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In the mid-eighteenth century, the Ottawa chief Pontiac (also spelled Ponteach) led an intertribal confederacy that resisted British power in the Great Lakes region. This event was immortalized in the play Ponteach, or the Savages of America: A Tragedy, attributed to the infamous frontier soldier Robert Rogers. Never performed, it is one of the earliest theatrical renderings of the region, depicting its hero in a way that called into question eighteenth-century constructions of Indigenous Americans. Sämi Ludwig contends that Ponteach's literary and artistic merits are worthy of further exploration. He investigates questions of authorship and analyzes the play's content, embracing its many contradictions as enriching windows into the era. In this way, he suggests using Ponteach as a tool to better understand British imperialism in North America and the emerging theatrical forms of the Young Republic.
BOOK 5 OF THE SURVIVALIST SERIES Against all odds, Morgan Carter and his family have endured despite the deteriorating conditions surrounding them. Armed with survivalist tactics, Morgan's crew, alongside their new friends from the recently-liberated DHS camp, have worked together to build a sustainable communuity. But not all situations can be prepared for. When a massive wildfire threatens their very existence, they must decide: fight or flight? From the author of the hit Survivalist Series books, Resurrecting Home is an action-packed adventure that depicts the harrowing possibilities of a world gone awry, and the courage it takes to protect what matters most.
A leading conservative intellectual argues that to renew America we must recommit to our institutions Americans are living through a social crisis. Our politics is polarized and bitterly divided. Culture wars rage on campus, in the media, social media, and other arenas of our common life. And for too many Americans, alienation can descend into despair, weakening families and communities and even driving an explosion of opioid abuse. Left and right alike have responded with populist anger at our institutions, and use only metaphors of destruction to describe the path forward: cleaning house, draining swamps. But, as Yuval Levin argues, this is a misguided prescription, rooted in a defective diagnosis. The social crisis we confront is defined not by an oppressive presence but by a debilitating absence of the forces that unite us and militate against alienation. As Levin argues, now is not a time to tear down, but rather to build and rebuild by committing ourselves to the institutions around us. From the military to churches, from families to schools, these institutions provide the forms and structures we need to be free. By taking concrete steps to help them be more trustworthy, we can renew the ties that bind Americans to one another.
Begun as the United States moved its armed forces into Iraq, Rashid Khalidi's powerful and thoughtful new book examines the record of Western involvement in the region and analyzes the likely outcome of our most recent Middle East incursions. Drawing on his encyclopedic knowledge of the political and cultural history of the entire region as well as interviews and documents, Khalidi paints a chilling scenario of our present situation and yet offers a tangible alternative that can help us find the path to peace rather than Empire. We all know that those who refuse to learn from history are doomed to repeat it. Sadly, as Khalidi reveals with clarity and surety, America's leaders seem blindly committed to an ahistorical path of conflict, occupation, and colonial rule. Our current policies ignore rather than incorporate the lessons of experience. American troops in Iraq have seen first hand the consequences of U.S. led "democratization" in the region. The Israeli/Palestinian conflict seems intractable, and U.S. efforts in recent years have only inflamed the situation. The footprints America follows have led us into the same quagmire that swallowed our European forerunners. Peace and prosperity for the region are nowhere in sight. This cogent and highly accessible book provides the historical and cultural perspective so vital to understanding our present situation and to finding and pursuing a more effective and just foreign policy.
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens. The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.
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Conniff tells the story of bold adventurers who risked death to discover strange life forms in the farthest corners of planet Earth.
The untold story of how America once created the most successful economy the world has ever seen—and how we can do it again. The American economy glitters on the outside, but the reality is quite different. Job opportunities and economic growth are increasingly concentrated in a few crowded coastal enclaves. Corporations and investors are disproportionately developing technologies that benefit the wealthiest Americans in the most prosperous areas -- and destroying middle class jobs elsewhere. To turn this tide, we must look to a brilliant and all-but-forgotten American success story and embark on a plan that will create the industries of the future -- and the jobs that go with them. Beginning in 1940, massive public investment generated breakthroughs in science and technology that first helped win WWII and then created the most successful economy the world has ever seen. Private enterprise then built on these breakthroughs to create new industries -- such as radar, jet engines, digital computers, mobile telecommunications, life-saving medicines, and the internet-- that became the catalyst for broader economic growth that generated millions of good jobs. We lifted almost all boats, not just the yachts. Jonathan Gruber and Simon Johnson tell the story of this first American growth engine and provide the blueprint for a second. It's a visionary, pragmatic, sure-to-be controversial plan that will lead to job growth and a new American economy in places now left behind.
"A savagely comic portrait of an archetypal, middle class family, Ozzie, Harriet, David and Ricky, falling apart. When David comes back from the war blinded, he is pursued by furies that haunt him. Wanting to return their son to normal, Ozzie offers camaraderie, while Harriet cooks and bakes the foods he once loved, and shares her faith in her beloved religion. But David grows even more vengeful. Ozzie feels the foundation of his world crumbling. In a darkly hilarious scene, a catholic priest called in to give his blessing is, ingeniously, rebuffed by David. Finally, Ozzie and Harriet break under the pressure, for it seems David is about to turn their home into his nightmare. It's up to guitar-playing, fudge-eating Ricky to save the day and allow the family to return their cherished status qua with a tidy, ritualistic atrocity all their own."--Publisher's description.
THE STORY: On the eve of her twenty-fifth birthday, Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the