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Arguing that several aspects of masculinity are in fact ideals rather than realities, created and reinforced by the mass media, Kenneth MacKinnon alerts readers to the processes and purposes of such media representations and blatant manipulation.
Representing Black Men focuses on gender, race and representation in the literary and cultural work of black men.
This innovative collection addresses a challenging issue in contemporary feminist theory and practice: whether - and how - we should represent members of groups to which we do not ourselves belong. The discussions identify key concerns related to representation and difference. Contributors draw on personal experiences of speaking for' and about' Others in their research, professional practice, writing or political activism. Problems of representing Others with ethnic or cultural backgrounds different from one's own are highlighted, and the discussions extend to representations of children, prostitutes, infertile women, fat' women, gay men with HIV/AIDS and people with disabilities.
Covers wide range of popular British and American fiction and film including Westerns, spy fiction, science fiction and crime narratives.
This book looks at a wide range of fiction and film texts, from the 1950s to the present, in order to analyse the ways in which masculinity has been represented in popular culture in Britain and the United States. It covers numerous genres, including spy fiction, science fiction, the Western and police thrillers. Each chapter focuses on key forms of masculinity found in each genre, such as the 'double agent', the 'rogue cop' and the 'citizen-soldier'. Brian Baker takes a broad, contextual approach, placing a detailed discussion of key texts and issues concerning masculinity in their historical and cultural context. Written in a clear, accessible way, it explores the changing representation of men over the last fifty years.
This is the second of a three-volume comprehensive reference work on “Gender across Languages”, which provides systematic descriptions of various categories of gender (grammatical, lexical, referential, social) in 30 languages of diverse genetic, typological and socio-cultural backgrounds. Among the issues discussed for each language are the following: What are the structural properties of the language that have an impact on the relations between language and gender? What are the consequences for areas such as agreement, pronominalisation and word-formation? How is specification of and abstraction from (referential) gender achieved in a language? Is empirical evidence available for the assumption that masculine/male expressions are interpreted as generics? Can tendencies of variation and change be observed, and have alternatives been proposed for a more equal linguistic treatment of women and men? This volume (and the previous two volumes) will provide the much-needed basis for explicitly comparative analyses of gender across languages. All chapters are original contributions and follow a common general outline developed by the editors. The book contains rich bibliographical and indexical material.Languages of Volume 2: Chinese, Dutch, Finnish, Hindi, Icelandic, Italian, Norwegian, Spanish, Vietnamese, Welsh.
Image and Representation is a clear and straight-talking introduction to two of the most important concepts in film and media studies. Exploring media language and representation throughout a variety of visual texts, the book offers a balanced, in-depth guide to the essential theories and key issues. The book begins by introducing the basic components of image analysis, including mise en scene, framing and anchorage. It then elaborates on these key ideas to provide the reader with a more advanced understanding of media language and representation. From the contribution of semiotics and debates around authorial intent, to ideas about hegemony and issues around propaganda, Nick Lacey offers approachable explanations of complex ideas and terms. The new edition is also now updated to reflect recent changes in the field, with particular attention paid to new media technologies. Each chapter is packed with memorable examples from a wider range of media and provides greater global perspective on today's media landscape. Gradually building up the reader's knowledge to encourage independent thinking, this is an essential resource for students taking courses in media, cultural, communication and film studies at school, college or university.
Continuity and change have been major concerns of the social and behavioral sciences -- in the study of human development and in the study of processes that unfold in various ways across time. There has been a veritable explosion of techniques for studying change over time which have fundamentally changed how we need to think of and study change. Unfortunately, many of the old precepts and beliefs are still among us. The field of methodology for the study of change is itself ready to change. Recently, there have been many analytic and conceptual developments questioning our cherished beliefs about the study of change. As such, how are individuals to think about issues and correctly analyze change? The chapters in this volume address these issues. Divided into two sections, this book deals with designs that analyze change in multiple subjects, and with change in single subjects and an interacting system. Papers presented in this volume are accessible to scientists who are not methodologists. The character of the papers are more like primers than basic treatises on methodology, written for other methodologists. It is time that people stop thinking in rigid ways about how to study change and be introduced to a range of many possibilities. Change, stability, order and chaos are elusive concepts. The pursuit of the laws of change must be approached in as flexible and creative a fashion as possible. This book should help to lead the way.
The Poetics of Aristotle is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry". In this reflections Aristotle includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry. The similarities and differences are being described in this work.