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(Boosey & Hawkes Chamber Music). Composed in 1951. The six metamorphoses include: I. Pan * II. Phaeton * III. Niobe * IV. Bacchus * V. Narcissus * VI. Arethusa. Duration: c. 12 minutes
#1 WALL STREET JOURNAL BESTSELLER * NEW YORK TIMES BESTSELLER New York Times finance editor David Enrich's explosive exposé of the most scandalous bank in the world, revealing its shadowy ties to Donald Trump, Putin's Russia, and Nazi Germany “A jaw-dropping financial thriller” —Philadelphia Inquirer On a rainy Sunday in 2014, a senior executive at Deutsche Bank was found hanging in his London apartment. Bill Broeksmit had helped build the 150-year-old financial institution into a global colossus, and his sudden death was a mystery, made more so by the bank’s efforts to deter investigation. Broeksmit, it turned out, was a man who knew too much. In Dark Towers, award-winning journalist David Enrich reveals the truth about Deutsche Bank and its epic path of devastation. Tracing the bank’s history back to its propping up of a default-prone American developer in the 1880s, helping the Nazis build Auschwitz, and wooing Eastern Bloc authoritarians, he shows how in the 1990s, via a succession of hard-charging executives, Deutsche made a fateful decision to pursue Wall Street riches, often at the expense of ethics and the law. Soon, the bank was manipulating markets, violating international sanctions to aid terrorist regimes, scamming investors, defrauding regulators, and laundering money for Russian oligarchs. Ever desperate for an American foothold, Deutsche also started doing business with a self-promoting real estate magnate nearly every other bank in the world deemed too dangerous to touch: Donald Trump. Over the next twenty years, Deutsche executives loaned billions to Trump, the Kushner family, and an array of scandal-tarred clients, including convicted sex offender Jeffrey Epstein. Dark Towers is the never-before-told saga of how Deutsche Bank became the global face of financial recklessness and criminality—the corporate equivalent of a weapon of mass destruction. It is also the story of a man who was consumed by fear of what he’d seen at the bank—and his son’s obsessive search for the secrets he kept.
(Piano Duet). One Piano, Four Hands.
(Vocal/Piano Score) "Requiem Pacis" for Mixed Chorus, Soprano Solo, and Chamber OrchestraMusic by Kentaro Sato (1981-) Voicing: SATB Duration: 25min Lyrics: Latin (Sacred) 1. Requiem Aeternam et Kyrie 2. Sanctus 3. Agnus Dei et Lux Aeterna 4. Subvenite 5. In Paradisum This work may also be performed with piano accompaniment only (this score) or organ accompaniment. Visit: www.wisemanproject.com for more information.
Inge van Rij's book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.
Written between 1887 and 1890, Gabriel Faure’s setting of the requiem is a departure from traditional structure. Faure said the following of his work: "It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience." This score represents the choral portion of the Requiem, each voice on a separate staff, including solos, with both Latin and English text. This book has an orchestra reduction for either piano or organ accompaniment by Malcolm Binney. Includes: * Introit et Kyrie * Offertoire * Sanctus * Pie Jesu * Agnus Dei * Libera Me * In Paradisum