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Disarmingly personal and intensely philosophical, Report to Greco is a fictionalized account of Greek philosopher and writer Nikos Kazantzakis’s own life, a sort of intellectual autobiography that leads readers through his wide-ranging observations on everything from the Hegelian dialectic to the nature of human existence, all framed as a report to the Spanish Renaissance painter El Greco. The assuredness of Kazantzakis’s prose and the nimbleness of his thinking as he grapples with life’s essential questions—who are we, and how should we be in the world?—will inspire awe and more than a little reflection from readers seeking to answer these questions for themselves.
A stimulating excursion into the sunnier areas of the human spirit.
First published in 1946, "Zorba the Greek," is, on one hand, the story of a Greek working man named Zorba, a passionate lover of life, the unnamed narrator who he accompanies to Crete to work in a lignite mine, and the men and women of the town where they settle. On the other hand it is the story of God and man, The Devil and the Saints; the struggle of men to find their souls and purpose in life and it is about love, courage and faith.
Like The Last Temptation of Christ, Saint Francis is a fictionalized biography of a widely venerated Christian figure: Francis of Assisi, whose renunciation of his young man’s life of leisure and founding of a religious order dedicated to living in poverty and sharing the Gospels with all living things profoundly influence the ways in which Christians the world over worship and give service to their god even today. Recounted in Nikos Kazantzakis’s striking prose through the eyes of the saint’s brother, Leo, the life of Saint Francis shines in these pages as a heroic example of inspirational leadership and boundless love for God and all His creatures.
Examines the concept of God which emerges from the writings of Nikos Kazantzakis and argues that he was a process theist.
Clio is Muse of history, her 'cosmetics' the adornments of rhetoric. Peter Wiseman's influential book, first published in 1979 and now for the first time in paperback, concerns the writing of history during the first century BCE, when Rome was in process of becoming the centre of the Greek, as much as her own, literary world. Historians, trained in the schools of rhetoric, prized elegant plausibility above the empirical objectivity we expect of them today. Legend and history intermingled; history and poetry overlapped.This study divides into three distinct parts. The first treats the problems that arise from reading first century history as if it were written by modern, non-rhetorical standards. The second examines the pseudo-history of the gens Claudia, fabricated during the first century and transmitted to us by Livy and Dionysius of Halicarnassus. The third discusses Catullus' dedication of his poetry to the historian Cornelius Nepos against the background of the two authors' common intellectual heritage. The book represents a significant contribution towards an appreciation of ancient historiography and Roman culture. History is viewed here as rhetoric, as myth-making, and as poetry.