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Excerpts from original newspaper and magazine reports, radio transcripts, and wartime books document the buildup to World War II and the first years of fighting, from 1938 to 1946. Includes biographical notes and photographs of the correspondents.
This Library of America volume is the first of a unique two-volume anthology. Drawn from original newspaper and magazine reports, radio transcripts, and wartime books, Reporting World War II captures the intensity of the war’s unfolding drama as recorded by the best of a remarkable generation of journalists, whose talents, sense of purpose, and physical courage remain unsurpassed in the annals of war reporting. Here in one collection, over eighty writers, famous and forgotten alike, confront the crucial events of those years in writing of exceptional skill and emotional force. The first volume traces the buildup to war and the first years of fighting: the Munich crisis, Kristallnacht, the fall of Poland and France, Pearl Harbor and Bataan, Guadalcanal and Salerno. William L. Shirer, Sigrid Schulz, and Howard K. Smith observe Nazi Germany from the inside; Edward R. Murrow and Ernie Pyle report from London during the Blitz; A.J. Liebling chronicles the Tunisian campaign; Margaret Bourke-White casts her eye on the Russian and Italian fronts. In a time when public perceptions were shaped mainly by the written word, correspondents like these were often as influential as politicians and as celebrated as movie stars. Writers who covered the home front are included as well: E.B. White at a bond rally in Maine, Brendan Gill on gas rationing, James Agee’s caustic reviews of Hollywood war movies. And so are the famous literary figures who covered the war: Gertrude Stein in occupied France, John Steinbeck on a troopship bound for Italy. Here too are writers on aspects of the war still often neglected: George S. Schuyler and other African-American journalists attacking racism and segregation in the armed forces; Mary Heaton Vorse on the women working in the defense industries; a firsthand account of the internment of Japanese-Americans. This volume contains a detailed chronology of the war, historical maps, biographical profiles of the journalists, explanatory notes, a glossary of military terms, and an index. Also included are thirty-two pages of photographs of the correspondents, many from private collections and never seen before. A companion volume covers 1944–1946. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Includes indexes. Part 2 American journalism 1969-1975.
A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”
The classic account of the lead-up to World War I, told with “a rare combination of impeccable scholarship and literary polish” (The New York Times)—from the Pulitzer Prize–winning author of The Guns of August During the fateful quarter century leading up to World War I, the climax of a century of rapid, unprecedented change, a privileged few enjoyed Olympian luxury as the underclass was “heaving in its pain, its power, and its hate.” In The Proud Tower, Barbara W. Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close. The Proud Tower, The Guns of August, and The Zimmermann Telegram comprise Barbara W. Tuchman’s classic histories of the First World War era.
An indispensable tool for high-schoolers, undergraduates, or even amateur enthusiasts, Writing World War II teaches the craft of history writing—by example. In a series of thoughtful essays, Sylvie Murray examines American involvement in World War II and how it has subsequently been portrayed by historians. Murray addresses three broad topics—the prelude to war, the war effort on the home front, and the atypical experiences of soldiers—in an effort to recapture the mixed emotions of the time and the larger forces shaping public opinion. Her work challenges the traditional notions of "the greatest generation" and "the good war," and explores viewpoints that have been largely ignored in popular retellings. The book serves a dual purpose, critiquing the approaches of various historians while at the same time offering Murray's own writing as a model for constructing a persuasive essay. But as Murray is rightly critical of one-sided historical arguments, Writing World War II offers another layer of analysis and instruction throughout. At various points in the book, her fellow historian Robert D. Johnston chimes in to assess Murray's prose, demystifying her techniques while helping you to become more critical of all sorts of historical writing—including your own.
