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Representation is puzzling. Physical events in our heads andsounds inour mouths come to be 'about' the worldaround us, equipping us to think and talk about anything fromthe mostfundamentalregularities in the universe to trivial matters of gossip.InThe Metaphysics of Representation, Robert Williams tells a story about how representational properties arise out of a fundamentally non-representational world. The representational properties of language are reduced, via convention, to the representational properties of thoughts. The representational properties of thoughts are reduced, via principles of rationalization, to the representational properties of perception and intention. This most fundamental layer of representation is grounded in the functions these structures have to cause and be caused by events in the world. Williams integrates work from rival traditions to present a combined perspective in the metaphysics of representation, gives new predictions and explanations of representational phenomena, and offers new solutions to long-standing problems.
In this classic work, Anthony W. Knapp offers a survey of representation theory of semisimple Lie groups in a way that reflects the spirit of the subject and corresponds to the natural learning process. This book is a model of exposition and an invaluable resource for both graduate students and researchers. Although theorems are always stated precisely, many illustrative examples or classes of examples are given. To support this unique approach, the author includes for the reader a useful 300-item bibliography and an extensive section of notes.
Elizabeth Helsinger's iconoclastic book explores the peculiar power of rural England to stand for conflicting ideas of Britain. Despite the nostalgic appeal of Constable's or Tennyson's rural scenes, they record the severe social and economic disturbances of the turbulent years after Waterloo. Artists and writers like Cobbett, Clare, Turner, Emily Brontë, and George Eliot competed to claim the English countryside as ideological ground. No image of rural life produced consensus over the great questions: who should constitute the nation, and how should they be represented? Helsinger ponders how some images of rural life and land come to serve as national metaphors while others challenge their constructions of Englishness at the heart of the British Empire. Drawing on recent work in social history, nationalism, and geography, as well as the visual and literary arts, Helsinger recovers other possible and alternative readings of social ties embedded in the imagery of land. She reflects on the power of rural images to transfer local loyalties to the national scene, first popularizing then institutionalizing them. By turning a critical gaze on these scenes, she comments on the difference between art and ideology, and the problems and dangers of asserting any kind of national identity through imagery of the land. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Salomania and the Representation of Race and Gender in Modern Erotic Dance situates the 1908 dance craze, which The New York Times called “Salomania,” as a crucial event and a turning point in the history of the modern business of erotic dance. Framing Salomania with reference to imperial ideologies of motherhood and race, it works toward better understanding the increasing value of the display of the undressed female body in the 19th and early 20th centuries. This study turns critical attention to cultures of maternity in the late 19th century, primarily with reference to the ways in which women are defined in relation to their genitals as patriarchal property and space and are valued according to reproduction as their primary labour. Erotic dance as it takes shape in the modern representation of Salome insists both that the mother is and is not visible in the body of the dancer, a contradiction this study characterizes as reproductive fetishism. Looking at a range of media, the study traces the modern figure of Salome through visual art, writing, early psychoanalysis and dance, from "hootchie kootch" to the performances dancer Maud Allan called “mimeo-dramatic” to mid-20th-century North American films such as Billy Wilder's Sunset Boulevard and Charles Lamont's Salome, Where She Danced to the 21st-century HBO series The Sopranos.
The concept of political representation has expanded beyond the classical relationship between representative and the represented to encompass advocacy, group identities, non-human voices, future generations, non-democratic systems, symbols, virtual representation and broader interests. As such, literature on political representation stems from a wide range of viewpoints and scholarly traditions, with different norms and assumptions built in. This volume aims to map and critique the 'edges' of political representation. By moving from a discussion in the classical electoral literature through feminist perspectives to different levels of representation, different understandings of who is represented and onto empirical studies of symbolic and virtual representation through participation, the contributions in this book provide a nuanced assessment while also presenting future avenues for research that go beyond the mainstream of research on political representation. Taken together, the chapters provide a wide vista of political representation across several sub-disciplines in political science (political theory, political philosophy, party politics, electoral politics, feminism, European politics, minority politics, online governance etc.), and also open up new research avenues through a thorough investigation and critique of political representation in scholarship.
Since 1997 Representation has been the go-to textbook for students learning the tools to question and critically analyze media texts and images. This long-awaited third edition has been updated throughout to engage with the impact of digital technology and culture, and the changes in political culture, social movements and the cultural industries. The new edition includes: A new preface by Sean Nixon, focusing on digital media, and theories of representation. A new Afterword by Kobena Mercer to Stuart Hall’s classic chapter on ‘The Spectacle of the Other’ Revised chapters with additional content on digital media, de-westernising culture, imperialism and BLM, and new readings tying contemporary issues of race, gender and power A new chapter by Nancy Thumim exploring digital forms of self-representation and representation in/of Politics, looking at media spectacle, political imagery, the Me Too movement and Black Lives Matter. The Third Edition provides an indispensable resource for students and teachers in cultural and media studies.
Handbook of Knowledge Representation describes the essential foundations of Knowledge Representation, which lies at the core of Artificial Intelligence (AI). The book provides an up-to-date review of twenty-five key topics in knowledge representation, written by the leaders of each field. It includes a tutorial background and cutting-edge developments, as well as applications of Knowledge Representation in a variety of AI systems. This handbook is organized into three parts. Part I deals with general methods in Knowledge Representation and reasoning and covers such topics as classical logic in Knowledge Representation; satisfiability solvers; description logics; constraint programming; conceptual graphs; nonmonotonic reasoning; model-based problem solving; and Bayesian networks. Part II focuses on classes of knowledge and specialized representations, with chapters on temporal representation and reasoning; spatial and physical reasoning; reasoning about knowledge and belief; temporal action logics; and nonmonotonic causal logic. Part III discusses Knowledge Representation in applications such as question answering; the semantic web; automated planning; cognitive robotics; multi-agent systems; and knowledge engineering. This book is an essential resource for graduate students, researchers, and practitioners in knowledge representation and AI. * Make your computer smarter* Handle qualitative and uncertain information* Improve computational tractability to solve your problems easily