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A fascinating and truly unique survey of two of the world's most significant and influential civilisations spanning some 2000 years from the development of the Greek alphabet to the sack of Rome and a dinner date with Attila the Hun in 450 CE. Some ninety Greeks and Romans have contributed to the book with reports culled from 130 separate works. In addition to literary sources--history, letters, poetry, drama, science, medicine, philosophy--the book also mines epigraphy, graffiti, archaeology and the visual arts to give as rounded a reportage as possible. 'Modern' contributions come from the Bamboo Annals, Shakespeare, Raleigh, Browning, Heine, Houseman, Orwell, the Ventris Papers and from the excavations at Pompeii, Vindolanda and the London Bloomberg site.
A comprehensive treatment of the Classical World in film and television, A Companion to Ancient Greece and Rome on Screen closely examines the films and TV shows centered on Greek and Roman cultures and explores the tension between pagan and Christian worlds. Written by a team of experts in their fields, this work considers productions that discuss social settings as reflections of their times and as indicative of the technical advances in production and the economics of film and television. Productions included are a mix of Hollywood and European spanning from the silent film era though modern day television series, and topics discussed include Hollywood politics in film, soundtrack and sound design, high art and low art, European art cinemas, and the ancient world as comedy. Written for students of film and television as well as those interested in studies of ancient Rome and Greece, A Companion to Ancient Greece and Rome on Screen provides comprehensive, current thinking on how the depiction of Ancient Greece and Rome on screen has developed over the past century. It reviews how films of the ancient world mirrored shifting attitudes towards Christianity, the impact of changing techniques in film production, and fascinating explorations of science fiction and technical fantasy in the ancient world on popular TV shows like Star Trek, Babylon 5, Battlestar Galactica, and Dr. Who.
“A fast-paced narrative history of the dying years of the Republic, and one grounded in the characters, events, and voices of the period.” —Bryn Mawr Classical Review Rome: Republic into Empire looks at the political and social reasons why Rome repeatedly descended into civil war in the early 1st century BCE and why these conflicts continued for most of the century; it describes and examines the protagonists, their military skills, their political aims and the battles they fought and lost; it discusses the consequences of each battle and how the final conflict led to a seismic change in the Roman political system with the establishment of an autocratic empire. This is not just another arid chronological list of battles, their winners and their losers. Using a wide range of literary and archaeological evidence, Paul Chrystal offers a rare insight into the wars, battles and politics of this most turbulent and consequential of ancient world centuries; in so doing, it gives us an eloquent and exciting political, military and social history of ancient Rome during one of its most cataclysmic and crucial periods, explaining why and how the civil wars led to the establishment of one of the greatest empires the world has known. “More than a list of battles, their winners and losers. We are given a complete picture of Roman and Italian society from aristocrats to peasants and slaves.” —Army Rumour Service (ARRSE)
A study of the Greek mythological wars between Olympians, Titans, giants, centaurs, lapiths and humans, and their significant influence on later cultures. Even though war and conflict generally feature prominently in Greek mythology, comparatively little has been written on the subject. This is surprising because wars and battles in Greek mythology are freighted with symbolism and laden with meaning and significance—historical, political, social and cultural. The gods and goddesses of war are prominent members of the Greek pantheon: the battles fought by and between Olympians, Titans, giants and Amazons, between centaurs and lapiths, were pivotal in Greek civilization. The Trojan War itself had huge and far-reaching consequences for subsequent Greek culture. The ubiquity of war themes in the Greek myths reflects the prominence of war in everyday Greek life and society, which makes the relative obscurity of published literature all the more puzzling. This book redresses this by showing how conflict in mythology and legend resonated loudly as essential, existentialist even, symbols in Greek culture and how they are represented in classical literature, philosophy, religion, feminism, art, statuary, ceramics, architecture, numismatics, etymology, astronomy, even vulcanology. Praise for War in Greek Mythology “An excellent study of the more military of the Greek myths, telling the stories while also acknowledging the many different versions of so many of them, and also the varying attitudes of the ancient Greeks to these stories.” —History of War
An enlightening look at the importance of war gods and their myths to the ancient Romans. This book redresses the relative lack of work published on the role of war in classical myth and legend. At the same time it debunks the popular view that the Romans had little mythology of their own and idly borrowed and adapted Greek myth to suit their own ends. While this is true to some extent, War in Roman Myth and Legend clearly demonstrates a rich and meaningful independent mythology at work in Roman culture. The book opens by addressing how the Romans did adopt and adapt Greek myths to fashion the beginnings of Roman history; it goes on to discuss the Roman gods of war and the ubiquity of war in Roman society and politics and how this was reflected in the Aeneas Foundation Myth, the Romulus and Remus Foundation Myth, and the legends associated with the founding of Rome. Also discussed are warlike women in Roman epic; Trojan heroes; and the use of mythology by Roman poets other than Virgil. The Theban Legion and the vision of Constantine myths conclude the journey.
