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From the 1960s (when the advent of what many call the postmodern style made establishing genres more difficult) to the present day, writers have been incorporating science--not only the commonly thought of science and technology but also the "soft" sciences such as psychology and sociology--into what was previously considered mainstream fiction. This book examines works by Thomas Pynchon, Doris Lessing, and others who incorporate science in fiction and exemplify the movement of mainstream fiction writers toward a new genre termed "span." It also examines works by some science fiction writers who are edging closer to the border of science fiction and slowly over into span. This book maps the boundaries of the new span genre of fiction and thus helps define texts that fall outside the realms of mainstream and science fiction. Diagrams are included and a bibliography and index.
From the winner of the Nobel Prize for Literature, Doris Lessing, a distinctive science fiction short story.
This wide-ranging collection of the stories by the renowned Nobel Laureate—spanning more than two decades of her astonishing career—highlights her singular gifts for portraying the complex lives of men and women in a modern, often alienating world. Included are seminal stories like “To Room Nineteen,” in which a woman reacts against the oppression of her banal marriage with dreadful results; “One off the Short List,” which traces the surprising conclusion to a seduction gone awry; “The Habit of Loving,” in which a lonely older man who takes a vivacious, young wife witnesses an unexpected reversal of intimacy. Here are two classic novellas as well: The Temptation of Jack Orkney and The Other Woman, which exemplify Lessing’s grasp of the most essential human psychology. Rich and various in mood and background—the settings range across England and France—these stories powerfully convey the uncompromising insight, intelligence, and vision of one of the most ardently admired writers of our time.
The death of Nobel Prize-winning Doris Lessing sparked a range of commemorations that cemented her place as one of the major figures of twentieth- and twenty-first-century world literature. This volume views Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived. The 12 original chapters provide new readings of Lessing's work via contexts ranging from post-war youth politics and radical women's writing to European cinema, analyse her experiments with genres from realism to autobiography and science-fiction, and draw on previously unstudied archive material. The volume also explores how Lessing's writing can provide insight into some of the issues now shaping twenty-first century scholarship - including trauma, ecocriticism, the post-human, and world literature - as they emerge as defining challenges to our own present moment in history.
"A capsule history of American architecture since 1960.”—Wall Street Journal Architect, historian, and educator Robert A. M. Stern presents a personal and candid assessment of contemporary architecture and his fifty years of practice. For more than fifty years, Robert A. M. Stern has designed extraordinary buildings around the world. Founding partner of Robert A. M. Stern Architects (RAMSA), Stern was once described as “the brightest young man I have ever met in my entire teaching career” by Philip Johnson and recently called “New York City’s most valuable architect” by Bloomberg. Encompassing autobiography, institutional history, and lively, behind-the-scenes anecdotes, Between Memory and Invention: My Journey in Architecture surveys the world of architecture from the 1960s to the present and Robert A. M. Stern’s critical role in it. The book chronicles Stern’s formative years, architectural education, and half-century of architectural practice, touching on all the influences that shaped him. He details his Brooklyn upbringing, family excursions to look at key twentieth-century buildings, and relationships with prominent teachers—Paul Rudolph and the legendary Vincent Scully among them. Stern also recounts the origins of RAMSA and major projects in its history, including the new town of Celebration, Florida, the restoration of Times Square and 42nd Street, 15 Central Park West, Benjamin Franklin and Pauli Murray Colleges at Yale, and the George W. Bush Presidential Center, as well as references the many clients, fellow architects, and professional partners who have peopled his extraordinary career. By turns thoughtful, critical, and irreverent, this accessible, informative account of a life in architecture is replete with personal insights and humor. Stern’s voice comes through clearly in the text—he details his youthful efforts to redraw house plans in real estate ads, his relationship to Philip Johnson, which began at Yale and was sustained through countless lunches at the Four Seasons, his love of Cole Porter and movies from the 1930s and 1940s, his struggle to launch an architecture practice in the 1970s in the midst of a recession, and his complex association with Disney and Michael Eisner. Unsurprisingly, New York City plays a big role in Between Memory and Invention. Stern has a deep commitment to the city and recording its past—he is the lead author of the monumental New York book series, the definitive history of architecture and urbanism from the late nineteenth century to the present—and shaping its future. Though now a global practice, RAMSA residential towers rise throughout Manhattan to enrich the skyline in the tradition of the luxurious apartment buildings of the 1920s and 1930s. Supported by a lively mix of images drawn from Stern's personal archive and other resources, this much-anticipated memoir is interspersed with personal travel slides, images of architectural precedents and the colleagues that have shaped his thinking, and photographs of the many projects he discusses. With a thoughtful afterword by architectural historian Leopoldo Villardi that delves into Stern’s process of putting together this extraordinary autobiographical work, Between Memory and Invention is a personal candid assessment of a foremost practitioner, historian, instructor, and advocate of architecture today.
