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In the last years, the discussion around what is fascism, if this concept can be applied to present forms of politics and if its seeds are still present today, became central in the political debate. This discussion led to a vast reconsideration of the meaning and the experience of fascism in Europe and is changing the ways in which scholars of different generations look at this political ideology and come back to it and it is also changing the ways in which we consider the experience of Italian fascism in the European and global context. The aim of the book is building a general history of Fascism and its historiography through the analysis of 13 different fundamental aspects, which were at the core of Fascist project or of Fascist practices during the regime. Each essay considers a specific and meaningful aspect of the history of Italian fascism, reflecting on it from the vantage point of a case study. The essays thus reinterrogates the history of Fascism to understand in which way Fascism was able to mould the historical context in which it was born, how and if it transformed political, cultural, social elements that were already present in Italy. The themes considered are violence, empire, war, politics, economy, religion, culture, but also antifascism and the impact of Fascism abroad, especially in the Twenties and at the beginnings of the Thirties. The book could be both used for a general public interested in the history of Europe in the interwar period and for an academic and scholarly public, since the essays aim to develop a provocative reflection on their own area of research.
This book takes up the stimuli of new international historiography, albeit focusing mainly on the two regimes that undoubtedly provided the model for Fascist movements in Europe, namely the Italian and the German. Starting with a historiographical assessment of the international situation, vis-à-vis studies on Fascism and National Socialism, and then concentrate on certain aspects that are essential to any study of the two dictatorships, namely the complex relationships with their respective societies, the figures of the two dictators and the role of violence. This volume reaches beyond the time-frame encompassing Fascism and National Socialism experiences, directing the attention also toward the period subsequent to their demise. This is done in two ways. On the one hand, examining the uncomfortable architectural legacy left by dictatorships to the democratic societies that came after the war. On the other hand, the book addresses an issue that is very much alive both in the strictly historiographical and political science debate, that is to say, to what extent can the label of Fascism be used to identify political phenomena of these current times, such as movements and parties of the so-called populist and souverainist right.
Many of the foremost experts in the study of European fascism unite to provide a contemporary analysis of the theories and historiography of fascism. Essays discuss the most recent debates on the subject and how changes in the social sciences over the past forty years have impacted on the study of fascism from various perspectives.
Alessandra Tarquini’s A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini’s compact, clear prose to readers previously unable to read it in the original Italian. Tarquini sketches the universe of Italian fascism in three broad directions: the regime’s cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural policies shaped the country and how intellectuals and artists contributed to those decisions. The result is a view of fascist ideology as a system of visions, ideals, and, above all, myths capable of orienting political action and promoting a precise worldview. Building on George L. Mosse’s foundational research, Tarquini provides the best single-volume work available to fully understand a complex and challenging subject. It reveals how the fascists used culture—art, cinema, music, theater, and literature—to build a conservative revolution that purported to protect the traditional social fabric while presenting itself as maximally oriented toward the future.
Fascism exerted a crucial ideological and political influence across Europe and beyond. Its appeal reached much further than the expanding transnational circle of 'fascists', crossing into the territory of the mainstream, authoritarian, and traditional right. Meanwhile, fascism's seemingly inexorable rise unfolded against the backdrop of a dramatic shift towards dictatorship in large parts of Europe during the 1920s and especially 1930s. These dictatorships shared a growing conviction that 'fascism' was the driving force of a new, post-liberal, fiercely nationalist and anti-communist order. The ten contributions to this volume seek to capture, theoretically and empirically, the complex transnational dynamic between interwar dictatorships. This dynamic, involving diffusion of ideas and practices, cross-fertilisation, and reflexive adaptation, muddied the boundaries between 'fascist' and 'authoritarian' constituencies of the interwar European right.
Bringing together leading scholars from a range of nations, Rethinking Antifascism provides a fascinating exploration of one of the most vibrant sub-disciplines within recent historiography. Through case studies that exemplify the field’s breadth and sophistication, it examines antifascism in two distinct realms: after surveying the movement’s remarkable diversity across nations and political cultures up to 1945, the volume assesses its postwar political and ideological salience, from its incorporation into Soviet state doctrine to its radical questioning by historians and politicians. Avoiding both heroic narratives and reflexive revisionism, these contributions offer nuanced perspectives on a movement that helped to shape the postwar world.
Students will benefit from the provision of a structured route through the A-Level History process that is clearly explained. The books maintain focus on narrative in a readable style, while presenting additional topical information alongside. The approach concentrates on providing students with the essential information, keeping their attention on important and key issues throughout. The series is extremely cost-effective and can be used alongside any main A-Level topic book or resource. Teachers can use Pathfinder as a multi-role resource that can be used in as many ways as they determine: as an introduction at the start of the course, as a guide throughout a topic, or as a revision guide.
"For the third edition, De Grand has substantially revised the discussion of culture and ideology, the conclusion, and the bibliography."--BOOK JACKET.
Building on extensive archival research and important scholarly analysis, Galeazzo Ciano: The Fascist Pretender examines the life of Galeazzo Ciano, foreign minister of fascist Italy from 1936 to 1943 and Benito Mussolini’s son-in-law. Ciano’s life serves as a lens through which to gain a better understanding of crucial issues of Italian and European fascism, including the fascistization of society and politics, foreign relations, and the problem of succession. The biography follows an innovative thematic structure that focuses on major aspects of Ciano’s life, including his family, his political career, his diplomacy, and his desire to succeed Mussolini. Filling a substantial gap in the existing literature on the history of fascism, this book is the first comprehensive analysis of a key player of Italian fascism other than Mussolini; it also offers a long overdue critical assessment of Ciano’s famous diary, one of the most important texts from the period. Using visual materials such as photographs and films as sources and not just as illustrative material, Tobias Hof allows us to rethink our understanding of fascism and offers a new perspective on the history of fascist Italy.