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A history of the construction of the Glen Canyon Dam and social imbalances that resulted from it.
The Colorado River Plateau is home to two of the best-known landscapes in the world: Rainbow Bridge in southern Utah and Monument Valley on the Utah-Arizona border. Twentieth-century popular culture made these places icons of the American West, and advertising continues to exploit their significance today. In Rainbow Bridge to Monument Valley, Thomas J. Harvey artfully tells how Navajos and Anglo-Americans created fabrics of meaning out of this stunning desert landscape, space that western novelist Zane Grey called “the storehouse of unlived years,” where a rugged, more authentic life beckoned. Harvey explores the different ways in which the two societies imbued the landscape with deep cultural significance. Navajos long ago incorporated Rainbow Bridge into the complex origin story that embodies their religion and worldview. In the early 1900s, archaeologists crossed paths with Grey in the Rainbow Bridge area. Grey, credited with making the modern western novel popular, sought freedom from the contemporary world and reimagined the landscape for his own purposes. In the process, Harvey shows, Grey erased most of the Navajo inhabitants. This view of the landscape culminated in filmmaker John Ford’s use of Monument Valley as the setting for his epic mid-twentieth-century Westerns. Harvey extends the story into the late twentieth century when environmentalists sought to set aside Rainbow Bridge as a symbolic remnant of nature untainted by modernization. Tourists continue to flock to Monument Valley and Rainbow Bridge, as they have for a century, but the landscapes are most familiar today because of their appearances in advertising. Monument Valley has been used to sell perfume, beer, and sport utility vehicles. Encompassing the history of the Navajo, archaeology, literature, film, environmentalism, and tourism, Rainbow Bridge to Monument Valley explores how these rock formations, Navajo sacred spaces still, have become embedded in the modern identity of the American West—and of the nation itself.
Until World War II, the Four Corners Region—where New Mexico, Colorado, Utah, and Arizona meet—was a collection of isolated rural towns. In the postwar baby boom era, however, small communities like Farmington, New Mexico, became bustling municipalities with rapidly expanding economies. In Quest for the Golden Circle, Arthur Gomez traces the development of the Four Corners' two industries, mining and tourism, to discover how each contributed to the economic and urban transformation of this region during the 1950s and 1960s. Focusing on four cities—Durango, Colorado; Moab, Utah; Flagstaff, Arizona; and Farmington, New Mexico—Gomez chronicles how these towns played key roles in the West's dramatic postwar expansion. Cities such as Denver, Albuquerque, Phoenix, Tucson, El Paso, and Salt Lake City all grew through use of the abundant petroleum, uranium, natural gas, timber, and other natural resources extracted from the Four Corners region. But the energy boom in these towns was not to last. With the arrival of foreign oil bringing economic growth to a halt in the early 1970s, town leaders turned again to the land to stimulate their economy. This time, the resource was a seemingly inexhaustible one—tourism. Gomez examines how business-minded citizens marketed the area's scenic wonders and established the entire region as a tourist destination. Their efforts were further assisted by the selection of stunning federal lands—Mesa Verde, Grand Canyon, and Arches National Parks—as treasures protected and promoted by the National Park Service. Both mining and tourism, however, were beset by complex new problems and issues. Extensive highways, for instance, were planned to bisect a Navajo reservation. As Gomez illustrates, the growing cities in the Four Corners region felt tremendous competing pressures between outside business powers and local needs as their extractive economy boomed and busted and as they then struggled to attract tourism dollars. In addition, he highlights the prominent roles played by federal agencies like the Atomic Energy Commission and the National Park Service in shaping regional destiny. An outstanding analysis of the complexities of postwar development, Quest for the Golden Circle successfully illuminates the history of one region within the larger story of the modern American West.
Everett Ruess--a bold teenage adventurer, artist, and writer--tramped around the Sierra Nevada, the California coast, and the desert wilderness of the Southwest between 1930 and 1934. At the age of 20, he mysteriously vanished into the barren Utah desert. Ruess has become an icon for modern-day adventurers and seekers. His search for ultimate beauty and adventure is chronicled in two books that contain remarkable collections of his writings, extracted from his journals and from letters written to family and friends. Both books are reprinted here in their entirety.
The story of a young artist who walked into the Southwestern desert and vanished, and the legends he left behind—includes his personal correspondence. The story of Everett Ruess, who set out into the desert with two burros in 1934 and disappeared into the wilderness of Southern Utah, has for decades been one of the most intriguing mysteries of western lore. A Californian off on an adventure at the age of twenty, he loved poetry, nature, art, and beauty. His family had tracked his wanderings for four years as he explored Arizona, Colorado, and New Mexico—and then Everett disappeared without a trace. Then, in 2008, an old Navajo Indian came forward with information that he had witnessed a murder in 1934, probably that of young Ruess. In addition to extensive letters by Ruess himself providing an insight into his mind and heart, this book tells how the bones were recovered and multiple DNA tests were done amid much suspense and speculation, and how a family was affected by the ultimate results. Includes a new epilogue