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Seminal moments, rites of passage, crystalline vignettes--a memoir about growing up brown at the U.S./Mexico border. The tradition of retablo painting dates back to the Spanish Conquest in both Mexico and the U.S. Southwest. Humble ex-votos, retablos are usually painted on repurposed metal, and in one small tableau they tell the story of a crisis, and offer thanks for its successful resolution. In this uniquely framed memoir, playwright Octavio Solis channels his youth in El Paso, Texas. Like traditional retablos, the rituals of childhood and rites of passage are remembered as singular, dramatic events, self-contained episodes with life-changing reverberations. Living in a home just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, growing up among those who live there, and those passing through on their way North. From the first terrible self-awareness of racism to inspired afternoons playing air trumpet with Herb Alpert, from an innocent game of hide-and-seek to the discovery of a Mexican girl hiding in the cotton fields, Solis reflects on the moments of trauma and transformation that shaped him into a man.
In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.
The first part of the book is given to an analysis of folk retablo painting. The second part concentrates on iconography and on why certain images of Christ, Mary, and the saints were venerated. The third part examines ex-votos, small images painted to commemorate the donor's gratitude for a favor.
This vivid study, richly illustrated with forty color photographs, offers a multilayered analysis of retablos—folk images painted on tin that are offered as votives of thanks for a miracle granted or a favor bestowed—created by Mexican migrants to the United States. Durand and Massey analyze 124 contemporary retablo texts, scrutinizing the shifting subjects and themes that constitute a running record of the migrant's unique experience. The result is a vivid work of synthesis that connects the history of an art form and a people, links two very different cultures, and allows a deeper understanding of a major twentieth-century theme—the drama of transnational migration.
Studies retabloes--Mexican paintings on tin created in the latter half of the nineteenth century--from art, religious, and historical perspectives, and discusses efforts made to restore and conserve the artwork.
In recent years, tremendous attention has been focused on the Arts of 18th and 19th century New Mexico. This colonial period benefited from a creative and religious community that populated the region. Retablos, painted panels depicting saints worshiped in churches and private homes, were an important part of the rich culture. The Lyon Collection beautifully illustrates the breadth of Retablo painting by exmaining specific Santo's stylistic development as well as the iconography and social history of each painting. This landmarl publication will be of great use to the ongoing study of colonial southwestern art and history. 107 colour illustrations
Infinitas Gracias is the first collection of the work of Alfredo Vilchis Roque, one of Mexico's most famous contemporary painters, and his sons. In the tradition of Catholic votives, each painting tells a miraculous tale and gives thanks to the intervening saint. Ablaze with intense color hearkening back to the natural pigment dyes of ancient Mexico, these works portray the kaleidoscope of issues that constitute modern urban existence. With over 200 paintings, from circus adventures to household accidents to adultery, drugs, and prostitution, Infinitas Gracias weaves together a bizarre tapestry of stories, some disturbing, some comical -- all unerringly wrought and profoundly touching.
This book is the first serious monograph about the Retablo de Isabel la Catolica (ca. 1496-1504) painted by Juan de Flanders and Michel Sittow. Tracing the critical history of the altarpiece and publishing some archival material for the first time, it presents the first discussion and technical examination of the individual panels, including infrared reflectography and microscopie examination of the painted surface. Technical examination also reveals the subject matter was closely related to the religious and political issues that concerned Queen Isabella in the waning years of her reign. The conservatism inherent in the austere painted treatment of the lives of Christ and the Virgin Mary is compared to conservative works of religious literature commissioned by or dedicated to the Queen in the years that the altarpiece was being painted. Finally, a brief catalogue of the surviving twenty-eight panels will restore a degree of narrative coherence to a project that is too little understood in large part because of the early dispersal of its paintings.
Santos and Saints is a new book, though the title has been around for over twenty years. This new edition provides greater detail and newly available information to illustrate the santero's art and to describe the tradition roles of santos in both religious and secular life. Santos and Saints has served for two decades as the best available guide to the religious folk art of New Mexico. In its new edition, it has become even more valuable to scholars and general readers alike.
"The book consists of interconnected poems concerned with various modes of time and its relation to personal and historical events"--Provided by publisher.