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November 1942. From battlefront New Guinea, war correspondent Pat Kinnane lands in Brisbane, General MacArthur’s Headquarters, and finds himself in another kind of war. Amid serious Allied tension, with his guide Kay Dalberg, a smart, political young woman, over nine days he liases with operational US military, befriends a desperate Kokoda veteran, edges into a complicated love triangle and is witness to the mysterious death of a soldier. The crucial personal issues of his visit reach their climax on the sultry evening of the 26th, American Thanksgiving Day, when the city’s discords boil over into the fatal street riot known to history as The Battle of Brisbane.
NAACP Image Award Nominee for Outstanding Literary Work - Non-Fiction A Kirkus Reviews Best Book of The Year With journalistic skill, heart, and hope, Requiem for the Massacre reckons with the tension in Tulsa, Oklahoma, one hundred years after the most infamous act of racial violence in American history More than one hundred years ago, the city of Tulsa, Oklahoma, perpetrated a massacre against its Black residents. For generations, the true story was ignored, covered up, and diminished by those in power and in a position to preserve the status quo. Blending memoir and immersive journalism, RJ Young shows how, today, Tulsa combats its racist past while remaining all too tolerant of racial injustice. Requiem for the Massacre is a cultural excavation of Tulsa one hundred years after one of the worst acts of domestic terrorism in U.S. history. Young focuses on unearthing the narrative surrounding previously all-Black Greenwood district while challenging an apocryphal narrative that includes so-called Black Wall Street, Booker T. Washington, and Black exceptionalism. Young provides a firsthand account of the centennial events commemorating Tulsa's darkest day as the city attempts to reckon with its self-image, commercialization of its atrocity, and the aftermath of the massacre that shows how things have changed and how they have stayed woefully the same. As Tulsa and the United States head into the next one hundred years, Young’s own reflections thread together the stories of a community and a nation trying to heal and trying to hope.
Blackmailed by a rogue CIA operative to carry out three assassinations or see his best friend murdered, reluctant killer-for-hire John Rain struggles with numerous moral dilemmas as well as his growing certainty that the operative is hiding a more sinister agenda. 125,000 first printing.
"Up Against the Real is an exciting book about anti-art in the Sixties. It is the first comprehensive study of the group Black Mask and their acrimonious relationship to the New York art world in that decade. Now cited as originators of the protest aesthetics common today, Black Mask employed incendiary modes of direct action against racism, colonialism, and the museum system. They forced their way into the Pentagon during a political protest, threw rotten eggs and blood at Secretary of State Dean Rusk, dumped garbage into the fountain at Lincoln Center during a gala at the Metropolitan Opera, published a broadside, made films, tormented Andy Warhol, and much more, all covered in Nadja Millner-Larsen's book. Black Mask is an important example of the kind of organized art activism in the middle of this century. The group was active until 1968, when it went underground and changed its name to Up Against the Wall Motherfuckers (after a poem by Amiri Baraki). Its activities and strategies influenced the Black Arts Movement and the Art Workers' Coalition, which took over and trashed the Museum of Modern Art. Abbie Hoffman described the group in its second manifestation, Up Against the WallMF, as "the middle-class nightmare....an anti-media media phenomenon simply because their name could not be printed.""--
Requiem for a Lost City shows us the reality of Civil War Atlanta from the eve of secession to the memorials for the fallen, through the memories of a participant. Sallie Clayton would have been the same age as the fictional Scarlett O'Hara during the Civil War. Sallie Clayton's memoirs, however, are not a work of fiction but bittersweet reminiscences of growing up in a doomed city in the midst of losing a war. Although her memoirs provide invaluable detail on Civil War Atlanta, they also tell of her personal experiences on a plantation in Montgomery, Alabama, and in postwar Augusta and Athens. Sallie Clayton belonged to one of Georgia's wealthiest and most prominent families. Her memoirs are colored by the losses suffered by her family. Robert Davis's introduction to this work illustrates the background of the Claytons, Sallie's writings, and Civil War Atlanta, providing a balanced account of life at "the crossroads of the Confederacy." The introduction also provides a corrective to the popular, Gone With the Wind view of Civil War Atlanta.
