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In the tragicomic mode of his best-selling Louisiana Power & Light, a hilarious and tenderhearted novel about a son's attempts to save his family. John Dufresne takes us to Requiem, Mass., heart of the Commonwealth, where Johnny's mom, Frances, is driving in the breakdown lane once again. She thinks Johnny and his little sister Audrey have been replaced by aliens; she's sure of it, and she's pretty certain that she herself is already dead, or she wouldn't need to cover the stink of her rotting flesh with Jean Naté Après Bain. Dad, truck driver and pathological liar, is down South somewhere living his secret life. And Audrey, when she's not walking her cat Deluxe in a baby stroller, spends her time locked in a closet telling herself stories. Johnny, meanwhile, is hell-bent on saving the family from itself. In his "truly original voice" (Miami Herald) and with the "miraculous beauty of his tale-telling" (New York Times Book Review), Dufresne brings his unparalleled eye for the tragic and the absurd to the dysfunctions and joys of family in this powerful new novel.
Giving brief, essential information on some 700 works, this guide illustrates the scope of Mass and Requiem compositions of the United States from the early nineteenth century to the present day.
"'When was the score of the Requiem completed?' is a question that everyone has asked; . . .but Wolff goes on to ask: 'Where do the technical and stylistic premises for the Requiem lie, and to what extent could these be taken into account after Mozart's death?' This question is rich in implications, central to the uniqueness of the work, and virtually undiscussed in the Mozart literature."—Thomas Bauman, co-author of Mozart's Operas
From USCCB Publishing, this revision of the General Instruction of the Roman Missal (GIRM) seeks to promote more conscious, active, and full participation of the faithful in the mystery of the Eucharist. While the Missale Romanum contains the rite and prayers for Mass, the GIRM provides specific detail about each element of the Order of Mass as well as other information related to the Mass.
"The Encyclopedia of Christianity is the first of a five-volume English translation of the third revised edition of Evangelisches Kirchenlexikon. Its German articles have been tailored to suit an English readership, and articles of special interest to English readers have been added. The encyclopedia describes Christianity through its 2000-year history within a global context, taking into account other religions and philosophies. A special feature is the statistical information dispersed throughout the articles on the continents and over 170 countries. Social and cultural coverage is given to such issues as racism, genocide, and armaments, while historical content shows the development of biblical and apostolic traditions."--"Outstanding reference sources 2000", American Libraries, May 2000. Comp. by the Reference Sources Committee, RUSA, ALA.
Reference work for musicologists, music theorists, performers, and music lovers Few western musical repertories speak more to the imagination than the Requiem mass for the dead. The Book of Requiems presents in-depth essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as a multi-volume essay collection by leading experts, TheBook of Requiems is an authoritative reference publication intended as a first port of call for musicologists, music theorists, and performers both professional and student.
What begins in the Warsaw Ghetto...will find the music of your heart. There are secrets in one's life that when revealed change the lives of all around. A REQUIEM FOR HANIA is a story of secrets and a story of who we are, who we were once meant to be. Inspired by a true story, based purposely on musical form, the novel follows three primary characters' journeys: In 1942, Hania Stern, a young Jewish girl, and her family are caught up in the horrors of the Warsaw Ghetto. Hania survives when so many others do not survive, escaping when others do not escape. But escape is not release. Hers is the story of a soul lost, and a soul found.In 1968, Pawel Weisz, an avant-garde composer and teacher in Warsaw, knows little of his own past; what he does know he denies. At a time of great protest, anti-Semitism and attempted change in a Communist state at a crossroads, Pawel falls in a forbidden love with a radical young Jewish violinist. But the repressive State and the times in which the two men find one another prevent any real possibility of such. Theirs is a love discovered too late, leading to loss, to great pain, to exile...while in the shadows State Security watches and waits.And in 2006, Agniezka Janiec, an actor in Warsaw, seeking herself through her art, discovers at the death of her grandmother, Hannah Kielar, secrets that push her into a journey of self-discovery: about her Grandmother, about Warsaw in the Ghetto years, about where she comes from and who she is. About those lost, and those found.A REQUIEM FOR HANIA is a story of identity, of loss, of rediscovery. It is a story about friendship, about music that illuminates our common humanity, about the pain of the past and the potential for the present and for the future. It is finally a story of where we all come from, who we are...and where we ultimately are going as we find ourselves, as we grieve and as we celebrate.
Disturbed by the direction in which the post Vatican II liturgical reforms have moved, two fictitious representatives of mutually antagonistic movements debate the remedy for "correct" liturgical reform. This unique work presents a debate between a "traditionalist" who argues for a return to the pre-Vatican II liturgy, and a reformist (no liberal himself) who advocates a new liturgical reform more in keeping with what the Council fathers had in mind. They bring to the debate the insights of renowned authorities on the liturgy, including Cardinal Ratzinger, Msgr. Klaus Gamber, Michael Davies, Fr. Brian Harrison and Fr. Aidan Nichols. This book is written for anyone interested in the Church's liturgy, and the controversies surrounding the liturgical renewal. It is both a primer for those who lack the theological and liturgical expertise to articulate their dissatisfaction with the state of the liturgy, and an excellent resource for those specialists who would appreciate having a single volume for consulting salient points from numerous authorities.
Few western musical repertories speak more to the imagination than the Requiem mass for the dead. Yet, surprisingly, despite the significance of Requiem settings for our musical culture, the literature concerning them is sparse. The Book of Requiems presents essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as a multi-volume essay collection by leading experts, The Book of Requiems is an authoritative reference publication intended as a first port of call for musicologists, music theorists, and performers both professional and student. The present volume, the second in the series, treats settings composed between c. 1550 and c. 1650, a period in which the Requiem becomes a defining feature of the soundscape of Catholic death rituals.
When Peter Parker was bitten by a radioactive spider, he became much more than the shy, introverted high school student he had always been. Now possessed of the proportionate strength, speed, and agility of a spider, he sought to use his newfound abilities to achieve wealth and fame. But after his beloved Uncle Ben was murdered, the grief-stricken youth soon realized that with great power comes great responsibility. Now Peter wages a one-man crusade against crime...in the costumed identity of the amazing Spider-Man!