   Originally published in England in 1934, this searing, timely novel offers and incisive critique of the sexual politics and militarism of England, and the West as a whole, in the post-World War I years. The novel is told from the perspective of a "Genuine Person" who has been hurtled thousands of years back in time from a future society whose citizens are peaceful, androgynous, self-fertilizing, vegetarian, and without national government and artificial social divisions of gender and class. Taking on first female, then male form, the Genuine Person confronts the reality of England in the 1930s: a society deeply troubled by fascism, the aftermath of war, gender and class divisions, religious hypocrisy, national chauvinism, and the breakdown of families and other social institutions. The protagonist is drawn into relationships with a priest who teachers her/him the English language, a woman struggling with sexual politics and sexual identity, and a man haunted by a murder he committed, driven by his deeply ingrained hatred and fear of women. This powerful novel by a master of dystopian fiction raises disturbing questions about war and peace and the nature of human relationships in an oppressive culture.
Contributions by urban planners, sociologists, anthropologists, architects, and landscape architects on the role and scope of urban design in creating more just and inclusive cities. Scholars who write about justice and the city rarely consider the practices and processes of urban design, while discourses on urban design often neglect concerns about justice. The editors of Just Urban Design take the position that urban design interventions have direct and important implications for justice in the city. The contributions in this volume contextualize the state of knowledge about urban design for justice, stress inclusivity as the key to justice in the city, affirm community participation and organizing as cornerstones of greater equity, and assert that a just urban design must center and privilege our most marginalized individuals and communities. Approaching spatial and social justice in the city through the lens of urban design, the contributors explore the possibility of envisioning and delivering social, spatial, and environmental justice in cities through urban design and the material reality of built environment interventions. The editors’ combined expertise includes urban politics and climate change, public space, mobility justice, community development, housing, and informality, and the contributors include researchers and practitioners from urban planning, sociology, anthropology, architecture, and landscape architecture. Contributors: Rachel Berney, Rebecca Choi, Teddy Cruz, Diane E. Davis, Fonna Forman, Christopher Giamarino, Kian Goh, Alison B. Hirsch, Jeffrey Hou, Anastasia Loukaitou-Sideris, Setha Low, Matthew Jordan Miller, Vinit Mukhija, Chelina Odbert, Francesca Piazzoni, and Michael Rios.
A cutting exploration of how cities drive climate change while being on the frontlines of the coming climate crisis How will climate change affect our lives? Where will its impacts be most deeply felt? Are we doing enough to protect ourselves from the coming chaos? In Extreme Cities, Ashley Dawson argues that cities are ground zero for climate change, contributing the lion’s share of carbon to the atmosphere, while also lying on the frontlines of rising sea levels. Today, the majority of the world’s megacities are located in coastal zones, yet few of them are adequately prepared for the floods that will increasingly menace their shores. Instead, most continue to develop luxury waterfront condos for the elite and industrial facilities for corporations. These not only intensify carbon emissions, but also place coastal residents at greater risk when water levels rise. In Extreme Cities, Dawson offers an alarming portrait of the future of our cities, describing the efforts of Staten Island, New York, and Shishmareff, Alaska residents to relocate; Holland’s models for defending against the seas; and the development of New York City before and after Hurricane Sandy. Our best hope lies not with fortified sea walls, he argues. Rather, it lies with urban movements already fighting to remake our cities in a more just and equitable way. As much a harrowing study as a call to arms Extreme Cities is a necessary read for anyone concerned with the threat of global warming, and of the cities of the world.
"Grand Urban Rules offers a compilation and discussion of significant rules invented and implemented by European, North American, and Asian cities. The reader does not only get an overview of the functionality and repercussions of these rule sets but also gains insight into the context and situation of the specific city through the lens of rule-based governance: a citys code as the inverted, abstracted and extracted image of a citys actual situation. Setting standards is first and foremost a cultural act. We map cities by their rules! The publication is based on a database of approximately 100 relevant urban rules researched over the past three years at the ETH Zurich. These rules describe built form with regard to physical characteristics, qualities, and consequences as well as the distribution of program, density, urban performance, and aesthetics."--Publisher's description.