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The Trials of a Scold, by American Book Award-winning author Jeff Biggers, is a well-researched and passionate biography of Anne Royall, one of America's first female muckrakers, who was convicted as a "common scold" in 1829 in one of the most bizarre trials in the nation's history. Anne Royall was an American original, a stranger to fear, and one of the nation's most daring, impassioned, and indomitable social critics. A servant in the house of the man she would later marry, Royall read constantly and pursued an education that few women at that time had access to. When fifteen years later she was left widowed and destitute after her husband's family declared their marriage invalid, she turned to her writing, and to her political interests. Travelling from Alabama to Washington DC to Pennsylvania, Royall was a fiercely dedicated journalist. Her tenacity earned her the first presidential interview ever granted to a woman, but she acquired enemies for her scathing denouncement of the increasingly blurry lines between church and state. Royall's pioneering role as a chronicler, publisher, muckraker, and social commentator brought to light the timeless issues that still define the great American experience: religion and politics.
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The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.