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Respectable and Disreputable describes how Montgomerians spent their increasing leisure time during the four decades preceding the Civil War. Everyday activities included gambling, drinking, sporting, hunting, and voluntary associations--military, literary, self-improvement, fraternal, and civic. The book also includes seasonal activities--religious and national holidays, fairs, balls, horse racing, and summering at mineral springs. Commercial entertainment, which became more prominent in the late antebellum period, included theater, opera, circuses, and minstrel shows. Historian Jeffrey Benton describes not only those everyday, seasonal, and commercial activities, but also shows how antebellum society debated the moral and philosophical questions of how leisure time should be spent. Woven throughout the book are comparisons between Montgomery and other cities and towns in antebellum America. Although the United States may have been increasingly divided economically, on rural-urban experiences, and of course on the issue of slavery, it seems that antebellum Americans--at least those living in or with easy access to urban areas--shared very similar leisure time activities.
Many historians have claimed that respectability was the sharpest line of social division in Victorian society, even that the line between the 'respectable' and 'unrespectable' was more significant than between rich and poor. This irreverent and revisionist collection argues that they have over-polarised Victorian attitudes and challenges the conventional view that middle-class Victorian leisure had a respectable and serious purpose and approach. Disreputable Pleasures explores the more sinful and unrespectable Victorian male sporting pleasures, demonstrating the complex interrelationships between such value as manliness, muscularity and machismo, or sensuality, virility and hedonism. It sheds light on the ways in which the public rhetoric of Victorian respectability could be rendered problematic by the practical pursuit of private pleasures. It shows that Victorian leisure was much more contested cultural space than has been recognised, a battleground whose contestants ranged from the rational recreationalist to the avowedly hedonistic, and from the sacred to the profane. Disreputable Pleasures poses a powerful challenge to the accepted public image of Victorian society and will greatly add to our present understanding of Victorian Britain.
Remaking Respectability: African American Women in Interwar Detroit
The lawyer Mr Utterson is deeply disturbed by Dr Jekyll's new friend, Mr Hyde, to whom Dr Jekyll has bequeathed everything he owns. Rumour has it that Mr Hyde trampled a child in the street. Mr Utterson begins to have nightmares about this unusually ugly and unsympathetic man. Meanwhile, Dr Jekyll and Mr Hyde seem inseparable. Robert Louis Stevenson's novella »Strange Case of Dr Jekyll & Mr Hyde« is unique among classics, with a title that has become a fixed expression in many languages. ROBERT LOUIS STEVENSON [1850–1894] was a Scottish novelist, poet, essayist, and travel writer. He is among the 30 most translated authors of all time and has been praised by Marcel Proust, Jorge Luis Borges, Vladimir Nabokov, Ernest Hemingway, and Bertolt Brecht. Treasure Island is his most famous work, along with the gothic sci-fi novella Strange Case of Dr Jekyll & Mr Hyde.
In Queer in Translation, Evren Savcı analyzes the travel and translation of Western LGBT political terminology to Turkey in order to illuminate how sexual politics have unfolded under Recep Tayyip Erdoğan's AKP government. Under the AKP's neoliberal Islamic regime, Savcı shows, there has been a stark shift from a politics of multicultural inclusion to one of securitized authoritarianism. Drawing from ethnographic work with queer activist groups to understand how discourses of sexuality travel and are taken up in political discourse, Savcı traces the intersection of queerness, Islam, and neoliberal governance within new and complex regimes of morality. Savcı turns to translation as a queer methodology to think Islam and neoliberalism together and to evade the limiting binaries of traditional/modern, authentic/colonial, global/local, and East/West—thereby opening up ways of understanding the social movements and political discourse that coalesce around sexual liberation in ways that do justice to the complexities both of what circulates under the signifier Islam and of sexual political movements in Muslim-majority countries.
Gilded Age cities offered extraordinary opportunities to women--but at a price. As clerks, factory hands, and professionals flocked downtown to earn a living, they alarmed social critics and city fathers, who warned that self-supporting women were just steps away from becoming prostitutes. With in-depth research possible only in a mid-sized city, Sharon E. Wood focuses on Davenport, Iowa, to explore the lives of working women and the prostitutes who shared their neighborhoods. The single, self-supporting women who migrated to Davenport in the years following the Civil War saw paid labor as the foundation of citizenship. They took up the tools of public and political life to assert the respectability of paid employment and to confront the demon of prostitution. Wood offers cradle-to-grave portraits of individual girls and women--both prostitutes and "respectable" white workers--seeking to reshape their city and expand women's opportunities. As Wood demonstrates, however, their efforts to rewrite the sexual politics of the streets met powerful resistance at every turn from men defending their political rights and sexual power.
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The hilarious and razor-sharp story of how one girl went from geek to patriarchy-smashing criminal mastermind in two short years, from the #1 New York Times bestselling author of We Were Liars and Genuine Fraud. * National Book Award finalist * * Printz Honor *Â Frankie Landau-Banks at age 14: Debate Club. Her father's "bunny rabbit." A mildly geeky girl attending a highly competitive boarding school. Frankie Landau-Banks at age 15: A knockout figure. A sharp tongue. A chip on her shoulder. And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston. Frankie Landau-Banks. No longer the kind of girl to take "no" for an answer. Especially when "no" means she's excluded from her boyfriend's all-male secret society. Not when she knows she's smarter than any of them. When she knows Matthew's lying to her. And when there are so many pranks to be done. Frankie Landau-Banks, at age 16: Possibly a criminal mastermind. This is the story of how she got that way. Â