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How do humans stop fighting? Where do the gods of myth come from? What does it mean to go mad? Mark R. Anspach tackles these and other conundrums as he draws on ethnography, literature, psychotherapy, and the theory of René Girard to explore some of the fundamental mechanisms of human interaction. Likening gift exchange to vengeance in reverse, the first part of the book outlines a fresh approach to reciprocity, while the second part traces the emergence of transcendence in collective myths and individual delusions. From the peacemaking rituals of prestate societies to the paradoxical structure of consciousness, Anspach takes the reader on an intellectual journey that begins with the problem of how to deceive violence and ends with the riddle of how one can deceive oneself.
We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice. Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion. Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf. Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.
We know Jesus the Savior, but have we met Jesus, Prince of Peace? When did we accept vengeance as an acceptable part of the Christian life? How did violence and power seep into our understanding of faith and grace? For those troubled by this trend toward the sword, perhaps there is a better way. What if the message of Jesus differs radically differs from the drumbeats of war we hear all around us? Using his own journey from war crier to peacemaker and his in-depth study of peace in the scriptures, author and pastor Brian Zahnd reintroduces us to the gospel of Peace.
Collects Ghost Rider (2006) #33-35 and Ghost Rider Annual #2. The all-new Caretaker struggles to pick up the pieces of her life, but the mad dog man-mountain called The Deacon has other plans. Also, Caretaker gives us a special guided tour of the long, sordid history of the Spirit of Vengeance in America, including glimpses of some previously unseen Ghost Riders of the past.
After successfully stopping one of the Midwest's most heinous serial killers Mark Shaw, Inspector Ed Cassidy finds himself on the short list for Lieutenant. The celebration of his promotion would be short lived however, as the deceased serial killer's torch was picked up by a zealous admirer. She seeks justice for Shaw's demise by flawlessly executing a diabolical plan while taking on the persona of a black widow spider leaving no witness behind. The scorned lover is a brilliant chemical engineer who develops three versions of a designer drug which along with Mark's stolen journal are used to impose her own brand of justice. The journal contains explicit details of the infamous killing spree and will now aid in her exacting revenge on all those she holds accountable. Hell hath no fury like a woman scorned on the pathway to Vengeance!
Discloses the Israeli plan to assassinate the known terrorist leaders responsible for the Munich massacre of Israeli athletes and chronicles the story of the hit-squad's leader, a man morally destroyed by his mission.
Can freedom ever be for all? How do you save a nation from tyranny?When the King of Bennvika dies in suspicious circumstances and a foreign usurper named Jostan Kazabrus seizes the throne, ruthlessly imposing his will on the population, a disunited triumvirate of leaders and their followers must attempt to resist him.The first is Silrith, the ousted philanthropic Princess who had been expected to take the throne. The second is Ezrina, a vengeful rebel who is desperate to overturn the years of ethnic oppression of her people, the Hentani. The third is Zethun, a minor noble who believes the only way to fight for the common people is to abolish the monarchy altogether.As the various factions fight the threat of tyranny and religious persecution, each must be prepared to make the ultimate sacrifice for their cause.
Reuniting with the men from his former unit, Eddie Henderson and his friends engage in a final battle with their deadliest enemy. A battle fought in the shadows, on US soil. A battle that will test their loyalty and courage, and lay the pain of broken vows and lost bothers to rest once and for all.
What is revenge, and what purpose does it serve? On the early modern English stage, depictions of violence and carnage—the duel between Hamlet and Laertes that leaves nearly everyone dead or the ghastly meal of human remains served at the end of Titus Andronicus—emphasize arresting acts of revenge that upset the social order. Yet the subsequent critical focus on a narrow selection of often bloody "revenge plays" has overshadowed subtler and less spectacular modes of vengeance present in early modern culture. In Civil Vengeance, Emily L. King offers a new way of understanding early modern revenge in relation to civility and community. Rather than relegating vengeance to the social periphery, she uncovers how facets of society—church, law, and education—relied on the dynamic of retribution to augment their power such that revenge emerges as an extension of civility. To revise the lineage of revenge literature in early modern England, King rereads familiar revenge tragedies (including Marston's Antonio's Revenge and Kyd's The Spanish Tragedy) alongside a new archive that includes conduct manuals, legal and political documents, and sermons. Shifting attention from episodic revenge to quotidian forms, Civil Vengeance provides new insights into the manner by which retaliation informs identity formation, interpersonal relationships, and the construction of the social body.
When a terrorist crashes a truck loaded with explosives into her Washington, D.C., wedding, Major Brooke Grant resolves to track down the master terrorist responsible and joins a clandestine CIA team under the leadership of an unorthodox new commander-in-chief.