The Edinburgh Companion, newly available in paperback, is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilisation and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more.
This volume presents an innovative picture of the ancient Mediterranean world. Approaching poverty as a multifaceted condition, it examines how different groups were affected by the lack of access to symbolic, cultural and social – as well as economic – capital. Collecting a wide range of studies by an international team of experts, it presents a diverse and complex analysis of life in antiquity, from the archaic to the late antique period. The sections on Greece, Rome, and Late Antiquity offer in-depth studies of ancient life, integrating analysis of socio-economic dynamics and cultural and discursive strategies that shaped this crucial element of ancient (and modern) societies. Themes like social cohesion and control, exclusion, gender, agency, and identity are explored through the combination of archaeological, epigraphic, and literary evidence, presenting a rich panorama of Greco-Roman societies and a stimulating collection of new approaches and methodologies for their understanding. The book offers a comprehensive view of the ancient world, analysing different social groups – from wealthy elites to poor peasants and the destitute – and their interactions, in contexts as diverse as Classical Athens and Sparta, imperial Rome, and the late antique towns of Egypt and North Africa. Poverty in Ancient Greece and Rome: Discourses and Realities is a valuable resource for students and scholars of ancient history, classical literature, and archaeology. In addition, topics covered in the book are of interest to social scientists, scholars of religion, and historians working on poverty and social history in other periods.
A fascinating, accessible, and up-to-date history of the Ancient Greeks. Covering the Archaic, Classical, and Hellenistic periods, and centred around the disunity of the Greeks, their underlying cultural unity, and their eventual political unification.
Considering that York was always an important Roman city there are few books available that are devoted specifically to the Roman occupation, even though it lasted for over 300 years and played a significant role in the politics and military activity of Roman Britain and the Roman Empire throughout that period. The few books that there are tend to describe the Roman era and its events in date by date order with little attention paid either to why things happened as they did or to the consequences of these actions and developments. This book is different in that it gives context to what happened here in the light of developments in Roman Britain generally and in the wider Roman Empire; the author digs below the surface and gets behind the scenes to shed light on the political, social and military history of Roman York (Eboracum), explaining, for example, why Julius Caesar invaded, what indeed was really behind the Claudian invasion, why was York developed as a military fortress, why as one of Roman Britain’s capitals? Why did the emperors Hadrian and Severus visit the fortress? You will also discover how and why Constantine accepted and projected Christianity from here, York’s role in the endless coups and revolts besetting the province, the headless gladiators and wonderful mosaics discovered here and why the Romans finally left York and Roman Britain to its own defence. These intriguing historical events are brought to life by reference to the latest local archaeological and epigraphical evidence, to current research and to evolving theories relating to the city’s Roman treasures, of which can be seen in the Yorkshire Museum in York, or in situ.
Drawing on cognitive approaches to literary studies, this volume pursues a new approach to ancient Greek narrative that transcends the taxonomies of structuralist narratologies, deploying concepts such as immersion and embodiment in order to establish a more comprehensive understanding of ancient Greek narrative and ancient reading habits.