Download Free Requiem For Revolution Book in PDF and EPUB Free Download. You can read online Requiem For Revolution and write the review.

An examination of the Brazilian revolution of 1964 which was not the revolutionary effort that Kennedy had sought. Yet it bore an American, anti-communist imprint. When the president was overthrown, Washington embraced the new regime and gave generous support throughout the 1960s.
Requiem for a Lost City shows us the reality of Civil War Atlanta from the eve of secession to the memorials for the fallen, through the memories of a participant. Sallie Clayton would have been the same age as the fictional Scarlett O'Hara during the Civil War. Sallie Clayton's memoirs, however, are not a work of fiction but bittersweet reminiscences of growing up in a doomed city in the midst of losing a war. Although her memoirs provide invaluable detail on Civil War Atlanta, they also tell of her personal experiences on a plantation in Montgomery, Alabama, and in postwar Augusta and Athens. Sallie Clayton belonged to one of Georgia's wealthiest and most prominent families. Her memoirs are colored by the losses suffered by her family. Robert Davis's introduction to this work illustrates the background of the Claytons, Sallie's writings, and Civil War Atlanta, providing a balanced account of life at "the crossroads of the Confederacy." The introduction also provides a corrective to the popular, Gone With the Wind view of Civil War Atlanta.
Between the French Indochina war of the fifties and the fall of Phnom Penn and Saigon in 1975, 134 photographers from different nations were killed. Horst Faas, two-times Pullitzer Prize winner and Chief Photographer for The Associated Press in Saigon at the height of the war, and Tim Page, another veteran who had been badly wounded, have gathered many thousands of photos from the Western agencies and from archives in Hanoi and Ho Chi Minh City. These have now been assembled to form both a monument to the dead and a record of the most terrifying war photography ever taken. Never again will the media have the kind of access to the war zone that was offered to the photographers in Vietnam. In many cases the photographers tried to get as close as possible, then paid the price.
"The Syrian crisis is not over yet but the period of full-fledged civil war in that country appears to be drawing to a close, and it is now possible to view this calamity with some perspective. This short book will address the following questions about the conflict: How and why did quiet demonstrations in Southern Syria develop into a brutal civil war? Why did the political opposition to the regime of Bashar al-Assad remain weak and divided? How did radical Jihadi Islamists take over the main military opposition to the Syrian regime? How did the Syrian conflict become a main arena of the Saudi-Iranian regional rivalry? What explains the ambivalent Western attitude towards the Syrian rebellion? How did US policy under the Obama administration evolve and why did both Obama and Trump decide not to make a major investment in it? How stable is the status quo? And how could the conflict re-erupt in a different form? According to Rabinovitch, the Syrian regime and its supporters (including the Russians and the Iranians) have indeed emerged as victors, but it's a limited victory at best. The Syrian state under Assad controls only about 60 percent of the national territory and the potential for renewed violence is considerable. Assad's continued survival has come at the cost of deep dependency on Iran and Russia; his is now, arguably, a vassal state. This means that the country will remain in crisis for the foreseeable future, even if the full-scale civil war phase has come to an end. In his last chapter, Rabinovich will recommend policy options for the U.S"--
Tribal leaders in opposition to the government, the corruption of occupation, society torn apart by shifting political loyalties... this is the background to one woman's powerful story. A Persian Requiem is a powerful and evocative novel. Set in the southern Persian town of Shiraz in the last years of World War II, when the British army occupied the south of Persia, the novel chronicles the life of Zari, a traditional, anxious and superstitious woman whose husband, sef, is an idealistic feudal landlord. The occupying army upsets the balance of traditional life and throws the local people into conflict. sef is anxious to protect those who depend upon him and will stop at nothing to do so. His brother, on the other hand, thinks nothing of exploiting his kinsmen to further his own political ambitions. Thus a web of political intrigue and hostilities is created, which slowly destroys families. In the background, tribal leaders are in open rebellion against the government, and a picture of a society torn apart by unrest emerges. In the midst of this turbulence, normal life carries on in the beautiful courtyard of Zari's house, in the rituals she imposes upon herself and in her attempt to keep the family safe from external events. But the corruption engendered by occupation is pervasive - some try to profit as much as possible from it, others look towards communism for hope, whilst yet others resort to opium. Finally even Zari's attempts to maintain normal family life are shattered