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"Vermont's story is filled with rebellious individuals and collective outbursts, people and moments that forged its path as a small, independent state with a strong sense of how to preserve its traditions while changing with the times. Restless Spirits & Popular Movements revisits this unique history through memorable events and people who helped create the delicate balance of sovereignty and solidarity, political independence and mutual aid known as the Vermont Way. The book explores Vermont's past and values through the exploits of Vermonters like revolutionary leaders Matthew Lyon and Ethan Allen; Anti-Mason Governor William Palmer and feminist pioneer Clarina Nichols; railroad and marble tycoons, anti-slavery activists, socialist activists and labor protesters; Vermont-born Presidents Chester Arthur and Calvin Coolidge; progressive innovators like James Burke and Ernest Gibson; modern political leaders like Phil Hoff, Richard Snelling, Madeleine Kunin, James Jeffords, Howard Dean, and Bernie Sanders; and even a Vermonter who rescued America from Joseph McCarthy. It is an attempt to look back at Vermont's past with fresh eyes, recast the drama, correct the record, and reclaim stories lost, distorted or buried along the way"--
Are you afraid of the Holy Spirit being active in your church? Are you willing to admit it? The Holy Spirit has been a kind of third-rate member of the trinity in the theological writings of mainline and progressive Christians. It seems that the Spirit brings disorder to communities, spiritual arrogance to those who claim to “have the Spirit,” and frequently doctrinal confusion. We’d rather not have something in our churches that goes where it wants, and doesn’t give account for where it’s coming from and where it’s going. But the biblical picture of the Spirit is one of action, change, and renewal. Perhaps there is a place for this Spirit in a movement claiming the title of “progressive.” Bruce Epperly has experienced church from many perspectives. He has sat in conservative churches where too much Spirit might be seen as inciting division and heresy. He’s been in progressive churches where the Spirit is often considered peripheral. He’s a process theologian, and the Spirit, as he points out in this book, is often of tertiary concern. But he has also observed Spirit in action, and he thinks we do well to considered this third element of the trinity. What does it mean for the Spirit to be active? Is it safe? Can it be controlled? Can you keep it bound by your doctrinal statements? It should be active, and you cannot control it, Epperly argues in this book. You shouldn’t control it. Nor does it coercively control you. But it does drive us to new life, to new adventures, and perhaps to transformed understandings of the universe in which we live. Are you ready to join in this joyous adventure?
Ghosts and hauntings are found almost everywhere that tragedy has leftits mark. Soldiers, so focused on doing their duty have been seen to still carry out their assigned tasks longer after the war and their own lives are ended. From John Brown, who walks the streets of Harpers Ferry, to the ghosts who continue to refight the Battle of Antietam, miliary ghosts open up anentirely new chapter of history.
Finalist for the 2020 ForeWord INDIE Book of the Year in the Multicultural Adult Fiction Category Restless Spirits is a collection of previously unpublished plays by contemporary Assiniboine playwright William S. Yellow Robe Jr. Including one full-length and seven one-act plays, this book reflects one of the author's most creative and productive periods in his career. Selected by Yellow Robe, in consultation with editor Jace Weaver, the plays reveal the range of Yellow Robe's writing from tragedies to farce. They are unified by their supernatural themes or significant elements, including Wood Bones, his most recent and highly successful full-length play. Weaver's introduction says that the works in this collection clearly demonstrate that Yellow Robe is not just a great American Indian playwright, but a great American playwright in the company of David Mamet, Lynn Nottage, and Wallace Shawn. Renowned American Indian playwright Hanay L. Geiogamah provides a foreword and calls this volume "a real gift to the American Indian theater—and to theater, more generally."