The story of legendary American journalist William L. Shirer and how his first-hand reporting on the rise of the Nazis and on World War II brought the devastation alive for millions of Americans When William L. Shirer started up the Berlin bureau of Edward R. Murrow's CBS News in the 1930s, he quickly became the most trusted reporter in all of Europe. Shirer hit the streets to talk to both the everyman and the disenfranchised, yet he gained the trust of the Nazi elite and through these contacts obtained a unique perspective of the party's rise to power. Unlike some of his esteemed colleagues, he did not fall for Nazi propaganda and warned early of the consequences if the Third Reich was not stopped. When the Germans swept into Austria in 1938 Shirer was the only American reporter in Vienna, and he broadcast an eyewitness account of the annexation. In 1940 he was embedded with the invading German army as it stormed into France and occupied Paris. The Nazis insisted that the armistice be reported through their channels, yet Shirer managed to circumvent the German censors and again provided the only live eyewitness account. His notoriety grew inside the Gestapo, who began to build a charge of espionage against him. His life at risk, Shirer had to escape from Berlin early in the war. When he returned in 1946 to cover the Nuremberg trials, Shirer had seen the full arc of the Nazi menace. It was that experience that inspired him to write The Rise and Fall of the Third Reich—the magisterial, definitive history of the most brutal ten years the modern world had known—which has sold millions of copies and has become a classic. Drawing on never-before-seen journals and letters from Shirer's time in Germany, award-winning reporter Steve Wick brings to life the maverick journalist as he watched history unfold and first shared it with the world.
The Library of America presents “the first truly dependable collection of Poe’s poetry and tales”—featuring well-known works like ‘The Raven’ and ‘The Fall of the House of Usher’, plus a selection of rarely published writings (New York Review of Books). Edgar Allan Poe’s poetry is famous both for the musicality of “To Helen” and “The City in the Sea” and for the hypnotic, incantatory rhythms of “The Raven” and “Ulalume.” “The Fall of the House of Usher” and “The Cask of Amontillado” show his mastery of Gothic horror; “The Pit and the Pendulum” is a classic of terror and suspense. Poe invented the modern detective story in “The Murders in the Rue Morgue,” and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon. Poe was also adept at the humorous sketch of playful jeu d'esprit, such as “X-ing a Paragraph” or “Never Bet the Devil Your Head.” All his stories reveal his high regard for technical proficiency and for what he called “rationation.” Poe’s fugitive early poems, stories rarely collected (such as “Bon-Bon,” “King Pest,” “Mystification,” and “The Duc De L'Omelette”), his only attempt at drama, “Politian”—these and much more are included in this comprehensive collection, presented chronologically to show Poe’s development toward Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand. A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe’s own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America’s and the world's most disturbing, powerful, and inventive writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
In this Library of America volume are the best and most enduring works of Harriet Beecher Stowe, “the little woman,” as Abraham Lincoln said when he met her in 1861, “who wrote the book that made this great war.” He was referring, with rueful exaggeration, to Uncle Tom’s Cabin (1852), which during its first year had sold over 300,000 copies. Contemporary readers can still appreciate the powerful effects of its melodramatic characterizations and its unapologetic sentimentality. They can also recognize in its treatment of racial violence some of the brooding imagination and realism that anticipates Faulkner’s rendering of the same theme. Stowe was charged with exaggerating the evils of slavery, but her stay in Cincinnati, Ohio, where her father (the formidable Lyman Beecher, head of the Lane Theological Seminary) gave her a close look at the miseries of the slave communities across the Ohio River. People in her circle of friends were continually harboring slaves who escaped across the river from Kentucky on the way, they hoped, to Canada. Two other novels, along with Uncle Tom’s Cabin, show the range and variety of her literary accomplishment. The Minister’s Wooing (1859) is set in Newport, Rhode Island, after the Revolution. It is a romance based in part on the life of Stowe’s sister, and it traces to a happy ending the conflicts in a young woman between adherence to Calvinistic rigor and her expression of preference in the choice of a marital partner. The third novel, Oldtown Folks (1869), confirms Stowe’s genius for the realistic rendering of ordinary experience, her talent for social portraiture with a keen satiric edge, and her subtlety in exploring a wide group of themes, from child-rearing practices and religious controversy to romantic seduction and betrayal. But finally, it is the old town and a way of life that no longer exists that is the true subject of this elegiac novel. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Twenty years after Appomattox, stricken by cancer and facing financial ruin, Ulysses S. Grant wrote his Personal Memoirs to secure his family’s future. in doing so, the Civil War’s greatest general won himself a unique place in American letters. His character, intelligence, sense of purpose, and simple compassion are evident throughout this vivid and deeply moving account, which has been acclaimed by readers as diverse asMark Twain, Matthew Arnold, Gertrude Stein, and Edmund Wilson. Annotated and complete with detailed maps, battle plans, and facsimiles reproduced from the original edition, this volume offers an unparalleled vantage on the most terrible, moving, and inexhaustibly fascinating event in American history. included are 174 letters, many of them to his wife, Julia, which offer an intimate view of their affectionate and enduring marriage. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.