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Set in modern-day Washington, D.C., Requiem for the Devil depicts the end of the Devil's ten-billion-year career. For the first time in his existence, Lucifer falls in love, and this event threatens to transform his identity and perhaps even his destiny. Gianna O'Keefe is the woman who drags him out of his ancient despair and points him toward possible salvation. Yet Lucifer's path from evil is neither straight nor smooth. Pursuing love means betraying his fellow fallen angels, the loyal friends who once followed him to damnation. Divine and infernal forces seem to conspire against his and Gianna's union. Lucifer's empire crumbles around him as he dares to defy the natural order and question his fate.
The Mercenary Librarians and the Silver Devils are back in The Devil You Know, the next installment of USA Today and New York Times bestselling author Kit Rocha’s post-apocalyptic action/romance, with hints of Orphan Black and the Avengers Maya has had a price on her head from the day she escaped the TechCorps. Genetically engineered for genius and trained for revolution, there’s only one thing she can’t do—forget. Gray has finally broken free of the Protectorate, but he can’t escape the time bomb in his head. His body is rejecting his modifications, and his months are numbered. When Maya’s team uncovers an operation trading in genetically enhanced children, she’ll do anything to stop them. Even risk falling back into the hands of the TechCorps. And Gray has found a purpose for his final days: keeping Maya safe. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
I was born with noble blood in my veins. Heir to a powerful dynasty. Wealth. Power. Aristocracy. Temptations too dangerous to resist. Until someone tried to steal it all. Scarred and broken, I emerged from the flames. Now I’ve returned to take what’s mine. Revenge. The first item on my agenda? Make Ivy Moreno my wife. Second? Bend her until she breaks. Includes: mafia romance, dark mafia romance with a happy ending, alpha hero, billionaire romance, possessive hero, Natasha Knight books, Arranged marriage mafia romance, happily ever after dark romance, secret society
An account of a Jewish girl coming to terms with herself
When Peter Parker was bitten by a radioactive spider, he became much more than the shy, introverted high school student he had always been. Now possessed of the proportionate strength, speed, and agility of a spider, he sought to use his newfound abilities to achieve wealth and fame. But after his beloved Uncle Ben was murdered, the grief-stricken youth soon realized that with great power comes great responsibility. Now Peter wages a one-man crusade against crime...in the costumed identity of the amazing Spider-Man!
From the New York Times bestselling author of You Should Have Known and Admission, a twisty new novel about a college president, a baffling student protest, and some of the most hot-button issues on today's college campuses. Naomi Roth is the first female president of Webster College, a once conservative school now known for producing fired-up, progressive graduates. So Naomi isn't surprised or unduly alarmed when Webster students begin the fall semester with an outdoor encampment around "The Stump"-a traditional campus gathering place for generations of student activists-to protest a popular professor's denial of tenure. A former student radical herself, Naomi admires the protestors' passion, especially when her own daughter, Hannah, joins their ranks. Then Omar Khayal, a charismatic Palestinian student with a devastating personal history, emerges as the group's leader, and the demonstration begins to consume Naomi's life, destabilizing Webster College from the inside out. As the crisis slips beyond her control, Naomi must take increasingly desperate measures to protect her friends, colleagues, and family from an unknowable adversary. Touching on some of the most topical and controversial concerns at the heart of our society, this riveting novel examines the fragility that lies behind who we think we are-and what we think we believe.
John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
We are largely defined by how we face our fears. A boy goes on a melancholy, often terrifying but ultimately life-affirming journey of self-discovery as a stockman in far North Queensland. In an exquisitely illustrated collage of memory and dreamscape, nightmare and cold reality, Matt Ottley fuses the moral choices of the individual with the demands of society. In this stirring adventure, the boy confronts a huge, rogue Brahmin bull and learns he must acknowledge the errors of the past before he can fully embrace the future. The graphic novel includes a CD and music specially composed for it by the author/illustrator.
When Dr. Brownes partner retires, his practice is taken over by Dr. Forbes Q. Hazzig, who becomes a zealot for a managed care revolution of marketplace medicine. Browne and his associate Dr. Kennes receive irrational, discordant information from healthcare experts, consultants and economists. Browne learns that rhetoric of a mass movement must be as erroneous as possible promising a vague, glorious future. Hazzig grows immensely rich and gains enormous power relying on intimidation and coercion. Joanna Brownes exhibition of J.M.W. Turner becomes a thrilling success, yet Hazzigs wife succeeds in eliminating Joannas position at East Valley Museum of Art. Joanna must accept a position at a distant university; her absence devastates Browne. Browne and Kennes discover managed care was based on a Washington bureau hoax, the health maintenance strategy of 1973: an irrational mass movement, a mass hysteria. Hazzig plots to humiliate and ruin the two doctors; each threat goes awry. Hazzig is discredited; his illusory wealth collapses. Reunited with Joanna, Dr. Browne receives a disturbing invitation to return to East Valley to be recognized with Dr. Kennes for their efforts to expose the folly of managed care. Browne is reluctant to relive his lonely, troubled, distressed past.