes disconcerting, portrayal of the expanding United States westward. History is not always pleasant, but that is how it transpired sometimes in those years, and this book recounts both favorable and adverse events that need to be told. This country was expanding! It was growing; there were many heroes, many battles and many tragedies in the expansion of this country. It was like a glass of water sitting in the frigid cold. It froze and began to expand, the expansion could not be stopped, soon the glass burst. The final results were predictable and inevitable. The expansion couldn’t go east because of an ocean, it could only go west to the other ocean, and that it did. This collection is about the events that transpired during the mid to late 1800’s as a direct result of that westward growth. I have traveled these mountains for 7 of the 22 years in researching this book, from El Paso, Texas through Silver City, Lordsburg, Las Cruces and Stein, New Mexico and into Apache Pass in Arizona. I've explored Carlisle Canyon and drank the water at Goat Camp spring in Goat; journeyed through Camp Canyon, Hells Canyon, Steeple Rock Canyon, Red Rock, Crookson Peak and more. I have followed the trails of the old Butterfield Stage Line and found an old stage way station. I have found and taken pictures of over 150 old gold and silver mines and listed their histories, and listened to stories from an old miner as old as I am. What is most important, is I enjoyed every minute of it... Robert A. Miles
A memoir of a two-year round the world travel adventure and the joys and sorrows on long term life on the road.
Hans Staden’s sixteenth-century account of shipwreck and captivity by the Tupinambá Indians of Brazil was an early modern bestseller. This retelling of the German sailor’s eyewitness account known as the True History shows both why it was so popular at the time and why it remains an important tool for understanding the opening of the Atlantic world. Eve M. Duffy and Alida C. Metcalf carefully reconstruct Staden’s life as a German soldier, his two expeditions to the Americas, and his subsequent shipwreck, captivity, brush with cannibalism, escape, and return. The authors explore how these events and experiences were recreated in the text and images of the True History. Focusing on Staden’s multiple roles as a go-between, Duffy and Metcalf address many of the issues that emerge when cultures come into contact and conflict. An artful and accessible interpretation, The Return of Hans Staden takes a text best known for its sensational tale of cannibalism and shows how it can be reinterpreted as a window into the precariousness of lives on both sides of early modern encounters, when such issues as truth and lying, violence, religious belief, and cultural difference were key to the formation of the Atlantic world.
Emily Young had two goals in her life: 1. Make it big in country music. 2. Get the hell out of Bell Buckle. She was doing it. She was on her way, until Cooper Townsend landed backstage at her show in Dallas. This gorgeous, rugged, man of few words was one cowboy she couldn’t afford to let distract her. But with his slow smile and rough hands, she just couldn’t keep away. With outside forces conspiring against them, Cooper hires the McKay-Taggart team to protect her. Emily refuses to let Cooper get hurt because of her. All she wants is to hold onto him, but she knows the right thing to do is to let go . . .