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Darwin's discovery of evolution is as celebrated as Galileo's laws of motion or Newton's discovery of gravity. But this was only half the story. Not content to prove that evolution had happened, Darwin sought to convey its full humbling implications. Thus he formulated the theory of natural selection. Contrary to popular belief, this theory ran exactly counter to scientific reason and was consequently rejected by the scientific community of the time. This wasn’t the only reason Darwin’s critics recoiled. His theory robbed the ruling orders of any easy recourse to consolatory tales of nature’s harmony and design. The fate of his ideas, for the time being at least, would be left to the heretics he inspired in other domains. Darwin's radical thought anticipated Nietzsche's Godless philosophy, Marx's class-based economics and Freud's psychological theories of the unconscious. It would take a further 80 years for Darwinism to become accepted as mainstream science, but it came at the expense of its counter-scientific core. For the remainder of the twentieth century a popularized Darwinism would become the touchstone for backlash movements in philosophy, economics and psychology—disciplines he once so radicalized. This is the story of how the most revolutionary idea of the nineteenth century became the most reactionary idea of the twentieth.
In a book that is both groundbreaking and accessible, Daniel C. Dennett, whom Chet Raymo of The Boston Globe calls "one of the most provocative thinkers on the planet," focuses his unerringly logical mind on the theory of natural selection, showing how Darwin's great idea transforms and illuminates our traditional view of humanity's place in the universe. Dennett vividly describes the theory itself and then extends Darwin's vision with impeccable arguments to their often surprising conclusions, challenging the views of some of the most famous scientists of our day.
According to British scholar Conor Cunningham, the debate today between religion and evolution has been hijacked by extremists: on one side stand fundamentalist believers who reject evolution outright; on the opposing side are fundamentalist atheists who claim that Darwin s theory rules out the possibility of God. Both sides are dead wrong, argues Cunningham, who is at once a Christian and a firm believer in the theory of evolution. In Darwin s Pious Idea Cunningham puts forth a trenchant, compelling case for both creation and evolution, drawing skillfully on an array of philosophical, theological, historical, and scientific sources to buttress his arguments.
Opmålingsskibet "Beagle"s togt til Sydamerika og videre jorden rundt
The surge of evolutionary and neurological analyses of art and its effects raises questions of how art, culture, and the biological sciences influence one another, and what we gain in applying scientific methods to the interpretation of artwork. In this insightful book, Matthew Rampley addresses these questions by exploring key areas where Darwinism, neuroscience, and art history intersect. Taking a scientific approach to understanding art has led to novel and provocative ideas about its origins, the basis of aesthetic experience, and the nature of research into art and the humanities. Rampley’s inquiry examines models of artistic development, the theories and development of aesthetic response, and ideas about brain processes underlying creative work. He considers the validity of the arguments put forward by advocates of evolutionary and neuroscientific analysis, as well as its value as a way of understanding art and culture. With the goal of bridging the divide between science and culture, Rampley advocates for wider recognition of the human motivations that drive inquiry of all types, and he argues that our engagement with art can never be encapsulated in a single notion of scientific knowledge. Engaging and compelling, The Seductions of Darwin is a rewarding look at the identity and development of art history and its complicated ties to the world of scientific thought.
When Charles Darwin finished The Origin of Species, he thought that he had explained every clue, but one. Though his theory could explain many facts, Darwin knew that there was a significant event in the history of life that his theory did not explain. During this event, the “Cambrian explosion,” many animals suddenly appeared in the fossil record without apparent ancestors in earlier layers of rock. In Darwin’s Doubt, Stephen C. Meyer tells the story of the mystery surrounding this explosion of animal life—a mystery that has intensified, not only because the expected ancestors of these animals have not been found, but because scientists have learned more about what it takes to construct an animal. During the last half century, biologists have come to appreciate the central importance of biological information—stored in DNA and elsewhere in cells—to building animal forms. Expanding on the compelling case he presented in his last book, Signature in the Cell, Meyer argues that the origin of this information, as well as other mysterious features of the Cambrian event, are best explained by intelligent design, rather than purely undirected evolutionary processes.
The Arthur M. Sackler Colloquia of the National Academy of Sciences address scientific topics of broad and current interest, cutting across the boundaries of traditional disciplines. Each year, four or five such colloquia are scheduled, typically two days in length and international in scope. Colloquia are organized by a member of the Academy, often with the assistance of an organizing committee, and feature presentations by leading scientists in the field and discussions with a hundred or more researchers with an interest in the topic. Colloquia presentations are recorded and posted on the National Academy of Sciences Sackler colloquia website and published on CD-ROM. These Colloquia are made possible by a generous gift from Mrs. Jill Sackler, in memory of her husband, Arthur M. Sackler.
Jerry Fodor and Massimo Piatelli-Palmarini, a distinguished philosopher and scientist working in tandem, reveal major flaws at the heart of Darwinian evolutionary theory. They do not deny Darwin's status as an outstanding scientist but question the inferences he drew from his observations. Combining the results of cutting-edge work in experimental biology with crystal-clear philosophical argument they mount a devastating critique of the central tenets of Darwin's account of the origin of species. The logic underlying natural selection is the survival of the fittest under changing environmental pressure. This logic, they argue, is mistaken. They back up the claim with evidence of what actually happens in nature. This is a rare achievement - the short book that is likely to make a great deal of difference to a very large subject. What Darwin Got Wrong will be controversial. The authors' arguments will reverberate through the scientific world. At the very least they will transform the debate about evolution.
In tracing the history of Darwin’s accomplishment and the trajectory of evolutionary theory during the late nineteenth and early twentieth centuries, most scholars agree that Darwin introduced blind mechanism into biology, thus banishing moral values from the understanding of nature. According to the standard interpretation, the principle of survival of the fittest has rendered human behavior, including moral behavior, ultimately selfish. Few doubt that Darwinian theory, especially as construed by the master’s German disciple, Ernst Haeckel, inspired Hitler and led to Nazi atrocities. In this collection of essays, Robert J. Richards argues that this orthodox view is wrongheaded. A close historical examination reveals that Darwin, in more traditional fashion, constructed nature with a moral spine and provided it with a goal: man as a moral creature. The book takes up many other topics—including the character of Darwin’s chief principles of natural selection and divergence, his dispute with Alfred Russel Wallace over man’s big brain, the role of language in human development, his relationship to Herbert Spencer, how much his views had in common with Haeckel’s, and the general problem of progress in evolution. Moreover, Richards takes a forceful stand on the timely issue of whether Darwin is to blame for Hitler’s atrocities. Was Hitler a Darwinian? is intellectual history at its boldest.