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An in-depth look at why non-Jewish Poles are trying to bring Jewish culture back to life in Poland today Since the early 2000s, Poland has experienced a remarkable Jewish revival, largely driven by non-Jewish Poles with a passionate new interest in all things Jewish. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew, Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew presents an in-depth look at Jewish life in Poland today. The book shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. The book also raises urgent questions, relevant far beyond Poland, about the limits of performative solidarity and empathetic forms of cultural appropriation.
An in-depth look at why non-Jewish Poles are trying to bring Jewish culture back to life in Poland today Since the early 2000s, Poland has experienced a remarkable Jewish revival, largely driven by non-Jewish Poles with a passionate new interest in all things Jewish. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew, Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew presents an in-depth look at Jewish life in Poland today. The book shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. The book also raises urgent questions, relevant far beyond Poland, about the limits of performative solidarity and empathetic forms of cultural appropriation.
I accept the resurrection of Jesus not as an invention of the community of disciples, but as an historical event.Ó When a leading orthodox Jew makes such a declaration, its significance can hardly be overstated. Pinchas Lapide is a rabbi and theologian who has specialized in the study of the New Testament. In this book he convincingly shows that an irreducible minimum of experience underlies the New Testament account of the resurrection, however much of the details of the narrative may be open to objection. He maintains that life after death is part of the Jewish faith experience, and that it is Jesus' messiahship, not his resurrection, which marks the division between Christianity and Judaism. Dr. Lapide quotes Moses Maimonides, the greatest Jewish thinker, in his support: All these matters which refer to Jesus of Nazareth...only served to make the way free for the King Messiah and to prepare the whole world for the worship of God with a united heart.Ó
This book, written for religious and nonreligious people alike in clear and accessible language, Although this expectation, known as the resurrection of the dead, is widely understood to have been a part of Christianity from its beginnings nearly two thousand years ago, many people are surprised to learn that the Jews believed in resurrection long before the emergence of Christianity. In this sensitively written and historically accurate book, religious scholars Kevin J. Madigan and Jon D. Levenson aim to clarify confusion and dispel misconceptions about Judaism, Jesus, and Christian origins. Madigan and Levenson tell the fascinating but little-known story of the origins of the belief in resurrection, investigating why some Christians and some Jews opposed the idea in ancient times while others believed it was essential to their faith. The authors also discuss how the two religious traditions relate their respective practices in the here and now to the new life they believe will follow resurrection. Making the rich insights of contemporary scholars of antiquity available to a wide readership, Madigan and Levenson offer a new understanding of Jewish-Christian relations and of the profound connections that tie the faiths together.
On a November evening in 1989, Laura Levitt was raped in her own bed. Her landlord heard the assault taking place and called 911, but the police arrived too late to apprehend Laura’s attacker. When they left, investigators took items with them—a pair of sweatpants, the bedclothes—and a rape exam was performed at the hospital. However, this evidence was never processed. Decades later, Laura returns to these objects, viewing them not as clues that will lead to the identification of her assailant but rather as a means of engaging traumatic legacies writ large. The Objects That Remain is equal parts personal memoir and fascinating examination of the ways in which the material remains of violent crimes inform our experience of, and thinking about, trauma and loss. Considering artifacts in the United States Holocaust Memorial Museum and evidence in police storage facilities across the country, Laura’s story moves between intimate trauma, the story of an unsolved rape, and genocide. Throughout, she asks what it might mean to do justice to these violent pasts outside the juridical system or through historical empiricism, which are the dominant ways in which we think about evidence from violent crimes and other highly traumatic events. Over the course of her investigation, the author reveals how these objects that remain and the stories that surround them enable forms of intimacy. In this way, she models for us a different kind of reckoning, where justice is an animating process of telling and holding.
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
This book, written for religious and nonreligious people alike in clear and accessible language, Although this expectation, known as the resurrection of the dead, is widely understood to have been a part of Christianity from its beginnings nearly two thousand years ago, many people are surprised to learn that the Jews believed in resurrection long before the emergence of Christianity. In this sensitively written and historically accurate book, religious scholars Kevin J. Madigan and Jon D. Levenson aim to clarify confusion and dispel misconceptions about Judaism, Jesus, and Christian origins. Madigan and Levenson tell the fascinating but little-known story of the origins of the belief in resurrection, investigating why some Christians and some Jews opposed the idea in ancient times while others believed it was essential to their faith. The authors also discuss how the two religious traditions relate their respective practices in the here and now to the new life they believe will follow resurrection. Making the rich insights of contemporary scholars of antiquity available to a wide readership, Madigan and Levenson offer a new understanding of Jewish-Christian relations and of the profound connections that tie the faiths together.
This book explores the origins of the Jewish doctrine of the resurrection of the dead.
This fascinating volume offers bold new insights into what it means to be a Christian or a Jew. We are Christians or Jews, Michael Goldberg maintains, not principally because we embrace different creeds, but because we have gained an understanding of the world from one of two distinct master stories - for Jews, the Exodus; for Christians, the life, death, and resurrection of Jesus. The author demonstrates what each master story ultimately reveals about who God is, what humanity is, and how humanity should therefore act in God's world.