When Joe "Torchy" Torchia, the last of Sacramento's legendary great gamblers, died in a hail of bullets in 1970, an era died with him. In his day, "The Torch" was many things to many people. To the denizens of the back rooms and back alleys of Sacramento, he was a shrewd bet maker and bookie. To the tax collectors, he was a scofflaw who perpetually evaded their grasp. To the casino owners of Lake Tahoe, he was a high roller to be put up in high style. To patrons of his Buggy Whip Restaurant, he was an affable host who knew good food and good times. To his female admirers, he was a smooth-talking sharp dresser with looks to die for. To his children and step-children, he was an affectionate and indulgent father. To many observers, he was an embodiment of the American dream-a son of Italian immigrants who ended up in a manor house, complete with acreage and horse stables. To scores of Sacremento's social throw-aways, he was a generous benefactor whose anonymous gifts always came at unexpected times and places. To the police, he was-and is-a cold case file. But to Tony Tripodi, Joe Torchia was only one thing: his big brother. Here, in a unique blend of childhood adoration tempered with adult perspective, the author tells the story of Torchy's life and death. It is the story of a man who defied simplistic characterization-a man the likes of which Sacramento will not see again.
The history of the modern riot parallels the development of the modern novel and the modern lyric. Yet there has been no sustained attempt to trace or theorize the various ways writers over time and in different contexts have shaped cultural perceptions of the riot as a distinctive form of political and social expression. Through a focus on questions of voice, massing, and mediation, this collection is the first cross-cultural study of the interrelatedness of a prevalent mode of political and economic protest and the variable styles of writing that riots inspired. This volume will provide historical depth and cultural nuance, as well as examine more recent theoretical attempts to understand the resurgence of rioting in a time of unprecedented global uncertainty. One of the key contentions of this collection is that literature has done more than merely record riotous practices. Rather literature has, in variable ways, used them as raw material to stimulate and accelerate its own formal development and critical responsiveness. For some writers this has manifested in a move away from classical norms of propriety and accord, and toward a more openly contingent, chaotic, and unpredictable scenography and cast of dramatis personae, while others have moved towards narrative realism or, more recently, digital media platforms to manifest the crises that riots unleash. Keenly attuned to these formal variations, the essays in this collection analyse literature's fraught dialogue with the histories of violence that are bound up in the riot as an inherently volatile form of collective action.
Longlisted for the Reading the West Book Awards NAACP Image Award Nominee for Outstanding Literary Work - Non-Fiction With journalistic skill, heart, and hope, Requiem for the Massacre reckons with the tension in Tulsa, Oklahoma, one hundred years after the most infamous act of racial violence in American history More than one hundred years ago, the city of Tulsa, Oklahoma, perpetrated a massacre against its Black residents. For generations, the true story was ignored, covered up, and diminished by those in power and in a position to preserve the status quo. Blending memoir and immersive journalism, RJ Young shows how, today, Tulsa combats its racist past while remaining all too tolerant of racial injustice. Requiem for the Massacre is a cultural excavation of Tulsa one hundred years after one of the worst acts of domestic terrorism in U.S. history. Young focuses on unearthing the narrative surrounding previously all-Black Greenwood district while challenging an apocryphal narrative that includes so-called Black Wall Street, Booker T. Washington, and Black exceptionalism. Young provides a firsthand account of the centennial events commemorating Tulsa's darkest day as the city attempts to reckon with its self-image, commercialization of its atrocity, and the aftermath of the massacre that shows how things have changed and how they have stayed woefully the same. As Tulsa and the United States head into the next one hundred years, Young’s own reflections thread together the stories of a community and a nation trying to heal and trying to hope.
This collection brings together a wide array of writings on Canadian immigrant history, including many highly regarded, influential essays. Though most of the chapters have been previously published, the editors have also commissioned original contributions on understudied topics in the field. The readings highlight the social history of immigrants, their pre-migration traditions as well as migration strategies and Canadian experiences, their work and family worlds, and their political, cultural, and community lives. They explore the public display of ethno-religious rituals, race riots, and union protests; the quasi-private worlds of all-male boarding-houses and of female domestics toiling in isolated workplaces; and the intrusive power that government and even well-intentioned social reformers have wielded over immigrants deemed dangerous or otherwise in need of supervision. Organized partly chronologically and largely by theme, the topical sections will offer students a glimpse into Canada's complex immigrant past. In order to facilitate classroom discussion, each section contains an introduction that contextualizes the readings and raises some questions for debate. A Nation of Immigrants will be useful both in specialized courses in Canadian immigration history and in courses on broader themes in Canadian history.
An examination of the Brazilian revolution of 1964 which was not the revolutionary effort that Kennedy had sought. Yet it bore an American, anti-communist imprint. When the president was overthrown, Washington embraced the new regime and gave generous support throughout the 1960s.