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The definitive, one-stop reference to the history of landscape architecture-now expanded and revised This revised edition of Landscapes in History features for the first time new information-rarely available elsewhere in the literature-on landscape architecture in India, China, Southeast Asia, and Japan. It also expands the discussion of the modern period, including current North American planning and design practices. This unique, highly regarded book traces the development of landscape architecture and environmental design from prehistory to modern times-in Europe, the Middle East, Asia, and North America. It covers the many cultural, political, technological, and philosophical issues influencing land use throughout history, focusing not only on design topics but also on the environmental impact of human activity. Landscape architects, urban planners, and students of these disciplines will find here: * The most comprehensive, in-depth, and up-to-date overview of the subject * Hundreds of stunning photographs and design illustrations * A scholarly yet accessible treatment, drawing on the latest research in archaeology, geography, and other disciplines * The authors' own firsthand observations and travel experiences * Insight into the evolution of landscape architecture as a discipline * Useful chapter summaries and bibliographies
"Americans came to fight the Civil War in the midst of a wider cultural world that sent them messages about death that made it easier to kill and to be killed. They understood that death awaited all who were born and prized the ability to face death with a spirit of calm resignation. They believed that a heavenly eternity of transcendent beauty awaited them beyond the grave. They knew that their heroic achievements would be cherished forever by posterity. They grasped that death itself might be seen as artistically fascinating and even beautiful."-from Awaiting the Heavenly Country How much loss can a nation bear? An America in which 620,000 men die at each other's hands in a war at home is almost inconceivable to us now, yet in 1861 American mothers proudly watched their sons, husbands, and fathers go off to war, knowing they would likely be killed. Today, the death of a soldier in Iraq can become headline news; during the Civil War, sometimes families did not learn of their loved ones' deaths until long after the fact. Did antebellum Americans hold their lives so lightly, or was death so familiar to them that it did not bear avoiding? In Awaiting the Heavenly Country, Mark S. Schantz argues that American attitudes and ideas about death helped facilitate the war's tremendous carnage. Asserting that nineteenth-century attitudes toward death were firmly in place before the war began rather than arising from a sense of resignation after the losses became apparent, Schantz has written a fascinating and chilling narrative of how a society understood death and reckoned the magnitude of destruction it was willing to tolerate. Schantz addresses topics such as the pervasiveness of death in the culture of antebellum America; theological discourse and debate on the nature of heaven and the afterlife; the rural cemetery movement and the inheritance of the Greek revival; death as a major topic in American poetry; African American notions of death, slavery, and citizenship; and a treatment of the art of death-including memorial lithographs, postmortem photography and Rembrandt Peale's major exhibition painting The Court of Death. Awaiting the Heavenly Country is essential reading for anyone wanting a deeper understanding of the Civil War and the ways in which antebellum Americans comprehended death and the unimaginable bloodshed on the horizon.
When Mount Auburn opened as the first “rural” cemetery in the United States in 1831, it represented a new way for Americans to think about burial sites. It broke with conventional notions about graveyards as places to bury and commemorate the dead. Rather, the founders of Mount Auburn and the spate of similar cemeteries that followed over the next three decades before the Civil War created institutions that they envisioned being used by the living in new ways. Cemeteries became places for leisure, communing with nature, and creating a version of collective memory. In fact, these cemeteries reflected changing values and attitudes of Americans spanning much of the nineteenth century. In the process, they became paradoxical: they were “rural” yet urban, natural yet designed, artistic yet industrial, commemorating the dead yet used by the living. The Rural Cemetery Movement: Places of Paradox in Nineteenth-Century America breaks new ground in the history of cemeteries in the nineteenth century. This book examines these “rural” cemeteries modeled after Mount Auburn that were founded between the 1830s and 1850s. As such, it provides a new way of thinking about these spaces and new paradigm for seeing and visiting them. While they fulfilled the sacred function of burial, they were first and foremost businesses. The landscape and design, regulation of gravestones, appearance, and rhetoric furthered their role as a business that provided necessary services in cities that went well beyond merely burying bodies. They provided urban green spaces and respites from urban life, established institutions where people could craft their roles in collective memory, and served as prototypes for both urban planning and city parks. These cemeteries grew and thrived in the second half of the nineteenth century; for most, the majority of their burials came before 1910. This expansion of cemeteries coincided with profound urban growth in the United States. Unlike their predecessors, founders of these burial grounds intended them to be used in many ways that reflected their views and values about nature, life and death, and relationships. Emphasis on worldly accomplishments increased with industrialization and growth in the United States, which was reflected in changing ways people commemorated their dead during the period under this study. Thus, these cemeteries are a prism through which to understand the values, attitudes, and culture of urban America from mid-century through the Progressive Era.
Contains the annual reports of various Ohio state governmental offices, including the Attorney General, Governor, Secretary of State, etc.
"Overall, the book is organized by topic, including business, politics, education, religion, the arts, transportation, and the press. Cole shows how Columbus residents reacted to and reflected the major political, economic, and social trends in the United States at the time. In contrast to earlier accounts that focused primarily on the male, white leadership, this book tries to encompass all economic classes and ethnic and racial groups.".