as disaster strikes. An immensely moving story, A Persian Requiem is also a powerful indictment of the corrupting effects of colonization. A Persian Requiem (first published in 1969 in Iran under the title Savushun), was the first novel written by an Iranian woman and, sixteen reprints and half a million copies later, it remains the most widely read Persian novel. In Iran it has helped shape the ideas and attitudes of a generation in its revelation of the factors that contributed to the Islamic Revolution in 1979. Simin Daneshvar's A Persian Requiem ... goes a long way towards deepening our understanding of Islam and the events leading up to the 1979 Revolution ... The central characters adroitly reflect different Persian attitudes of the time, attitudes that were eventually to harden into support for either the Ayatollah and his Islamic fundamentalism or, alternatively, for the corrupting Westernisation of the Shah. The value of the book lies in its ability to present these emergent struggles in human terms, in the day-to-day realities of small-town life ... Complex and delicately crafted, this subtle and ironic book unites reader and writer in the knowledge that human weakness, fanaticism, love and terror are not confined to any one creed. The Financial Times A Persian Requiem is not just a great Iranian novel, but a world classic. The Independent on Sunday ... it would be no exaggeration to say that all of Iranian life is there. Spare Rib For an English reader, there is almost an embarrassment of new settings, themes and ideas ... Under the guise of something resembling a family saga - although the period covered is only a few months - A Persian Requiem teaches many lessons about a society little understood in the West. Rachel Billington, The Tablet This very human novel avoids ideological cant while revealing complex political insights, particularly in light of the 1979 Iranian revolution. Publishers Weekly A Persian Requiem, originally published [in Iran] in 1969, was a first novel by Iran's first woman novelist. It has seen sixteen reprints, sold over half a million copies, and achieved the status of a classic, literally shaping the ideas of a generation. Yet when asked about the specific appeal of the novel, most readers are at a loss to pinpoint a single, or even prominent aspect to account for this phenomenal success. Is it the uniquely feminine perspective, allowing the read
Say “the Sixties” and the images start coming, images of a time when all authority was defied and millions of young Americans thought they could change the world—either through music, drugs, and universal love or by “putting their bodies on the line” against injustice and war. Todd Gitlin, the highly regarded writer, media critic, and professor of sociology at the University of California, Berkeley, has written an authoritative and compelling account of this supercharged decade—a decade he helped shape as an early president of Students for a Democratic Society (SDS) and an organizer of the first national demonstration against the Vietnam war. Part critical history, part personal memoir, part celebration, and part meditation, this critically acclaimed work resurrects a generation on all its glory and tragedy.
This long-promised sequel to Ophuls’s influential and controversial classic Ecology and the Politics of Scarcity is an equally provocative critique of the liberal philosophy of government. Ophuls contends that the modern political paradigm—that is, the body of political concepts and beliefs bequeathed to us by the Enlightenment—is no longer intellectually tenable or practically viable. Our attempt to live individualistically, hedonistically, and rationally has failed utterly, causing a comprehensive crisis that is at once political, military, economic, ecological, ethical, psychological, and spiritual. Liberal politics has abandoned virtue, rejected community, and flouted nature, thereby becoming the author of its own demise. By exposing the intrinsically contradictory and self-destructive character of Hobbesian political systems, Ophuls subverts our conventional wisdom at every turn. Indeed, his impassioned text reads more like a Greek tragedy than a conventional political argument. He critiques feminism, multiculturalism, the welfare state, and a host of other “liberal” shibboleths—but Ophuls is not yet another neoconservative. The aim of his thesis is far more radical and progressive, offering a political vision that entirely transcends the categories of liberal thought. His is a Thoreauvian vision of a “politics of consciousness” rooted in ecology as the moral and intellectual basis for governance in the twenty-first century. Ophuls holds that a polity based on a renewed erotic connection with nature offers a genuine solution to this crisis of contemporary civilization and that only within such a polity will it be possible to fulfill the worthy liberal goal of individual self-development. Ophuls’s work will interest and challenge a wide spectrum of readers, though it will not necessarily be well liked or easily accepted. No one will put down this book with his or her settled convictions about American culture intact, nor will readers ever again take modern civilization and its survival for granted.
First Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.