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A brilliant appraisal of the Civil War and its long-term consequences, by an acclaimed historian. The political upheaval of the mid-seventeenth century has no parallel in English history. Other events have changed the occupancy and the powers of the throne, but the conflict of 1640-60 was more dramatic: the monarchy and the House of Lords were abolished, to be replaced by a republic and military rule. In this wonderfully readable account, Blair Worden explores the events of this period and their origins - the war between King and Parliament, the execution of Charles I, Cromwell's rule and the Restoration - while aiming to reveal something more elusive: the motivations of contemporaries on both sides and the concerns of later generations.
This cultural history challenges the standard depiction of the 1660s as the beginning of a new age of stability, demonstrating that the decade following the Restoration was just as complex and exciting as the revolutionary years that preceded it.
Background to the English Civil War is a collection of literature that attempts to address various queries about the English civil war. The book is comprised 13 chapters that cover various concerns in the conflict. The text first covers the arrival of the Stuarts, and then proceeds to present materials about Charles I. Chapter 3 tackles the growing tension between the king and the population. The next chapter deals with early stages of the war. Next, the book details the execution of Charles I, the battle that comes after, and the eventual restoration of the Stuarts. The selection will be of great use to readers who have a keen interest in English history.
This is a study of the histories of the English Civil War or some aspects of it written in England or by Englishmen and Englishwomen or publish ed in England up to 1702, the year of the publication of the first volume of Clarendon's History of the Rebellion. By the terms of this definition, Clarendon is himself, of course, one of the historians studied. Clarendon's History is so formidable an achievement that all historians writing about the war before its publication have an air of prematureness. Nevertheless, as I hope the following pages will show, they produced a body of writing which may still be read with interest and profit and which anticipated many of the ideas and attitudes of Clarendon's History. I will even go so far as to say that many readers who have only a limited interest or no in terest in the Civil War are likely to find many of these historians interest ing, should their works come to their attention, for their treatment of the problems of man in society, for their psychological acuteness, and for their style. But while I intend to show their merits, my main concern will be to show how the Civil War appeared to historians, including Clarendon, who wrote within one or two generations after it, that is to say, at a time when it remained part of the experience of people still alive. A word is necessary on terminology.
This is a study of the histories of the English Civil War or some aspects of it written in England or by Englishmen and Englishwomen or publish ed in England up to 1702, the year of the publication of the first volume of Clarendon's History of the Rebellion. By the terms of this definition, Clarendon is himself, of course, one of the historians studied. Clarendon's History is so formidable an achievement that all historians writing about the war before its publication have an air of prematureness. Nevertheless, as I hope the following pages will show, they produced a body of writing which may still be read with interest and profit and which anticipated many of the ideas and attitudes of Clarendon's History. I will even go so far as to say that many readers who have only a limited interest or no in terest in the Civil War are likely to find many of these historians interest ing, should their works come to their attention, for their treatment of the problems of man in society, for their psychological acuteness, and for their style. But while I intend to show their merits, my main concern will be to show how the Civil War appeared to historians, including Clarendon, who wrote within one or two generations after it, that is to say, at a time when it remained part of the experience of people still alive. A word is necessary on terminology.
The English Civil War has become a frequent point of reference in contemporary British political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This book is the first attempt to portray the visual legacy of this period, as passed down, revisited, and periodically reworked over two and a half centuries of subsequent English history. Highly regarded art historian Stephen Bann deftly interprets the mass of visual evidence accessible today, from ornate tombs and statues to surviving sites of vandalism and iconoclasm, public signage, and historical paintings of human subjects, events, and places. Through these important scenes and sometimes barely perceptible traces, Bann shows how the British view of the War has been influenced and transformed by visual imagery.
In this compelling history of the violent struggle between the monarchy and Parliament that tore apart seventeenth-century England, a rising star among British historians sheds new light on the people who fought and died through those tumultuous years. Drawing on exciting new sources, including letters, memoirs, ballads, plays, illustrations, and even cookbooks, Diane Purkiss creates a rich and nuanced portrait of this turbulent era. The English Civil War’s dramatic consequences-rejecting the divine right monarchy in favor of parliamentary rule-continue to influence our lives, and in this colorful narrative, Purkiss vividly brings to life the history that changed the course of Western government.
The late seventeenth century was a period of extraordinary turbulence and political violence in Britain, the like of which has never been seen since. Beginning with the Restoration of the monarchy after the Civil War, this book traces the fate of the monarchy from Charles II's triumphant accession in 1660 to the growing discontent of the 1680s. Harris looks beyond the popular image of Restoration England revelling in its freedom from the austerity of Puritan rule under a merry monarch and reconstructs the human tragedy of Restoration politics where people were brutalised, hounded and exploited by a regime that was desperately insecure after two decade of civil war and republican rule.
The sequence of civil wars that ripped England apart in the seventeenth century was the single most traumatic event in this country between the medieval Black Death and the two world wars. Indeed, it is likely that a greater percentage of the population were killed in the civil wars than in the First World War. This sense of overwhelming trauma gives this major new history its title: God’s Fury, England’s Fire. The name of a pamphlet written after the king’s surrender, it sums up the widespread feeling within England that the seemingly endless nightmare that had destroyed families, towns and livelihoods was ordained by a vengeful God – that the people of England had sinned and were now being punished. As with all civil wars, however, ‘God’s fury’ could support or destroy either side in the conflict. Was God angry at Charles I for failing to support the true, protestant, religion and refusing to work with Parliament? Or was God angry with those who had dared challenge His anointed Sovereign? Michael Braddick’s remarkable book gives the reader a vivid and enduring sense both of what it was like to live through events of uncontrollable violence and what really animated the different sides. The killing of Charles I and the declaration of a republic – events which even now seem in an English context utterly astounding – were by no means the only outcomes, and Braddick brilliantly describes the twists and turns that led to the most radical solutions of all to the country’s political implosion. He also describes very effectively the influence of events in Scotland, Ireland and the European mainland on the conflict in England. God’s Fury, England’s Fire allows readers to understand once more the events that have so fundamentally marked this country and which still resonate centuries after their bloody ending.
When the English Civil War broke out, London’s economy was diverse and dynamic, closely connected through commercial networks with the rest of England and with Europe, Asia and North America. As such it was uniquely vulnerable to hostile acts by supporters of the king, both those at large in the country and those within the capital. Yet despite numerous difficulties, the capital remained the economic powerhouse of the nation and was arguably the single most important element in Parliament’s eventual victory. For London’s wealth enabled Parliament to take up arms in 1642 and sustained it through the difficult first year and a half of the war, without which Parliament’s ultimate victory would not have been possible. In this book the various sectors of London’s economy are examined and compared, as the war progressed. It also looks closely at the impact of war on the major pillars of the London economy, namely London’s role in external and internal trade, and manufacturing in London. The impact of the increasing burden of taxation on the capital is another key area that is studied and which yields surprising conclusions. The Civil War caused a major economic crisis in the capital, not only because of the interrelationship between its economy and that of the rest of England, but also because of its function as the hub of the social and economic networks of the kingdom and of the rest of the world. The crisis was managed, however, and one of the strengths of this study is its revelation of the means by which the city’s government sought to understand and ameliorate the unique economic circumstances which afflicted it.